Enduring Love Page #2

Synopsis: On a beautiful cloudless day a young couple celebrate their reunion with a picnic. Joe has planned a postcard-perfect afternoon in the English countryside with his partner, Claire. But as Joe and Claire prepare to open a bottle of champagne, their idyll comes to an abrupt end. A hot air balloon drifts into the field, obviously in trouble. The pilot catches his leg in the anchor rope, while the only passenger, a boy, is too scared to jump down. Joe and three other men rush to secure the basket. Just as they secure the balloon, the wind rushes into the field, and at once the rescuers are airborne. Joe manages to drop to the ground, as do most of his companions, but one man is lifted skywards. As Joe, Claire and the other rescuers watch this strangely beautiful sight, they see the man fall to his death. Recalling the day's events at dinner with his friends Robin and Rachel, Joe reveals the impact the accident has had on his battered psyche. Ironically the balloon eventually lands safely,
Director(s): Roger Michell
Production: Paramount Classics
  4 wins & 12 nominations.
 
IMDB:
6.4
Metacritic:
61
Rotten Tomatoes:
58%
R
Year:
2004
100 min
$300,204
Website
194 Views


to say to me?

You've got to stop following me like this.

This is getting a bit weird.

Well, why don't you write it

in your lovely book?

Go on, no-one can see.

Yeah, well, OK.

- How's that?

- Why can't you write it down?

- What?

- I think you know.

Jez, I don't know what this is about,

but it's...

- Jed. Jed, it's just Jed.

- What?

Jed. You signed it to Jez.

- It's Jed.

- Sorry.

How's that? OK?

Were you christened Joe or Joseph?

- What?

- It's nothing to be ashamed of.

Joey. Jo-Jo.

Don't you think it's time

you faced up to who you really are?

Who I am. I don't...

- Um... sorry?

- "The fruit of the Spirit is love. "

- What?

- Love.

- Galatians, chapter five.

- Oh, Jesus, no. Come on.

Joe, Joe.

- What have I done to you?

- You haven't done anything to me.

I can't control my emotions like you can.

I know this gives you power over me.

I don't know where you're going with this.

There's nothing I can do about it.

But please, don't put on this act.

- What act?

- If this is a joke, it's got to stop.

- It's hurting us both. It's f***ing us up.

- I don't know who you are.

And I um... I don't know where you live

and I don't know what you want really

and, quite frankly, I don't care.

So could you please just leave me alone?

God! You say that and

then you make that face.

- What face?

- What is it you really want me to do?

- Nothing.

- You're not even trying to be convincing.

- It's obvious.

- This is just...

OK, OK.

Um... if there's something I've done

that's upset you

or I've said something that's given you,

given you an idea,

I don't know what it is,

I don't know what it is,

but whatever it is, I'm sorry.

I'm really truly sorry.

Now, I just don't know what you're on about.

I don't know what this is about.

Joe... Joey.

Joey.

Joseph.

Sorry.

- Don't do this. Please don't f***ing...

- Don't let me down, Joe.

Don't let me down

like you let down the other bloke.

- What?

- Be brave.

What do you mean be brave?

What do you mean?

Brave.

You know what I'm saying.

I didn't let him down.

What are you saying?

It was all of us.

Well, wasn't it?

I see my work as part of a tradition

that goes back to the great sculptors

of the Renaissance.

I didn't say that.

It says here.

Not like that, anyway.

I can't see you.

- Sorry.

- Thank you.

I love your voice.

Oh.

I wish I could... sculpt your voice.

Oh, dear. Is there anything I can do?

Er... no, because the more you talk,

the more frustrated I get.

- I won't say another word.

- Thank you.

I think I'm done for today.

Anybody home?

- Hi.

- Hiya.

- Posing again?

- Yeah.

- He's a grandfather.

- Oh, f***.

Yeah, ridiculous but true.

- It's the other lot, you know. Mary.

- He's a gene machine.

- Bye-bye.

- Thank you.

- Don't know how you do it.

- Easy, I'll teach you.

- You're going to get a reputation.

- At my age, I deserve a reputation.

- Congratulations, that's good news.

- Thanks.

