Ed Wood Page #4
- R
- Year:
- 1994
- 127 min
- 517 Views
THROUGH THE WINDOW
The showroom is filled with sample coffins. Lying inside one
is BELA LUGOSI.
ANGLE - ED
He is flabbergasted.
INT. HOLLYWOOD MORTUARY - SAME TIME
Lugosi slowly sits up inside the coffin. Bela is an aged 70-
year-old man, once a great star, now a faded memory trying to
hang on to his nobility. Quite frail and tired, he is still a
master of the grand gesture.
An UNCTUOUS SALESMAN steps up. Bela speaks, in a thick
Hungarian ACCENT which gives him an Old World elegance.
BELA:
Too constrictive. This is the most
uncomfortable coffin I have ever been
in.
SALESMAN:
Gee, Mr. Lugosi, I've never had any
complaints before.
BELA:
The selection is quite shoddy. You
are wasting my time.
Mildly annoyed, Bela climbs out. He straightens his cloak and
walks to the exit -- where be bumps into nervous Ed.
ED:
Excuse me, Mr. Lugosi??
BELA:
(irritated)
I told you, I don't want any of your
goddamn coffins.
ED:
No. I don't work here.
BELA:
Huh?
Bela peers at Ed, then glances confusedly over his shoulder at
the salesman. Oh. Bela looks back at anxious Ed.
BELA:
Who are you? What do you want?
ED:
I don't want anything. I'm just a
really big, big fan. I've seen all
your movies.
BELA:
Ha!
Bela strides out.
EXT. HOLLYWOOD BOULEVARD - SAME TIME
Bela hurries along. Ed chases after him.
ED:
Why were you buying a coffin?
BELA:
Because I'm planning on dying soon.
ED:
(concerned)
Really?
BELA:
Yes. I'm embarking on another bus-
andótruck tour of "Dracula." Twelve
cities in ten days, if that's
conceivable.
Bela pulls out a large smelly cigar and lights it.
ED:
You know, I saw you perform
"Dracula." In Poughkeepsie, in 1938.
BELA:
Eh, that was a terrible production.
Renfield was a drunk!
ED:
I thought it was great. You were
much scarier in real life than you
were in the movie.
BELA:
Thank you.
ED:
I waited to get your autograph, but
you never came outside.
BELA:
I apologize. When I play Dracula,
I put myself into a trance. It takes
me much time to re-emerge.
BELA:
Oh, there's my bus.
(he checks his pockets)
Sh*t, where's my transfer?!
ED:
Don't you bave a car?
BELA:
I refuse to drive in this country.
Too many madmen.
The bus pulls up, and the doors open. Ed is worried he's about
to lose his new friend. He gets an idea...
CUT TO:
Ed drives anxiously. Bela sits next to him, filling the car
with smoke from his big cigar.
ED:
Boy, Mr. Lugosi, you must lead such
an exciting life. When is your next
picture coming out?
BELA:
I have no next picture.
ED:
Ah, you gotta be jokin'! A great man
like you... I'll bet you have dozens
of 'em lined up.
BELA:
Back in the old days, yes. But now
-- no one give two fucks for Bela.
Bela puffs on his oversized cigar.
ED:
But you're a big star!
BELA:
No more. I haven't worked in four
years. This town, it chews you up,
then spits you out. I'm just an
ex-bogeyman.
(he points)
Make a right.
EXT. BELA'S NEIGHBORHOOD - DAY
Ed drives past pumping oil wells and into a seedy neighborhood.
They reach a tiny, well-manicured house. Ed and Bela get out.
BELA:
(bitter)
They don't want the classic horror
films anymore. Today, it's all giant
bugs, giant spiders, giant
grasshoppers -- who would believe
such nonsense!
ED:
The old ones were much spookier.
They had castles, full moons...
BELA:
They were mythic. They had a poetry
to them.
(he lowers his voice)
And you know what else? The women
prefer the traditional monsters.
ED:
The women?
BELA:
The pure horror, it both repels and
attracts them. Because in their
collective unconsciousness, they have
the agony of childbirth. The blood.
The blood is horror.
ED:
BELA:
Take my word for it. You want to
"score" with a young lady, you take
her to see "Dracula."
Bela's eyes twinkle. He reaches his front door and unlocks it.
INSIDE... it's awful. Squalid, dark, with skulls and strange
voodoo objects scattered about. Up front hangs a large
photograph of shockingly young Bela, handsome and regal.
Ed is stunned by this dismal place, but doesn't say anything.
Within, DOGS start BARKING crazily.
BELA:
Ugh, what a mess.
(beat)
My wife of twenty years left me last
month. I'm not much of a
housekeeper.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Ed Wood" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/ed_wood_426>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In