Downloaded Page #13
I regret it now, yeah.
I would have liked to taken it
I would like to have
had a jury trial.
You know, we never had
a jury trial.
Is the effective shut down
of napster.
And what that's going to
do is give birth
To a thousand of napster spawn.
And these children
Are going to be much
better bred.
So once the record companies
Went after napster, did that end
This kind of illegal
music sharing?
This pirated music sharing
on the internet?
Actually,not at all. There's
a theory out there
That piracy will be eradicated
And no one will ever
share a music file.
But that's really a
pipe dream for
[Stammer] really
getting everything
Getting the internet
under control.
What was seen from piracy,
Is that after napster
People went to other music
sharing software.
Such as limewire, or morpheus,
gnutella or music city.
Things like that.
A bomb went off and nobody knew
What the hell was happening.
The cat wasn't going
back in the bag.
I don't care how many
people we sued.
I don't care how effective or
ineffective the riaa
Were, was with certain
aspects of it.
It wasn't going back.
People are gonna still
download for free.
It's free! It's free.
It's wrong, but it's free.
If there is an under-Net of
piracy, that's something
That our industry has always
had to live with.
The idea is to keep
commercial pirates out
Of the marketplace, so that
legitimate commerce
They were saying was it's just a
matter of copyright is gonna be fixed.
And maintained by, by
some combination of
Enforcement and education.
And i said, well this
sounds a lot like
The war on drugs, guys, i mean,
i don't think
This is gonna work.
That certainly didn't.
File sharing services allow for
the illegal downloading
Of copyrighted works,
which can get you
Into trouble in a hurry.
Many parents may be
surprised to learn
Those consequences can
include lawsuits
With penalties and
legal fees costing
Thousands of dollars.
Downloading or sharing music
without permission
Is not okay.
I don't think people are
stealing music.
I think the record
companies are not
Adjusting
To technology.
But rather than adjust
And figure out how to work
with it and use it,
They fought it.
And they started to sue
their customers.
And everything. And i, i think
that alienated them
From both the public
and the artists.
Can you explain again,
[inaudible] what,
If anything, you're doing
to catch thieves?
Well, we have tried to be, uh,
and i think,
Have succeeded in being
as responsible
In this space toward
individual users
As anyone could hope to expect
From the music industry.
We have historically been um,
very uh, tolerant of
Of downloaders, but
very aggressive
Against the uploaders.
We have tried to be focused on
distribution sites
With significant
amounts of music.
I don't think this is about
punishing individuals.
Well, they did. They sued over
18 thousand regular
Old normal people and uh,
average settlement size
Was about $4000 dollars.
From people who could
hardly afford $4000.
So i don't think that
was a good move.
Particularly from a public
relations perspective.
You don't get your
market to like you
By suing the sh*t out of them.
I mean what they've done is to,
is to turn an entire
Generation of kids into
electronic hezbollah.
Who hate them for
ideological reasons.
I mean i know a lot of
people that, that won't
Buy music, period.
Because they don't want to
enrich those people.
And they didn't have to
have it like that.
[Music]
Good hard working people all of
a sudden got laid off
As major music industries,
entire floors were turning
I remember, you know,
people who'd been
Working so hard, doing
such great work,
There's no longer a need
for them because
The market shrinking
because these people
Kind of caved in on
their own greed.
Their bosses, their ceos, their
rock star a&r people
All of a sudden, realized
they'd been shoveling
a bunch of people
Who they devalued.
But now the people
have a choice.
They can cherry pick
the records.
They now can not have to take
it from you for $22
They can now spend three bucks
on the three songs
That got made into videos.
And everything came loose.
Well it's the perfect storm,
again.
It's three sides really,
When you really think about it.
Free is a pretty big component.
The corporatization of
america and the world
In creative companies.
Right?
And the downsizing of
the structure
Of the music companies.
The whole crux of the argument,
i guess, is
That there's great things
About modern technology, music
and there's things that's sh*t.
And there's great things
about the past,
Some of the past stories
Had to go because the
people demanded it.
Therein lies the problem.
I think uh, we dropped
the ball you know,
But i-I-I don't see why
We can't read you know,
recapture it to some degree.
But uh, it'll it'll never be like it
was, when we controlled everything.
Napster ended up,
unfortunately in the strip
They [inaudible] process and
when uh, people like steve jobs,
They were so smart and business
smart, that they said
Where is talent okay, we hire
the napster people.
Itunes in the us has an
84% market share
Last month for all legally
downloaded music.
I don't think you can point to
any digital music
Service that exists now that
doesn't uh, tip its hat
In some way to napster.
And i, i can tell you
that you know
With the first version of itunes
that was released,
Had shocking similarity to the
ui that napster was using.
And i don't think that
was accidental.
When we finally, we made
money at napster.
So, i mean that we, i was left
with pretty significant
Legal debt. Um, which was you
know, to the extent
That napster was like
napster university.
Was actually not that
different from
The college debt that most kids
would have at that age.
Sort of comparable uh, in scale.
Uh, so, but i had this,
this legal debt
And fanning wasn't that
much better off.
After napster was shut down,
Shawn fanning and i cofounded
A company called snocap.
Which was shawn's
attempt to rectify
The rights issues.
Having been a bit disillusioned
With how the case had gone
And the way that the
conversation
And debate had operated at such
a superficial level
I jumped on this idea of
wanting to create
An independent
copyright database
Where any rights holder,
independent or otherwise
Could register their work.
And the idea was that
Everything that was unclaimed,
Would be freely sharable
Until somebody came in and
said this is mine.
To try to work back
towards a world
Where all this
interesting diverse music
Would be available.
And it was nice and it made
sense in my head,
But the actual act
Of trying to get
everyone to buy into
As an intermediary was an
incredibly challenging
lot of excitement
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