Disney Princess Enchanted Tales: Follow Your Dreams Page #4

Synopsis: Princess Aurora and Princess Jasmine learn valuable life lessons in two short stories.
Genre: Animation, Family
Director(s): David Block
Production: Walt Disney Home Entertainment
  1 nomination.
 
IMDB:
5.3
UNRATED
Year:
2007
56 min
1,524 Views


really great

if it didn't

do it again.

( giggles )

Shh, shh, shh.

Shh...

Shh.

Shh...

Ah!

How could I do this?

How could I be so stupid?

This could destroy

the company.

The company?

Who cares

about the company?!

What about us?

That thing is

a killing machine!

La-la-la-la-la-la

I bet it's just waiting

for us to fall asleep

and then wham!

Oh, we're easy prey,

my friend-- easy prey.

We're sitting targets.

Okay, look, I think

I have a plan here.

Using mainly spoons, we dig

a tunnel under the city

and release it into the wild.

Spoons.

That's it, I'm out of ideas.

We're closed.

Hot air balloon?

Too expensive.

Giant slingshot?

Too conspicuous.

Enormous wooden horse?

Too Greek!

( speaking baby talk )

No plan. No plan.

Can't think.

Can't think.

Flatlining.

Uh, Mike?

I think she's getting tired.

Well, then

why don't you

find someplace

for it to sleep?

While I think of a plan!

Are you sleepy?

You want to sleep?

Is that what you want?

Huh?

( crunching )

Okay, all right.

I'm making a nice

little area for you to...

( giggling )

No. Hey, hey,

that's my bed!

You're going to get

your germs all over it.

( sighing ):

Fine.

My chair is

more comfortable anyway.

( yells )

What?

( speaking fearfully )

It's just a closet.

Will you go to sleep?

Hey, that looks like Randall.

Randall's your monster.

You think he's going

to come through the closet

and scare you.

Oh, boy,

how do I explain this?

Uh, it's empty.

-See?

-Ah!

No monster in here.

Well, now there is

but I'm not going to scare you.

I'm off-duty.

Okay.

How about I sit here,

until you fall asleep?

Go ahead.

Go to sleep.

Now.

Now... go.

Uh, you...

go...

to...

sleep.

( ioitating snoring )

( giggles )

( sighs in relief )

( door creaks softly )

Hey, Mike,

this might sound crazy

but I don't think

that kid's dangerous.

Really? Well, in that case,

let's keep it.

I always wanted a pet

that could kill me!

Now, look.

What if we just put

her back in her door?

What?

Mike, think about it.

If we send her back,

it's like it never happened.

Everything goes back to normal.

Is that a joke?

Tell me you're joking.

Sulley, I'd like to think

that, given the circumstances

I have been extremely

forgiving up to now

but that is a horrible idea!

What are we going to do?

March right out into

public with that thing?

Then I guess we just waltz

right up to the factory, right?

I can't believe we

are waltzing right

up to the factory.

Sulley, a mop,

a couple of lights

and some chair fabric

are not going

to fool anyone!

Just think about

a few names, will you?

Loch Ness, Bigfoot,

the Abominable Snowman--

they all got one thing

in common, pal-- banishment.

We could be next!

Don't panic--

we can do this.

Hey, how you doing, Frank?

Hey, guys.

Everything's going

to be okay.

( gasping )

( equipoent buzzing loudly )

Number One wants this place

dusted for prints.

Careful with that.

I got a good view from here.

A little lower.

This was recovered

at the scene.

Don't panic.

Don't panic!

Don't tell me

not to panic.

Just keep it together.

Everything is not okay!

LITTLE GIRL:

Boo.

...could be contaminated.

Gentlemen, safety

is our number one concern.

If there's anything that...

Not now, not now.

Oh, hello, little one.

Where did you come from?

Mr Waternoose!

Ah,James!

Is this one yours?

Actually, that's my, uh,

cousin's sister's daughter, sir.

Yeah, it's, uh...

''Bring an Obscure Relative

to Work Day.''

Hmm, must have

missed the memo.

Well, listen,James

why don't you stop by

the simulator after lunch today

and give us

that scare demonstration

we talked about, huh?

Oh, oh, sir, uh....

Excuse me,

Mr Waternoose?

Yes, yes, I'm coming.

All right then, I'll see

you this afternoon,James.

That is, if these gentlemen

haven't shut us down.

Oh, boy.

Oh, a scare demo.

Well, that is great.

Why am I

the last to know?

We can bring your cousin's

sister's daughter along.

She'll be a big hit!

( equipoent buzzing loudly )

Halt!

( yelling )

Stop him!

Hold him down.

Come on,

the coast is clear.

Okay, all we have to do

is get rid of that thing.

So, wait here while

I get its card key.

But she can't stay here.

This is the men's room.

That is the weirdest thing

you have ever said.

It's fine. It's okay.

Look, it loves it here!

It's dancing with joy!

