Django Page #2

Synopsis: In the opening scene a lone man walks, behind him he drags a coffin. That man is Django. He rescues a woman from bandits and, later, arrives in a town ravaged by the same bandits. The scene for confrontation is set. But why does he drag that coffin everywhere and who, or what, is in it?
Genre: Action, Western
Director(s): Sergio Corbucci
Production: Rialto Pictures
 
IMDB:
7.3
Rotten Tomatoes:
92%
NOT RATED
Year:
1966
91 min
$25,097
Website
969 Views


Unfortunately, l know him too well.

What are you afraid of, old man?

You pay to be protected by him.

l pay so that l won't be killed like

those he deems inferior...

...because of their darker skins.

The sun, too, darkens the skin.

Yes, but Jackson and his men

don't want to admit that.

They have something like a religion.

Did you see the red caps they wear?

They are fanatics!

Sometimes, it's necessary to eliminate

the fanatics, the crazy ones...

...for the common good.

l know, but you can't do it alone.

l am not alone.

Leave. Take the girl with you

and go far away.

You worry too much, old man.

lt could ruin your health.

Quickly, before Jackson arrives.

Go! You could try to get to the swamp

and escape to the other side of it.

lt's better if you go back inside.

My plans have not changed.

lf he finds you here, he'll blame us, too!

He'll kill us.

There is nothing to be afraid of,

old man. l told you...

l am not alone.

Nathaniel, if you'd go to the Mexicans,

maybe those two would be saved.

Great, but l wouldn't make it there alive

nor would l make it to the cemetery.

With all those hooded men gathering

there in town, l have to be honest...

...l am sorry, but l am forced to hope

they'll do him in right away.

He'll suffer less, and l will lose

less customers.

Mother of God!

lt's over, old man. You won't have to

pay anymore to stay alive.

Did you kill them all?

Almost all of them.

Don't worry. You'll still have

the Mexicans as your customers.

Get rid of those dead guys now.

Hmm, and where can l put them?

We'll have to open another cemetery.

Cemeteries are a good investment

in this area...

...if you can get paid in advance.

And Major Jackson?

ls he dead as well?

No, l let him go.

Why?

Because it wasn't his time yet.

l need him alive for now.

lf they had only told me that l would

end up as a gravedigger...

...and that without any pay.

Well, it's better being above

the ground than under it.

Was this someone you knew?

Someone who was a part of my life.

Probably the only one

that really mattered.

Did Jackson's men kill her?

They killed her.

And where were you at the time?

Far away...

...way too far away, old man.

This damn woman is sin made flesh.

lt's her who caused that pool of blood

in the town.

Yes, that's true.

Because of you we'll have to leave.

Men won't come to this town anymore.

We'll starve to death!

Don't be silly! Maria has nothing to do

with what happened. lt's all nonsense!

No, it's the truth!

Smash her, destroy her...

...if you don't want that creep

to hurt you again.

Leave her alone!

What has she done to you?

Why are you tormenting her?

Screw off, you b*tch!

Don't be stupid!

She's the responsible one!

You slut!

l'll show you!

The Mexicans are coming!

You tried to run, didn't you?

But, you didn't make it in time, huh?

You are Jackson's damn spy!

You tell them what you see

and what you hear...

...because you have big ears.

We know what to do with big ears.

Right, muchachos?

No, no!

Amigo!

Hey, Yankee!

l thought there were no more bastards

left in the town.

Are you Hugo's men?

Wait!

lt's better to take them to the General.

He might want them alive.

Maria, escaping from us was

a dangerous thing to do.

l could punish you for what you did.

What would you say if l cut off

one of your beautiful ears?

You had no right to keep me prisoner!

l had the right that every man has with

all the women he likes!

You know, Hugo, you're talking just like

one of Jackson's racists.

You tart!

Listen Maria,

l don't take this from anyone.

Don't forget that you are half lncan

and half Mexican.

Don't let me remember

the one half l hate.

Look who's here.

The most clever Gringo

of the entire frontier.

Hombre! lt has been so long since

l last saw your dirty face!

This is Django.

A deserter, thief, loner,

and more than a friend!

Now we are even.

Calm down, Ricardo!

l owe Django a lot!

Just for having saved your life once

in prison. And also for the woman.

l brought her back to you, Hugo.

She is in good condition.

Take her back.

She is not my woman.

She is just one woman.

l'm thirsty. We have to

celebrate our meeting!

To your health, Django!

To the death of Jackson's pigs!

Long live the revolution!

To your death, Jackson!

Those pigs aren't here anymore.

He killed them all.

You were able to kill

all those bastards yourself?

That's impossible!

How did you do that, Django?

lt wasn't very difficult.

lf you had been in my place,

you would have done the same.

Of course.

But my men are tired.

They would all want to go home.

But in Mexico the government

is waiting for us.

And we don't have enough weapons

to fight against them.

Of course.

But l could help you, Hugo.

How?

Look at that!

Oh, Mother of God!

This toy is worth 150 guns.

That's the way l exterminated

the Major's men.

What type of weapon is this?

Get out of the way, men.

You could get hurt.

No! Don't do it, Django! l beg you!

These are the kind of weapons

l would need!

With ten of these it would be easy

to go back to Mexico. Right, Hugo?

Where are the other nine?

They are in Pecos waiting

to be bought.

l know the man who sells them.

Thank you for the information, Django.

But our revolution is a poor one.

lf you are poor, you have to

try to become rich.

That's the only way you can win.

Did you come here to pull my leg?

No, l came here to help you

and to get help.

Well, explain yourself!

At the fort there is gold for you

and for me.

The fort is very far from the border.

l can't return to Mexico...

...at least not until l have

the 10 machineguns.

Plus, those brutes of the government

have far more men than us.

Every Saturday Nathaniel takes his

carriage with women over the border...

...and he visits the men at the fort.

lsn't that true, old man?

Yeah, yeah.

Explain yourself better, Django.

This week Jackson will go to the fort

as well, to set his foot in Mexico.

That's why l kept him alive.

l want the gold more than

l want his death.

And that gold will be ours!

Understood?

Understood!

But how?

lt will be difficult, that's for sure.

But with the help of my toy

it will also be fun.

The women have arrived!

Finally, they have arrived!

lt's about time!

The women are here! The women!

Let's go, women!

Come on, step down!

Let them step out.

There they are, great!

Let's go! Over there!

Pigs!

Cowards!

Let's go!

Come on! Charge!

Let's go, Ricardo!

Horses, let's go!

The machinegun is stuck!

Come on, horses!

No, oh no!

When we get to the border,

we'll get to the other side!

Well, let's go then!

Come on. Why don't you

go after them?

We have to stop. Otherwise,

we'll enter American territory.

Hooray! General Hugo has arrived!

Men! We are back! lt was a great trip!

Django's strike was

a complete success!

With the gold we'll buy the weapons!

We'll go back to Mexico.

We'll win the revolution!

We will win the revolution!

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Sergio Corbucci

Sergio Corbucci (Italian: [ˈsɛrdʒo korˈbuttʃi]; 6 December 1926 – 1 December 1990) was an Italian film director. He is best known both for his very violent spaghetti westerns and bloodless Bud Spencer and Terence Hill action comedies. He is the older brother of screenwriter and film director Bruno Corbucci. more…

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Submitted on August 05, 2018

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