Disney Princess Enchanted Tales: Follow Your Dreams Page #7

Synopsis: Princess Aurora and Princess Jasmine learn valuable life lessons in two short stories.
Genre: Animation, Family
Director(s): David Block
Production: Walt Disney Home Entertainment
  1 nomination.
 
IMDB:
5.3
UNRATED
Year:
2007
56 min
1,524 Views


What... what did you say?

Yak's milk.

Milking a yak

ain't exactly a picnic.

You know, once you pick

the hairs out

it's very nutritious.

No, no. Something

about a village.

Where?

Are there kids in it?

Kids? Sure.

Tough kids, sissy kids,

kids who climb on rocks...

Where is it?!

It's at the bottom

of the mountain.

Around a three-day hike.

Oh, three days?!

We need to get there now!

( thuop )

( ding )

You want to go to the village?

Okay, rule number one

out here.

Always...

No.

Never go out in a blizzard.

We need to get to Boo.

( grunts, then gasps )

Boo?!

What about us?

( grunts )

Ever since that kid

came in

you've ignored

everything I've said

and now look where we are!

Oh, we were about

to break the record, Sulley.

We would have had it made!

None of that matters now.

None of it matter...

Wa-wait a second.

None of it matters?

( sighs )

MIKE:

Okay.

That's.... no. Good. Great.

So, now the truth

comes out, doesn't it?

Oh, would you

look at that?

We're out of

snow cones, uh...

Let me... just go outside

and make some more.

Sulley, what about everything

we ever worked for?

Does that matter?

Huh?

And what about Celia?

I am never... never

going to see her again.

Doesn't that matter?

( sighs )

What about me?

I'm your pal.

I'm... I'm your best friend.

Don't I matter?

( sighs )

I'm sorry, Mike.

I'm sorry we're stuck out here.

I didn't mean

for this to happen.

But Boo's in trouble.

I think there might

be a way to save her

if we can just

get down to that...

''We''?

Whoa, whoa, whoa. ''We''?

No.

There's no ''we'' this time, pal.

I-if-if you want

to go out there

and freeze to death

you be my guest...

because you're on your own.

( wind whistles )

Hey, I got more snow cones!

Ohh!

Ahh!

Ahh!

( yells )

( grunting and groaning )

( wind howling )

( distant child screaoing )

( children screaoing )

Oh, come on, now, George.

I know you can do this.

I picked out an easy door

for you-- in Nepal.

Nice, quiet Nepal.

You know, you're right.

Here, take this.

Go get 'em, Georgie!

Gangway! Look out!

Coming through!

Sorry, George.

Hey, you can't just...

( gasps )

23...

( gagging )

( whistling )

Out of the way!

-Hey!

-Whoa!

Don't!

( gasps )

( whiopers )

Finally!

I never should have

trusted you with this.

Because of you, I had

to banish my top scarer!

With this machine,

we won't need scarers.

Besides, Sullivan got

what he deserved.

Sullivan was twice the scarer

you will ever be!

( low growl )

( panting )

( clanging )

( grunting )

( yells with effort )

( oechanical whirring )

( gasps )

Kitty!

( whirring and hissing )

( yelling )

( shrieking )

( roaring )

Kitty!

Sullivan?

( grunting )

Wh-whoa!

Kitty!

Sorry, Boo.

Stop him!

( growls )

Let's get you home.

( panting )

( blow lands )

Ooh!

WATERNOOSE:

Finish him off!

Oh! Ooh! Oh!

( clanging )

( thunk )

You don't know how long

I've wanted to do

that, Sullivan.

( grunts )

( chuckles )

( punches landing )

Hah!

Ooh!

( shrieks )

( panting )

Ooh!

Mike?!

Look, it's not that I

don't care about the kid.

Mike, you don't

understand.

Yes, I do. I was

just mad, that's all.

I needed some time to think.

But you shouldn't

have left me out there.

( thuop )

I'm being attacked!

No, I'm not attacking you.

I'm trying to be honest.

Just hear me out.

You and I are a team.

Nothing is more important

than our friendship.

I-I-I know, kid.

He's too sensitive.

( gagging )

( whining cry )

Come on, pal.

If you start crying,

I'm going to cry

and I'll never get through this.

I'm sorry

I wasn't there for you

but I am now.

Ow!

Sulley, I am baring

my soul here.

The least you could do

is pay attention!

( yells in pain )

( sighs in relief )

Hey, look at that--

it's Randall! It's...

Oh.

Come on!

WATERNOOSE:

Get up!

There can't be

any witnesses.

There won't be.

I'm glad you came back, Mike.

Somebody's gotta take care

of you, you big hair ball.

( Celia screaoing )

( screaoing )

Ow!

Schmoopsie-poo,

I really can't talk.

Come on!

Michael, if you

don't tell me

what's going on right

now, we are through!

You hear me? Through!

Here's the truth.

You know the kid that they're

looking for-- Sulley let her in.

We tried to

send her back

but Waternoose

had this secret plot

and now Randall's right behind

us and he's trying to kill us!

You expect me to believe that

pack of lies, Mike Wazowski?!

Mike Wazowski!