Uh, uh, uh, uh.

I'll be right back

with its door key.

( laughs )

That's a cute little

dance you've got.

It almost looks

like you've got to...

( whining )

Oh.

( singing in baby talk )

( singing stops )

Uh, are you

done in there?

( squeals )

Ah! Sorry. Sorry.

( singing )

( toilet flushes )

Okay, you

finished now, right?

Hello?

( yells )

Boo.

( giggles )

( sighs )

( giggling )

( chuckles )

Where did she go?

Oh, did she disappear?

Did she turn invisible?

( giggling softly )

I just have no idea.

Gotcha!

Boo.

( giggles )

Hey, you're good.

( sighs )

Be relaxed,

be relaxed, be relaxed.

Roz, my tender,

oozing blossom

you're looking

fabulous today.

Is that a new haircut?

Come on, tell me.

It's a new haircut,

isn't it?

That's got to be

a new haircut.

New make-up?

You've had a lift.

You've had a tuck.

You've had something.

Something has been

inserted in your skin

that makes you look like...

( sighs )

Listen, I need a favour.

Randall was working

late last night

out on the scare floor.

I really need the key

for the door he was using.

Well, isn't that nice?

But guess what?

You didn't turn in

your paperwork last night.

He didn't... I...

no paperwork?

This office is now closed.

( Mike screaos in pain )

Ready or not, here I come!

I'm getting warmer.

Any second now.

Fee fi fo...

What are you doing?!

I-I'm looking

for the kid.

You lost it?!

No, no, she was just....

( squeals )

Here she is.

( whining )

Hey, what's the matter?

RAND ALL:

I already told your buddies

I haven't seen anything.

CD A AGENT:

All right. Carry on.

( splashing )

Randall!

Thank goodness!

What are we going to do

about the child?

Shh!

Shh, shh, shh.

( door slaos open )

( door slaos open )

The front page!

It's on the front page.

The child--

the one you were after.

Will you be quiet?!

Don't you think I'm aware

of the situation?

I was up all night

trying to find it.

I did a simple

calculation

factoring in the size

of the sushi restaurant.

The child

may have escaped!

Yeah, well, until

we know for sure

we're going to act like

nothing happened, understand?

You just get the

machine up and running.

I'll take care of the kid.

And when I find whoever

let it out, they're dead!

Oh!

Why are you still here?

Come on, go!

Move! Now!

FUNGUS:

Ow, ow! I'm not here.

SULLEY ( whispering ):

They're gone.

( squeaking and splashing )

LITTLE GIRL:

Ew.

MIKE:

This is bad.

This is so very bad.

What were they talking

about a machine?

Who cares? Oh!

Look, don't panic--

all we have to do

is call her door down

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Shirley Pierce

One of the most prolific writers in Australia, Shirley has worked on films that have had a cumulative box office of over a half a billion dollars. In ten years of writing for Walt Disney Studios, Shirley worked on over two dozen projects ranging from features Dinosaur, Home on the Range and Meet the Robinsons to the Holocaust drama Misha. The short John Henry, which she wrote for Disney, won international film festivals and was shortlisted in its category for the Academy Awards. Her screen adaptation of the opera Aida was source material for Elton John's successful Broadway production. Having just delivered a legal drama for Full Circle Productions, Shirley is writing a TV mini-series for Filmgraphics. Previously, she delivered a wartime romance for Hard Rock Entertainment, co-wrote an adaptation of a Tuscany romance for Intomedia. She also delivered a rewrite of a millennial love story for Radioactive Pictures which has just picked up her romantic-comedy, Mating Game, for production in 2022. Shirley wrote and produced the short film No Means which was an official selection at five international film festivals including festivals in Los Angeles, Melbourne and New York. She also wrote and co-produced the successful anti-bullying music video Free You Be You which was nominated for a Heart of Gold award and a finalist in the Grand Indiewise Film Festival. Shirley wrote for networks ABC and the Nine Network plus producers Trish Lake, Matt Carroll and Chris Brown. Shirley's TV movies include the Lena Horne Story for ABC, Black Entertainment Television's thriller Incognito, TNT's Passing Glory for Quincy Jones and family drama Colour of Rage. Shirley has written for studios in the U.S., Australia, Japan and Spain. She has developed projects for MGM and Sony Pictures. Shirley wrote romantic drama For Real for New Millennium Studios and the urban love story How to Make Your Man Behave. Other credits include the urban drama Hothouse Flowers, the TV drama Kaleidoscope for Caravel Pictures, the story for thriller Murder on the Reef for Wonderland Media and a book adaptation of romantic novel, Seducing Mr. Maclean. Shirley has developed projects for Stephen J. Cannell, Fox Television, NBC, Proctor and Gamble, Hanna Barbera, Crawfords and the Australian Children's Television Fund. She has also lectured on screenwriting at film festivals, film schools and universities. more…

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Submitted on August 05, 2018

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