Disney Princess Enchanted Tales: Follow Your Dreams Page #9

Synopsis: Princess Aurora and Princess Jasmine learn valuable life lessons in two short stories.
Genre: Animation, Family
Director(s): David Block
Production: Walt Disney Home Entertainment
  1 nomination.
 
IMDB:
5.3
UNRATED
Year:
2007
56 min
1,515 Views


had nothing to do with it.

( clears throat )

CELIA:

Oh, Googley Bear.

Come here, you.

Schmoopsie-poo!

Googley.

Whoa!

( snakes chittering )

( Mike giggling )

Girls!

Girls, put...

Stop, stop, stop!

Michael,

you're such a charmer.

Hey, did you bring

the magazine?

They just delivered

a whole box.

Let me see it!

( laughing )

Sulley and I

made the cover, right?

( whispering ):

I don't believe it.

( syopathetically ):

~Googley Bear...

I'm on the cover

of a magazine!

Ow!

( chattering )

( jittering blubbers )

Oh, this is great!

( huooing happily )

( child laughing uproariously )

( bell dings )

Oh.

( distant laughter )

( kazoo whirs )

( toy horn toots )

MIKE:

Hey, Sulley!

( yells )

Hey, uh, Mike.

I was, uh, just...

Well, listen,

if you got a minute

there's something

I want to show you.

But-but-but...

Okay, close your eyes.

Follow me.

Come on.

I-I-I...

No peeking.

Keep coming,

keep coming,

keep coming.

Come on,

keep coming.

Keep coming,

keep coming.

Mike...

Follow the sultry

sound of my voice.

Okay, stop.

Open them.

Ta-da!

Mike...

is that...?

Sorry it took

so long, pal.

It was a lot of wood

to go through.

You know,

it only works

if you have

every piece.

( whirring huo )

( creaking )

Boo?

BOO:

Kitty!

( bouncy blues oelody plays )

-Speed.

-Marker.

And... action.

SULLEY:

If I were a rich man

With a million or two

MIKE:

I'd live in

a penthouse

In a room

with a view

And if I were handsome

No way.

It could happen.

Those dreams

do come true

I wouldn't have nothing

if I didn't have you

Wouldn't have nothing

if I didn't have

Wouldn't have nothing

if I didn't have

Wouldn't have nothing...

( giggling )

DIRECTOR:

Okay, cut.

( flushing )

Okay, you finished

now, right?

Hello?

Hello.

( yells )

( laughs )

( both laugh )

Come on, get lost, you two.

You're making him

lose his focus.

Oh, sorry.

See you later, fellas.

Go get 'em, Mr Solomon.

You idiot!

It's Sullivan, not Solomon!

What?

You're messing up the scene!

Sorry.

We're never going to work

in Hollywood again!

Let me do it over.

Shut up!

Keep rolling!

You're making it worse!

JERRY:

Duck and cover, people!

( squeaking )

Hey, thanks, guys.

That was a close one.

( yelling )

Ta-da!

( all laughing )

Oh, Boo, it's been fun.

Go ahead.

Go throw up.

( Boo giggles )

What?

What did I say?

What? What?

Cut.

Hey, Ted!

Good morning!

( unrealistic roaring )

Cut.

Hey, how was that?

Was I scary?

Do I get the part?

Thank you.

Can I do it again?

I can be taller!

Next!

And action!

Okay, let's move.

Let's move, let's move!

( yelling )

( loud crash )

Ow!

( laughter )

Can we get a little more wax

on the floor, please?

Wait a minute.

Randall?

That cheater!

He's trying

to boost his numbers!

There's something else.

What?!

Look-lay in the bag-bay.

I think you mean

''Ook-lay in the ag-bay.''

What? Didn't I...?

Well, you know, maybe

you should just take a minute

and ead-ray

your ipt-scray.

( chuckles )

You think he's in going

to come through the closet

and scare you.

Oh, boy, how do I explain this?

Uh, it's empty.

See?

Guess who.

( laughter )

Action.

Hey, what's the...

( laughing )

( chuckles )

Okay, very funny.

Hey, I look good in a suit.

Marker.

And action.

Let her rip.

Go.

( loud whirring )

Whoa!

Shut it off!

Shut it off!

( yelling )

Pull the lever!

( yells )

You're making it worse!

MIKE:

But I must admit it

Big guy, you

always come through

I wouldn't have nothing

if I didn't have you

BOTH:

You and me together

That's how it

always should be

One without the other

don't mean nothing to me

Nothing to me...

Oh, hey!

