Django Page #3

Synopsis: In the opening scene a lone man walks, behind him he drags a coffin. That man is Django. He rescues a woman from bandits and, later, arrives in a town ravaged by the same bandits. The scene for confrontation is set. But why does he drag that coffin everywhere and who, or what, is in it?
Genre: Action, Western
Director(s): Sergio Corbucci
Production: Rialto Pictures
 
IMDB:
7.3
Rotten Tomatoes:
92%
NOT RATED
Year:
1966
91 min
$25,097
Website
970 Views


You see Hugo, we made it.

Oh, yes!

All that's left is to divide the gold

and say goodbye.

Give me my share.

Just like that? Do you really

want to leave just now?

Well, l have nothing more to do

in this town.

What do you mean, "nothing more,"

my brother?

Together we'll make

great things happen!

l'll make you lieutenant

of my revolution!

You already have many lieutenants,

and l only want what's due me.

Are you kidding?

You'll get double, double,

you understand?

Once l am in power.

Hugo...

l want my gold.

Oh man, you're obsessed.

Nobody will take your gold.

Don't you trust me?

He doesn't trust me.

You know, we'll keep your gold

in a safe place.

Let me show you where.

There we are. Even if it's just one door,

there are many guards.

The gold for our revolution

will be well guarded.

No one will be able to take it away.

lt's a pile of gold,

but in the form of powder.

Take this. Drink.

No.

What's the matter, tart?

Are you in a bad mood because

the American doesn't care about you?

Come on, let me comfort you!

Damn you!

Ricardo!

Leave Maria alone.

And you would give her to that bastard

American! lt's better if l take her!

l decide who will take her!

You bastard!

Thank you, Django. You saved my life

once more. l won't forget it.

Look at Maria. Look at her.

She can't take her eyes off you.

Take her! My gift to you.

You spend a wonderful night.

Thanks. But she's not my type.

l prefer her.

You see, Maria?

The Gringo prefers the dark one!

Don't be hurt. Come and drink with us!

This is a great night!

Come on, muchachos!

Tequila for everyone!

Get undressed.

Go on, undress yourself.

Don't pay attention to what l'm doing.

Look!

- My goodness!

- Yeah!

Look!

lsn't she beautiful?

Just a minute!

Look! The horses are fleeing!

You have to take me with you, Django!

All right, as you wish.

Hurry up, Django, hurry!

Watch out!

Prepare the men, Miguel.

Let's go hunting!

Take the carriage. Go through the

valley, and you'll get to the pass.

You'll be safe there.

And you?

lt's time for me to cross that bridge.

l waited a life, an entire life,

waiting to bury Django in this casket.

The gold will help me

make it disappear forever.

Let go of that gold, Django!

What do you care about it?

We'll start a new life together.

l'll help you forget.

l love you, Django.

l left love behind many years ago.

Now it rests under a cross

in the cemetery in Tombstone.

lf l bring you with me, you'd risk

ending up the same way.

And, maybe you wouldn't

make me forget.

Django!

Oh, Django!

Now that we meet again, Django...

Where is the gold?

The mud swallowed it.

A horse stumbles, a casket slips...

lt's fate, General.

lt certainly won't be the lost gold,

amigo, that will change my fate.

We'll go back to Mexico anyway, right?

The decision has already been made.

Now we are even, Django.

You saved my life two times, and

l did the same, back then and now.

l won't kill you. We don't kill thieves,

not even when they betray a friend.

We punish thieves in a different way.

Right, Miguel?

This is for our revolution!

And this is for the gold you stole!

Damn you!

You damned scoundrel! Thief!

You disgusting coward!

lt's your turn, men.

No matter how good a gunman is,

he still needs his hands, right, Django!

Pray that Jackson doesn't find you.

lt would be embarrassing for you.

Goodbye now, Django. My men and l

will go back to Mexico...

...to win or to die. Let's go, fellows!

Bye, bye, Django!

We'll meet again in hell!

Let's go!

You madman!

Help her, Nathaniel.

l believe she can still be saved.

Alright. l will do my best.

But you should leave, don't stay here.

Jackson will come back here

any moment.

Django, leave! Save yourself,

run away before it's too late.

Don't worry about me.

There is one more thing l have to do.

l have to kill Jackson.

That's the only way for this town

and me to have a life again.

lt's no good to keep running away.

You have to stop and

fight to the very end.

l understood that when l was

squeezing your hand tightly...

...while the casket was going down

in the savannah.

lf l should fail, then at least l tried...

...to get my life back.

Django, your... your hands.

My hands will still be able to serve me.

Nathaniel, hide Maria, and tell Jackson

that l'll wait for him...

...at the crosses of the

Tombstone cemetery...

...because his time has come.

Django is waiting for you at the crosses

of the Tombstone cemetery.

But there is nothing for you to fear.

They broke his hands.

You thought you had won,

right, Django?

lnstead, here l am, to fight my war...

...the war that will never end.

Are you praying? lt's the right thing to

do when a man is about to die.

You can't make the sign of the cross

with those hands!

l will help you make it!

ln the name of the Father...

...the Son...

...and the Holy...

...Spirit!

And it shall be done!

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Sergio Corbucci

Sergio Corbucci (Italian: [ˈsɛrdʒo korˈbuttʃi]; 6 December 1926 – 1 December 1990) was an Italian film director. He is best known both for his very violent spaghetti westerns and bloodless Bud Spencer and Terence Hill action comedies. He is the older brother of screenwriter and film director Bruno Corbucci. more…

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Submitted on August 05, 2018

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