Disney Princess Enchanted Tales: Follow Your Dreams Page #6

Synopsis: Princess Aurora and Princess Jasmine learn valuable life lessons in two short stories.
Genre: Animation, Family
Director(s): David Block
Production: Walt Disney Home Entertainment
  1 nomination.
 
IMDB:
5.3
UNRATED
Year:
2007
56 min
1,524 Views


Not that I was concerned,

of course.

Just get over

here and help me!

Come on, come

on, come on.

While we're young

here, Fungus!

( both straining )

Kid needs to take

off a few pounds.

( yelps )

Wazowski?!

Where is it,

you little one-eyed cretin?

Okay, first of all,

it's cree-tin.

If you're going

to threaten me

do it properly.

Second of all, you're nuts

if you think kidnapping me

is going to help you cheat

your way to the top!

( chuckling evilly )

You still think this is about

that stupid scare record?

Well... I did, right up

until you chuckled like that

and now I'm thinking

I should just get out of here.

I am about to revolutionise

the scaring industry

and when I do, even

the great James P. Sullivan

is going to be

working for me.

MIKE:

Well

somebody's certainly

been a busy bee.

First, I need to know

where the kid is

and you're going

to tell me.

Yeah, I don't

know anything.

Uh-huh, sure.

MIKE:

I don't.

I mean, I don't.

Uh-oh.

( oechanical clanging

~ and grinding )

What's that?

Come on.

Wait, wait, wait.

Oh-oh. Oh-oh.

Oh, come on.

No, no, no, no, no.

Come on,

hey, hey, hey.

This thing is moving.

I don't like big...

moving things that are

moving towards me.

No! Come on!

Hey, Randall!

Say hello

to the scream extractor.

Hello.

Come on,

where you going?

We'll talk.

Come on,

we'll have a latte!

Come on.

We can talk

about this.

( electrical whirring starts,

~ then grows louder )

What's that thing?

What is that thing?

Wait, wait, wait!

Stop, stop!

No, no!

Come on, hey!

( deep, resonating whirring )

Help! Help! Help!

Help!

( yelling )

( noise dies away )

Oh, for...

What did you

do wrong this time?

I don't know.

I calibrated the drive...

Go check the machine!

There must be something wrong

with the scream intake valve.

That's the problem

with these 3250 units...

Huh?

Hmm.

Psst!

Fungus.

Fungus.

You like cars, huh?

'Cause I got a really nice car.

If you let me go,

I'll give you...

a ride in the car.

Please, Fungus?

I'm sorry, Wazowski,

but Randall said

I'm not allowed to fraternize

with victims of his evil plot.

( gasps )

( clanging )

Hmm...

( zapping )

( electrical whirring )

( clanking, rattling, whirring )

( gasps )

( ouffled screaos )

What happened?

Where's Wazowski?

( ouffled screaos )

( shuts off oachine )

Where is he?!

( whiopering )

( growls )

( whiopering )

( squeals )

Come on!

This is crazy.

He's going to kill us!

CD A AGENT:

Careful.

That could be contaminated.

We got to get out of here now!

We can start a whole new life

somewhere far away.

Goodbye, Monsters, Inc.!

Goodbye, Mr Waternoose!

No, Mike, wait!

Hey, what are you doing?

Follow me. I have an idea.

No! No, no, no, no,

no, no, no, no...

COMPUTER VOICE ( over P.A. ):

Simulation terminated.

WATERNOOSE:

No, no, no, no, no.

What was that?

You're trying to scare the kid,

not lull it to sleep.

I was going for a

snake/ ninja approach

with a little hissing.

( hisses )

How many times

do I have to tell you?

It's all about presence!

About how you enter the room!

Mr Waternoose!

James! Perfect timing.

No, no. Sir, you

don't understand.

Ah, now, show these monsters

how it's done.

What? No, no,

I can't...

Sir...

sir, you have

to listen to me.

Pay attention, everyone.

You're about to see

the best in the business.

Reset the simulator.

But-but, sir!

MOTHER:

Good night, sweetheart.

ANIMATRONIC BO Y:

Night, Mom.

Kitty!

No, Boo, no, no!

Now, give us a big, loud roar.

Mr Waternoose,

there's no time for this.

Come on. What are you

waiting for? Roar!

But-but-but, sir!

Roar!

( groans )

( roaring ferociously )

( shrieking in terror )

( gasps )

( roaring ferociously )

( squeals )

( Boo crying )

( students applauding )

WATERNOOSE:

Well done.

Well done,James.

Boo?

-All right, gentlemen,

I hope you've learned...

-Right this way, everyone.

...a valuable lesson

in scaring today.

( fearful whioper )

( whines softly )

Boo.

( nervous grunt )

( whining )

Boo?

( panicked grunts )

( door slaos )

Boo, it's me.

( squealing )

( gasps ):

The child!

Sir, she isn't toxic.

I know it sounds

crazy, but trust me.

Boo?

No, no, no, no.

It's okay.

I was just...

( whiopering in fear )

No, no, no, no, no,

don't be scared.

That wasn't real.

It's just a...

I was just...

( crying ):

No...