Now f*** off, you're way too happy.

- Send love to Rachel, yeah?

- Yeah.

Bye.

- Bye.

So what do you think?

It's good.

- What's wrong with it?

- No, it's good. Very good.

What?

We...

We did talk about this, you know?

What?

Well...

Why can't you do that for me?

I cast your hands.

You cast every f***er's hands.

I mean, any idiot can get his hands done.

Well, hands aren't so personal.

- What's wrong with the rest of me?

- I'm only interested in your hands.

- Thanks a lot.

- I like your hands.

Anyway, they're nice and bony.

If it's bony you want,

you should do my feet.

- My feet are really bony.

- I don't do feet.

Anyway, it's not the same.

Why can't you do my face, hey? Why?

- I don't know, I can't explain.

- Well, try.

Um...

I don't know. Its just...

It's hard to articulate.

I'm just too close to you, I suppose.

How can you be too close to me? That's...

- What does too close mean? - I need

to be objective. I need objectivity.

- What does that mean?

- I need distance.

I'd have to examine you

and I don't want to examine you.

I want you to be my lover not my subject,

OK?

Now what's wrong?

I saw that guy again today.

Hm?

I think...

I think he's some kind of fan.

It's just...

- That's a bit weird.

- Yeah, well, he's quite intense.

Well, just ignore him, OK?

I'm sure, you know, he's harmless.

I'm sure he's harmless.

It's just I feel a bit sorry for him really.

He's... a bit lonely, I think.

- Well, don't let it bother you.

- No, no, of course not.

You can't help feeling responsible.

We were just in the wrong place

at the wrong time.

Yeah, but I can't help thinking

that we might have saved him.

- I don't think so.

- Well, he thinks so.

- How?

- He said so.

In a helicopter? Oh, come on.

There's no way

you should feel responsible.

I just wish I'd been able to do something.

I wish we'd saved him,

I really wish we had,

because, you know,

it would just be so much easier now.

Why?

- So you wouldn't feel so bad?

- No, because he f***ing died.

- I just...

- Come here.

Look at me.

You are such a good person, OK?

You're just a little bit overwrought.

Stressed out and sad and tired.

There's nothing wrong with that.

I love you. Come here.

It's going to be OK.

I love you.

Come here.

I'm saying all these things

have meaning,

but only because we, as human beings,

give them meaning.

That's your theory? Life is a meaningless

Darwinian expedient.

It's just biology,

but humans struggle to give it meaning.

That's what makes us human.

It's a good theory. Simple but effective.

Good?

It's revolutionary. I should be on

the f***ing South Bank Show.

Well, OK, why don't we talk about that?

Talk about what?

Getting you on TV.

Well, we should.

I think it's important.

I should... you know...

pull myself together,

just do something constructive.

Instead of sitting on my f***ing arse.

I need to do things. I never do anything.

You do loads of things.

What are you talking about?

All I do is pontificate about...

I have never ever made anything

that you can hold in your hand.

I've never... I've never helped anybody.

I just have... theories.

They're good theories.

Perhaps you should do more with them.

- I don't know...

- There's no point.

This is silly.

Why are you saying all this?

For f***'s sake.

- What? What?

We must stop meeting like this.

Don't you ever go home?

- Sorry.

- No, no, no, go ahead.

It's all right, Joe.

I'm preparing myself to forgive you.

This is insane. What do you want?

You know what I want.

Not now. For f***'s sake, I am having

my lunch. This is just f***ing stupid.

- I'm not giving up, you know.

- I know, yes.

Look, I'm really sorry about this.

This is one of my many fans.

Very quick. Very quick.

- You've got it screwed on, haven't you?

- Look, go away. Please.

Come on, Joe.

Jo-Jo.

Look, stop calling me that, please.

- Just listen.

- No, no, I am not listening. Look...

Please, just piss off.

This is driving me f***ing mad.

We can't go on like this, Joe,

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Joe Penhall

Joe Penhall (born 1967) is an English playwright and screenwriter, best known for his award-winning stage play Blue/Orange, the award-winning West End musical Sunny Afternoon and creating the Netflix original series Mindhunter. more…

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Submitted on August 05, 2018

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