We're rehearsing a scene

for the upcoming company play

~called Put That Thing Back

Where It Caoe Froo

Or So Help Me.

( Mike laughing )

It's a musical!

Put that thing back where

it came from or so help me

Bom-bom, bom-bom,

bom-bom...

Get that thing

away from me, you guys

Put that thing back

where it came from

Or I'll poke myself

in the eye!

It's a work in progress.

It's gonna get better.

Ladies and gentlemen

welcome to this year's

company play

starring, written

and directed by Mike...

and produced!

And produced

by Mike Wazowski.

Oh.

( applause and cheers )

( piano plays bouncy tune )

Put that thing back where

it came from, or so help me

So help me

So help me get by

Put that thing back

where it came from

Or so help me

So help me

I just gotta cry...

Your seat is right

over there, sir.

Boo!

There's a child,

there's a child

There's a human child

Oh, no!

Running

'round the restaurant

This is really wild

( screaoing )

What in heaven's name

will become of us?

We who are living

in Monstropolis?

( tinkling crash )

( piano segues to ballad )

All right, Wazowski.

Tell us where the kid is.

( booing and hissing )

I will never talk!

Never!

She's out of our hair

( light applause and whistles )

And just when I dare...

to care

She says, ''au contraire''

You're my pair...

of friends

I love you.

( sobbing loudly )

Keep it together, man!

And so we put that kid

back where she came from

And she helped us to find

A better tomorrow today!

Thank you!

What a night for my mother

to be in the audience!

Ladies and gentlemen

my mom!

( whistling loudly )

Thank you, Monstropolis!

BOTH:

I don't have to say it

SULLEY:

Ah, say it anyway.

MIKE:

'Cause we...

Both know it's true

I wouldn't have nothing

if I didn't have

I wouldn't have

nothing if I didn't have

I wouldn't have nothing

if I didn't have you

Wouldn't have nothing

if I didn't have you.

( ousic ends )

One more time.

( ousic begins again )

It worked!

I don't have to say it

I'm gonna anyway!

'Cause we both

know it's true

Let's take it

home, big guy.

BOTH:

I wouldn't have nothing

if I didn't have

I wouldn't have

nothing if I didn't have

I wouldn't have nothing

if I didn't have you

You, you

A, E, I, O...

That means you, yeah.

( ousic ends )

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Shirley Pierce

One of the most prolific writers in Australia, Shirley has worked on films that have had a cumulative box office of over a half a billion dollars. In ten years of writing for Walt Disney Studios, Shirley worked on over two dozen projects ranging from features Dinosaur, Home on the Range and Meet the Robinsons to the Holocaust drama Misha. The short John Henry, which she wrote for Disney, won international film festivals and was shortlisted in its category for the Academy Awards. Her screen adaptation of the opera Aida was source material for Elton John's successful Broadway production. Having just delivered a legal drama for Full Circle Productions, Shirley is writing a TV mini-series for Filmgraphics. Previously, she delivered a wartime romance for Hard Rock Entertainment, co-wrote an adaptation of a Tuscany romance for Intomedia. She also delivered a rewrite of a millennial love story for Radioactive Pictures which has just picked up her romantic-comedy, Mating Game, for production in 2022. Shirley wrote and produced the short film No Means which was an official selection at five international film festivals including festivals in Los Angeles, Melbourne and New York. She also wrote and co-produced the successful anti-bullying music video Free You Be You which was nominated for a Heart of Gold award and a finalist in the Grand Indiewise Film Festival. Shirley wrote for networks ABC and the Nine Network plus producers Trish Lake, Matt Carroll and Chris Brown. Shirley's TV movies include the Lena Horne Story for ABC, Black Entertainment Television's thriller Incognito, TNT's Passing Glory for Quincy Jones and family drama Colour of Rage. Shirley has written for studios in the U.S., Australia, Japan and Spain. She has developed projects for MGM and Sony Pictures. Shirley wrote romantic drama For Real for New Millennium Studios and the urban love story How to Make Your Man Behave. Other credits include the urban drama Hothouse Flowers, the TV drama Kaleidoscope for Caravel Pictures, the story for thriller Murder on the Reef for Wonderland Media and a book adaptation of romantic novel, Seducing Mr. Maclean. Shirley has developed projects for Stephen J. Cannell, Fox Television, NBC, Proctor and Gamble, Hanna Barbera, Crawfords and the Australian Children's Television Fund. She has also lectured on screenwriting at film festivals, film schools and universities. more…

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Submitted on August 05, 2018

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