( Boo continues crying )

( Boo sobbing )

Boo.

MIKE:

...and he was going

to test it out

on that sweet,

little girl.

Boo.

Now that we

have her...

...he is trying

to kill us.

This whole thing

is Randall's fault.

Randall?

Yes. And we can take

you to his secret lab,

which is right here

in this factory.

How could this happen?

Oh, how could this happen?

Does anyone else

know about this?

No, sir.

Good.

This company can't afford

any more bad publicity.

Now, before we do

anything else, let's...

take care of the child.

Oh, I never thought things

would come to this...

not in my factory.

I'm sorry you boys

got mixed up in this.

Especially you,James.

But now we can set

everything straight again

for the good of the company.

( whirring )

( thunk )

MIKE:

Uh...

sir, that's not her door.

I know, I know.

It's yours.

( startled gasps )

( grunts )

( yelling )

No!

( gasps )

( voice echoing ):

Boo!

( gasps )

No! No!

No! No! No! No!

No!

( desperate grunts )

It's too late!

We're banished, genius.

We're in the human world!

Oh, what a great idea, going

to your old pal Waternoose!

Too bad he was in

on the whole thing!

All you had to do was listen

to me--just once!

But you didn't, did you?

You're still not listening!

( yelling )

( Sulley grunting and groaning )

Take that!

( growling )

( gasps in horror )

Welcome to the Himalayas!

( wind gusting )

''Abominable''!

( chuckles )

Can you believe that?

Do I look abominable to you?

Why can't they call me

the Adorable Snowman or...

or the Agreeable Snowman,

for crying out loud?

I'm a nice guy.

Snow cone?

Yuck.

No, no, no.

Don't worry--

it's lemon.

Uh, how about

you, big fella?

Snow cone?

Did you see the way she...

looked at me?

( sighs )

Ah, poor guy.

I understand.

It ain't easy

being banished.

Take my buddy, Bigfoot.

When he was banished

he fashioned an enormous diaper

out of poison ivy.

Wore it on his head

like a tiara.

Called himself King Itchy.

Ah, it won't be so hard for

you guys, though, you know.

I mean, how lucky

can you get?

Banished with your

best friend.

He is not my friend.

Oh. I just assumed you

were buddies, you know

when I saw you out

there in the snow

hugging and all that.

Look at that big jerk.

Ruined my life, and for what?

A stupid kid!

Because of you,

I am now stuck

in this frozen

wasteland!

Wasteland?

I think you mean wonderland!

I mean, how about

all this fabulous snow, huh?

Oh, and wait till you see

the local village.

Cutest thing in the world.

I haven't even mentioned

all the free yak's milk.

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Shirley Pierce

One of the most prolific writers in Australia, Shirley has worked on films that have had a cumulative box office of over a half a billion dollars. In ten years of writing for Walt Disney Studios, Shirley worked on over two dozen projects ranging from features Dinosaur, Home on the Range and Meet the Robinsons to the Holocaust drama Misha. The short John Henry, which she wrote for Disney, won international film festivals and was shortlisted in its category for the Academy Awards. Her screen adaptation of the opera Aida was source material for Elton John's successful Broadway production. Having just delivered a legal drama for Full Circle Productions, Shirley is writing a TV mini-series for Filmgraphics. Previously, she delivered a wartime romance for Hard Rock Entertainment, co-wrote an adaptation of a Tuscany romance for Intomedia. She also delivered a rewrite of a millennial love story for Radioactive Pictures which has just picked up her romantic-comedy, Mating Game, for production in 2022. Shirley wrote and produced the short film No Means which was an official selection at five international film festivals including festivals in Los Angeles, Melbourne and New York. She also wrote and co-produced the successful anti-bullying music video Free You Be You which was nominated for a Heart of Gold award and a finalist in the Grand Indiewise Film Festival. Shirley wrote for networks ABC and the Nine Network plus producers Trish Lake, Matt Carroll and Chris Brown. Shirley's TV movies include the Lena Horne Story for ABC, Black Entertainment Television's thriller Incognito, TNT's Passing Glory for Quincy Jones and family drama Colour of Rage. Shirley has written for studios in the U.S., Australia, Japan and Spain. She has developed projects for MGM and Sony Pictures. Shirley wrote romantic drama For Real for New Millennium Studios and the urban love story How to Make Your Man Behave. Other credits include the urban drama Hothouse Flowers, the TV drama Kaleidoscope for Caravel Pictures, the story for thriller Murder on the Reef for Wonderland Media and a book adaptation of romantic novel, Seducing Mr. Maclean. Shirley has developed projects for Stephen J. Cannell, Fox Television, NBC, Proctor and Gamble, Hanna Barbera, Crawfords and the Australian Children's Television Fund. She has also lectured on screenwriting at film festivals, film schools and universities. more…

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Submitted on August 05, 2018

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    "Disney Princess Enchanted Tales: Follow Your Dreams" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/disney_princess_enchanted_tales:_follow_your_dreams_6990>.

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    What does "parenthetical" refer to in screenwriting?
    A A character's inner thoughts
    B A scene transition
    C A description of the setting
    D An instruction for how dialogue should be delivered