Disney Princess Enchanted Tales: Follow Your Dreams Page #8

Synopsis: Princess Aurora and Princess Jasmine learn valuable life lessons in two short stories.
Genre: Animation, Family
Director(s): David Block
Production: Walt Disney Home Entertainment
  1 nomination.
 
IMDB:
5.3
UNRATED
Year:
2007
56 min
1,525 Views


( thuop )

You've been number one

for too long, Sullivan.

Now your time is up!

And don't worry.

I'll take good care of the kid.

No!

( yelling )

( Boo grunting

~ and Randall gagging )

( Randall groaning )

( gagging )

( roaring angrily )

She's not scared

of you any more.

( roars angrily )

Looks like you're out of a job.

( gulps )

All right, come on,

over the plate.

Let's see

the ol' stuff here, pal.

Come on, now, chuck him,

chuck him, baby. Hum, baby.

Hum, baby,

here's the pitch.

Wait, please, don't,

don't, don't!

No!

And he is...

out of here!

( crickets chirping )

BO Y:

Mama, another gator

got in the house.

Another gator?!

Give me that shovel!

Come here!

( clanging, yelling )

Get him, Mama!

Get that gator!

Care to do the honours,

Mikey?

With pleasure.

( thud )

( baby talk )

That's right, Boo.

You did it.

You beat him.

( raspberry )

Come on.

Okay, Boo,

it's time to go home.

Take care of yourself,

and be a good girl, okay?

( gasps )

Oh, no!

The power's out!

Make her laugh again.

All right, I got a move here.

It'll bring down the house.

Up...

( oetallic clang )

( groans softly )

Oh, sorry, she didn't see that.

What?! What'd you do,

forget to check

if her stupid hood was up

ya big dope?!

( singsong ):

Uncle Mike, try not to yell

in front of her.

You know we still need her

to laugh.

Right.

( laughs )

Hey, Boo, just kidding. Look!

( gibberish )

Funny, right? Huh?

See what the...

These are the jokes, kid.

Whoa!

What's happening?

SULLEY:

Hold on!

When the door lands

in this station, cut the power.

You'll have the child

and the criminals responsible

for this whole mess.

Great.

A welcoming committee!

What are we going to do?!

( electrical huooing )

( clang )

This is the CD A.

Come out slowly

with the child

in plain sight.

Okay, okay.

You got us.

Here we are.

Here's the kid.

I'm cooperating.

But before you take us away,

I have one thing to say:

( gags )

Catch!

( all shouting ):

231 9!

We have a toxic

projectile!

Halt! After the suspect!

Cover the area!

Bring in reinforcements!

WATERNOOSE:

Stop him!

( Boo squeaks )

Come on.

Don't let them get away.

What...?!

No, wait, wait!

Come back!

He has the child!

( frustrated growl )

( Boo squeaks )

Sullivan? Sullivan!

Give me the child!

Me not go!

Give her to me!

( panting )

( grunts )

( oetallic creaking )

WATERNOOSE:

Open this door!

Open this door!

( growling and pounding )

Hey!

Sullivan!

( yells )

WATERNOOSE:

Don't do it.

( beep )

Come on.

Don't go in that room!

( yelling )

I think we stopped him, Boo.

You're safe now.

You be a good girl, okay?

This has gone

far enough,James.

She's home now!

Just leave her alone!

I can't do that!

She's seen too much.

You both have.

It doesn't have to be this way.

I have no choice!

Times have changed.

Scaring isn't enough any more.

But kidnapping children?!

I'll kidnap

a thousand children

before I let

this company die

and I'll silence anyone

who gets in my way!

No!

( child's voice ):

Good night, Mom.

( wooan's voice ):

Good night, sweetheart.

Good night, Mom.

What, wh-what is this?!

What? Who? Huh?

COMPUTER:

Simulation terminated.

Simulation terminated.

Well, I don't know

about the rest of you guys

but I spotted

several big mistakes.

But-but-but how-how did...?

How did...?

MIKE:

You know what?

Let's watch my favourite part

again... shall we?

( repeating ):

I'll kidnap a thousand children

before I let this company die.

What...? Wha...?

I'll kidnap

a thousand children before...

( baby talk )

Shh, shh, shh, shh!

Shh!

I'll get him.

All right,

come with us, sir.

Wh-what are

you doing?

Take your

hands off me!

You can't arrest me!

I hope you're happy, Sullivan!

You've destroyed this company.

Monsters, Incorporated is dead!

Where will everyone

get their scream now?!

The energy crisis

will only get worse

because of you!

( loud clang )

Stay where you are.

Huh?

Number One

wants to talk to you.

Attention!

Hello, boys.

BOTH:

Roz?!

Two and a half years

of undercover work

were almost wasted

when you intercepted

that child, Mr Sullivan.

Of course, without your help,

I never would have known

that this went all the way up

to Waternoose.

( baby talk )

( gasps )

ROZ:

Now...

about the girl...

I just want to

send her home.

Very good.

( chioing tones )

Bring me a door shredder.

What, you mean... you mean,

I can't see her again?

That's the way it has to be.

I'll give you

five minutes.

( whirring huo )

Well, so long, kid.

Mike Wazowski!