( startled yell )

I love you, Schmoopsie-poo!

RAND ALL:

Move it! Look out, you...

Oh!

...idiot!

( huffing )

Look out. Coming through,

here, coming through!

Make way. Move it!

Hurry up. Hurry up.

There they are!

CELIA:
( over P.A. )

Attention, employees:

Randall Boggs

has just broken

the all-time scare record.

Huh?

No, I didn't.

Get out of my way!

( claoouring )

Go get 'em, Googley Bear!

( Boo shrieks )

There it is!

RAND ALL:

Get off my tail!

Let me through!

Sulley,

what are you doing?

Grab on, Mike!

Are you out of your...?

( screaoing )

( whirring )

( Mike whiopering )

MIKE:

Sulley, what are we doing?

We have to get Boo's door

and find a station.

MIKE:

What a plan--

simple, yet insane!

( growls )

Whoa.

Oh, boy. ( gasps )

Hold on!

( Mike screaoing )

( screaoing )

( clinking )

Wow!

Don't look down!

( teeth chattering )

( rattling )

( startled gasp )

( screaoing )

( shrieking )

I'm gonna be sick.

I'm gonna be sick!

Whoa!

( screaoing )

Oh, no!

( chugging and clanking )

No!

Aah...

Boo's door?

There it is!

MIKE:

How are we supposed

to get it now?

Oh, it's a dead

end, Sulley!

( gasps )

MIKE:

There he is.

Make her laugh.

What, Sulley?!

Just do it!

Oh... ow!

( laughing )

( squealing laughter )

( engines starting )

SULLEY:

Get it open.

Here he comes.

Give me that kid!

( birds twittering )

( Boo giggling )

Why couldn't we

get banished here?

Come on. We got to

find another door.

( gasps )

Look, Boo's door!

( grunting )

There he is!

Hurry up, hurry up!

Give me your hand.

( screaoing )

( grunts )

Come on, it slides,

it slides!

Ooh, right, right, right.

( panting )

( gasps )

Jump!

I'm behind you!

Come on!

Hurry up! Keep moving!

Get inside!

Ooh! That was weird.

( grunts )

Mike?

Oh, sorry, buddy.

( stunned ouobling )

( growls )

( electronic whirring )

Oh!

I hope that hurt, lizard boy!

( laughing )

Great job, buddy.

We lost him.

( squeals )

Boo!

Ha, ha!

No!

( screaoing )

Nice working with you!

Get it open!

-I'm trying!

-Open the door!

Come on, get in here!

( Boo crying )

( grunting )

Boo!

( panting )

( panting )

There they are!

Sulley, what are you doing?

Sulley!

( grunts )

( grunts )

( yells )

Looks like we caught

the express, pal.

Do you see them?

Straight ahead!

No...

( stifled cry )

( grunting nervously )

Kitty!

Boo!

( yelling )

( whiopering )

RAND ALL:

Look at everybody's

favourite scarer now!

You stupid, pathetic waste!

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Shirley Pierce

One of the most prolific writers in Australia, Shirley has worked on films that have had a cumulative box office of over a half a billion dollars. In ten years of writing for Walt Disney Studios, Shirley worked on over two dozen projects ranging from features Dinosaur, Home on the Range and Meet the Robinsons to the Holocaust drama Misha. The short John Henry, which she wrote for Disney, won international film festivals and was shortlisted in its category for the Academy Awards. Her screen adaptation of the opera Aida was source material for Elton John's successful Broadway production. Having just delivered a legal drama for Full Circle Productions, Shirley is writing a TV mini-series for Filmgraphics. Previously, she delivered a wartime romance for Hard Rock Entertainment, co-wrote an adaptation of a Tuscany romance for Intomedia. She also delivered a rewrite of a millennial love story for Radioactive Pictures which has just picked up her romantic-comedy, Mating Game, for production in 2022. Shirley wrote and produced the short film No Means which was an official selection at five international film festivals including festivals in Los Angeles, Melbourne and New York. She also wrote and co-produced the successful anti-bullying music video Free You Be You which was nominated for a Heart of Gold award and a finalist in the Grand Indiewise Film Festival. Shirley wrote for networks ABC and the Nine Network plus producers Trish Lake, Matt Carroll and Chris Brown. Shirley's TV movies include the Lena Horne Story for ABC, Black Entertainment Television's thriller Incognito, TNT's Passing Glory for Quincy Jones and family drama Colour of Rage. Shirley has written for studios in the U.S., Australia, Japan and Spain. She has developed projects for MGM and Sony Pictures. Shirley wrote romantic drama For Real for New Millennium Studios and the urban love story How to Make Your Man Behave. Other credits include the urban drama Hothouse Flowers, the TV drama Kaleidoscope for Caravel Pictures, the story for thriller Murder on the Reef for Wonderland Media and a book adaptation of romantic novel, Seducing Mr. Maclean. Shirley has developed projects for Stephen J. Cannell, Fox Television, NBC, Proctor and Gamble, Hanna Barbera, Crawfords and the Australian Children's Television Fund. She has also lectured on screenwriting at film festivals, film schools and universities. more…

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Submitted on August 05, 2018

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