Enduring Love Page #2
to say to me?
You've got to stop following me like this.
This is getting a bit weird.
Well, why don't you write it
in your lovely book?
Go on, no-one can see.
Yeah, well, OK.
- How's that?
- Why can't you write it down?
- What?
- I think you know.
Jez, I don't know what this is about,
but it's...
- Jed. Jed, it's just Jed.
- What?
Jed. You signed it to Jez.
- It's Jed.
- Sorry.
How's that? OK?
Were you christened Joe or Joseph?
- What?
- It's nothing to be ashamed of.
Joey. Jo-Jo.
Don't you think it's time
you faced up to who you really are?
Who I am. I don't...
- Um... sorry?
- "The fruit of the Spirit is love. "
- What?
- Love.
- Galatians, chapter five.
- Oh, Jesus, no. Come on.
Joe, Joe.
- What have I done to you?
- You haven't done anything to me.
I can't control my emotions like you can.
I know this gives you power over me.
I don't know where you're going with this.
There's nothing I can do about it.
But please, don't put on this act.
- What act?
- If this is a joke, it's got to stop.
- It's hurting us both. It's f***ing us up.
- I don't know who you are.
And I um... I don't know where you live
and I don't know what you want really
and, quite frankly, I don't care.
So could you please just leave me alone?
God! You say that and
then you make that face.
- What face?
- What is it you really want me to do?
- Nothing.
- You're not even trying to be convincing.
- It's obvious.
- This is just...
OK, OK.
Um... if there's something I've done
that's upset you
or I've said something that's given you,
given you an idea,
I don't know what it is,
I don't know what it is,
but whatever it is, I'm sorry.
I'm really truly sorry.
Now, I just don't know what you're on about.
I don't know what this is about.
Joe... Joey.
Joey.
Joseph.
Sorry.
- Don't do this. Please don't f***ing...
- Don't let me down, Joe.
Don't let me down
like you let down the other bloke.
- What?
- Be brave.
What do you mean be brave?
What do you mean?
Brave.
You know what I'm saying.
I didn't let him down.
What are you saying?
It was all of us.
Well, wasn't it?
I see my work as part of a tradition
that goes back to the great sculptors
of the Renaissance.
I didn't say that.
It says here.
Not like that, anyway.
I can't see you.
- Sorry.
- Thank you.
I love your voice.
Oh.
I wish I could... sculpt your voice.
Oh, dear. Is there anything I can do?
Er... no, because the more you talk,
the more frustrated I get.
- I won't say another word.
- Thank you.
I think I'm done for today.
Anybody home?
- Hi.
- Hiya.
- Posing again?
- Yeah.
- He's a grandfather.
- Oh, f***.
Yeah, ridiculous but true.
- It's the other lot, you know. Mary.
- He's a gene machine.
- Bye-bye.
- Thank you.
- Don't know how you do it.
- Easy, I'll teach you.
- You're going to get a reputation.
- At my age, I deserve a reputation.
- Congratulations, that's good news.
- Thanks.
Now f*** off, you're way too happy.
- Send love to Rachel, yeah?
- Yeah.
Bye.
- Bye.
So what do you think?
It's good.
- What's wrong with it?
- No, it's good. Very good.
What?
We...
We did talk about this, you know?
What?
Well...
Why can't you do that for me?
I cast your hands.
You cast every f***er's hands.
I mean, any idiot can get his hands done.
Well, hands aren't so personal.
- What's wrong with the rest of me?
- I'm only interested in your hands.
- Thanks a lot.
- I like your hands.
Anyway, they're nice and bony.
If it's bony you want,
you should do my feet.
- My feet are really bony.
- I don't do feet.
Anyway, it's not the same.
Why can't you do my face, hey? Why?
- I don't know, I can't explain.
- Well, try.
Um...
I don't know. Its just...
It's hard to articulate.
I'm just too close to you, I suppose.
How can you be too close to me? That's...
- What does too close mean? - I need
to be objective. I need objectivity.
- What does that mean?
- I need distance.
I'd have to examine you
and I don't want to examine you.
I want you to be my lover not my subject,
OK?
Now what's wrong?
I saw that guy again today.
Hm?
I think...
I think he's some kind of fan.
It's just...
- That's a bit weird.
- Yeah, well, he's quite intense.
Well, just ignore him, OK?
I'm sure, you know, he's harmless.
I'm sure he's harmless.
It's just I feel a bit sorry for him really.
He's... a bit lonely, I think.
- Well, don't let it bother you.
- No, no, of course not.
You can't help feeling responsible.
We were just in the wrong place
at the wrong time.
Yeah, but I can't help thinking
that we might have saved him.
- I don't think so.
- Well, he thinks so.
- How?
- He said so.
In a helicopter? Oh, come on.
There's no way
you should feel responsible.
I just wish I'd been able to do something.
I wish we'd saved him,
I really wish we had,
because, you know,
it would just be so much easier now.
Why?
- So you wouldn't feel so bad?
- No, because he f***ing died.
- I just...
- Come here.
Look at me.
You are such a good person, OK?
You're just a little bit overwrought.
Stressed out and sad and tired.
There's nothing wrong with that.
I love you. Come here.
It's going to be OK.
I love you.
Come here.
have meaning,
but only because we, as human beings,
give them meaning.
That's your theory? Life is a meaningless
Darwinian expedient.
It's just biology,
but humans struggle to give it meaning.
That's what makes us human.
It's a good theory. Simple but effective.
Good?
It's revolutionary. I should be on
the f***ing South Bank Show.
Well, OK, why don't we talk about that?
Talk about what?
Getting you on TV.
Well, we should.
I think it's important.
I should... you know...
pull myself together,
just do something constructive.
Instead of sitting on my f***ing arse.
I need to do things. I never do anything.
You do loads of things.
What are you talking about?
All I do is pontificate about...
I have never ever made anything
that you can hold in your hand.
I've never... I've never helped anybody.
I just have... theories.
They're good theories.
Perhaps you should do more with them.
- I don't know...
- There's no point.
This is silly.
Why are you saying all this?
For f***'s sake.
- What? What?
We must stop meeting like this.
Don't you ever go home?
- Sorry.
- No, no, no, go ahead.
It's all right, Joe.
I'm preparing myself to forgive you.
This is insane. What do you want?
You know what I want.
Not now. For f***'s sake, I am having
my lunch. This is just f***ing stupid.
- I'm not giving up, you know.
- I know, yes.
Look, I'm really sorry about this.
This is one of my many fans.
Very quick. Very quick.
- You've got it screwed on, haven't you?
- Look, go away. Please.
Come on, Joe.
Jo-Jo.
Look, stop calling me that, please.
- Just listen.
- No, no, I am not listening. Look...
Please, just piss off.
This is driving me f***ing mad.
We can't go on like this, Joe,
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"Enduring Love" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/enduring_love_7662>.
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