Yeah.

Ah, Boo,

it's been fun.

Go ahead.

Go grow up.

( door creaking )

( squealing in delight )

( laughing )

Uh-uh, B-Boo...?

( speaking baby talk )

Um... Boo?

( speaking baby talk )

Oh, look at that.

Yeah, you know...

Oh, that's cute, yeah.

( baby talk )

Uh, Boo, um...

( squeaking toy )

Well, that's very nice.

( giggling )

Come here, you!

( squeals )

( both laughing )

Oh, he's a happy bear...

( giggling )

( baby talk )

Nothing's coming

out of your closet

to scare you

any more, right?

Mm...

Yeah.

Goodbye, Boo.

Kitty.

Kitty has to go.

Boo!

( gasps )

Kitty?

( ootor buzzing loudly )

( clicks off )

None of this

ever happened, gentlemen.

And I don't want to see

any paperwork on this.

( door closes )

Take him away.

( all ourouring )

I bet we get

the rest of the day off.

You idiot!

They're going

to shut down the factory!

( all gasp )

I'm telling you, pal,

when that wall went up

you should have seen the look

on Waternoose's face.

Whoo-hoo! I hope we get

a copy of that tape.

Hey, you all right?

Come on, pal,

cheer up, we did it!

We got Boo home.

Ah, sure, we put the factory

in the toilet, and...

gee, hundreds of people

will be out of work now.

Not to mention the angry mob

that'll come after us

when there's no more power,

but, hey...

at least we had

some laughs, right?

Laughs...

( crickets chirping )

( wind blowing softly )

( door quietly creaks open )

( boy gasps )

Hey, is this thing on?

Hello?

Hello?

Testing, testing.

Hey, good evening.

How are you?

How are you?

Nice to see you.

I tell you, it's good

to be here in... your room.

Where you from?

Never mind.

You're in

kindergarten, right?

Oh, I love kindergarten.

Best three years of my life.

Of my life.

But I love sports.

Dodgeball was the best.

Oh, yeah.

I was the fastest one out there.

Course I was the ball.

But I...

was the ball, see?

All right.

( ruobling )

( ruobling gets louder )

( gurgling )

Ah...

( huge burp )

Ah?

( laughing )

Hey, thanks a lot.

I'll be here all week.

Remember to tip your waitresses.

( guffawing )

( rippling gurgle )

( bell dings )

Great job, Mikey.

You filled your quota on

the first kid of the day.

Not bad, huh?

You know, only somebody

with perfect comedic timing

could produce this much energy

in one shot.

Uh-huh, and the fact

that laughter is

ten times more

powerful than scream

Rate this script:0.0 / 0 votes

Shirley Pierce

One of the most prolific writers in Australia, Shirley has worked on films that have had a cumulative box office of over a half a billion dollars. In ten years of writing for Walt Disney Studios, Shirley worked on over two dozen projects ranging from features Dinosaur, Home on the Range and Meet the Robinsons to the Holocaust drama Misha. The short John Henry, which she wrote for Disney, won international film festivals and was shortlisted in its category for the Academy Awards. Her screen adaptation of the opera Aida was source material for Elton John's successful Broadway production. Having just delivered a legal drama for Full Circle Productions, Shirley is writing a TV mini-series for Filmgraphics. Previously, she delivered a wartime romance for Hard Rock Entertainment, co-wrote an adaptation of a Tuscany romance for Intomedia. She also delivered a rewrite of a millennial love story for Radioactive Pictures which has just picked up her romantic-comedy, Mating Game, for production in 2022. Shirley wrote and produced the short film No Means which was an official selection at five international film festivals including festivals in Los Angeles, Melbourne and New York. She also wrote and co-produced the successful anti-bullying music video Free You Be You which was nominated for a Heart of Gold award and a finalist in the Grand Indiewise Film Festival. Shirley wrote for networks ABC and the Nine Network plus producers Trish Lake, Matt Carroll and Chris Brown. Shirley's TV movies include the Lena Horne Story for ABC, Black Entertainment Television's thriller Incognito, TNT's Passing Glory for Quincy Jones and family drama Colour of Rage. Shirley has written for studios in the U.S., Australia, Japan and Spain. She has developed projects for MGM and Sony Pictures. Shirley wrote romantic drama For Real for New Millennium Studios and the urban love story How to Make Your Man Behave. Other credits include the urban drama Hothouse Flowers, the TV drama Kaleidoscope for Caravel Pictures, the story for thriller Murder on the Reef for Wonderland Media and a book adaptation of romantic novel, Seducing Mr. Maclean. Shirley has developed projects for Stephen J. Cannell, Fox Television, NBC, Proctor and Gamble, Hanna Barbera, Crawfords and the Australian Children's Television Fund. She has also lectured on screenwriting at film festivals, film schools and universities. more…

All Shirley Pierce scripts | Shirley Pierce Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Disney Princess Enchanted Tales: Follow Your Dreams" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/disney_princess_enchanted_tales:_follow_your_dreams_6990>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Disney Princess Enchanted Tales: Follow Your Dreams

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "denouement" in screenwriting?
    A The opening scene of the story
    B The rising action of the story
    C The final resolution of the story
    D The climax of the story