Entourage Page #2

Synopsis: This movie picks up where the TV show ended. Vincent Chase is offered a role by his former agent now Studio boss Ari Gold in a movie he is developing. Vincent agrees on the condition that he be allowed to direct the movie also. Nearly a year later, Vince is uncertain if the movie is ready, so he asks Ari for money to finish the movie. But Vincent has asked for money more than once already and Ari's bosses are not happy of how much they're spending. But he goes to their backer to ask for more money and he wants to see what Vince has shot so far but Vince won't let anyone see it yet. But he's planning a screening, and asks the backer to come to L.A. with him but he can't so he sends his son instead. At the screening Vince decides not to show it. But gives out DVDS. The son after watching the movie, says he has issues with Drama, Vince's brother who has a small role in the movie. Vince is unwilling to drop him. When they appease the son, he then says he has issues with Vince. So as they t
Genre: Comedy
Director(s): Doug Ellin
Production: Warner Bros. Pictures
 
IMDB:
6.6
Metacritic:
38
Rotten Tomatoes:
33%
R
Year:
2015
104 min
Website
2,184 Views


I'm just staying there

till my roof gets reshingled.

So I got the pizza boy,

the brother Fredo and a Turtle.

Yet, somehow this sort of weird collection

of people, it worked.

It did. And the truth is, their blind

loyalty to each other is kind of charming.

Some people say you have

the same character traits.

I like to think of myself as loyal,

but not blind.

Yet, many were surprised

when you let Vince direct this movie.

Many people were surprised when someone

let Mel Gibson direct Braveheart...

...or Kevin Costner direct Dances

with Wolves. They both won Oscars.

But they weren't studio heads,

handing ex-clients...

...directorial debuts at a time when the

studio suffered its worst fiscal year...

...and without any tentpole franchise

to bolster the hemorrhaging losses.

Listen, the year ain't over,

and this is a franchise picture.

- Right, but you are way over budget.

- Where'd you hear that?

Your neck is on the line, and so is

Chase's. You've gotta be worried.

I don't worry. I just win.

- I thought this was gonna be a fluff piece, Piers.

- No.

No. Okay, great.

Well, why don't we turn those cameras off?

- Is it hot in here?

- No, I'm good.

I got Ang Lee from the set.

Hey...

You okay?

- I don't usually worry, either.

- What are you worried about?

- The movie will be great.

- I'm not worried about that.

I'm worried about telling Ari that we need

more money to finish the movie.

- Isn't it the producer's job to tell Ari that?

- Seriously, E.

- I'll call him tomorrow.

- You said that yesterday.

- I'll call him.

- Fine.

- So should we go out tonight?

- Definitely.

- Yeah. I'm having a great hair day.

- I can't. I have plans.

- With who?

- You don't know her.

Does your soon-to-be baby mama know her?

Drama, Sloan and I haven't been together

for six months.

- You haven't been with anyone else.

- Like you'd know.

- Come on. Who's the girl?

- Her name's Melanie.

- I've been seeing her a few weeks.

- A few weeks?

Jesus Christ.

- This guy snuck into another relationship.

- It's not. I'm just having fun.

Fun is when you forget a girl's name

while you're f***ing her.

No wonder he has no time for business.

You know, we're almost 35.

He's almost 60.

I don't have to answer to this sh*t.

Fine. Don't.

Yeah, she must be a pig.

Definitely.

- You're amazing.

- You're doing all the work.

You're doing plenty.

My God. This could be it.

I'm sorry. I gotta take this.

- Hello?

- Please tell me you're not still sleeping.

I've already run five miles

and f***ed like an adult film star.

I'm about to have a baby, a**hole.

I thought you were Sloan.

- Speaking of, you were in my dream last night.

- I hope I wasn't naked.

Nope, your baby mama gave birth

to Pete Dinklage.

- You're not related to him, are you?

- Who is that?

- You got a girl there, E?

- What do you want, Ari?

Big titties? Tight ass?

- Give me something I can use in the office.

- I can hear you. You're disgusting.

- And I have both.

- How do you do it, E?

I know it's not your looks

or your personality.

- Ari.

- Just one pic.

Come on. My wife didn't really f*** me

this morning.

- She gets headaches.

- Ari!

- Hey, Thierry.

- Hey.

- You gonna coach my son's team?

- I don't have time for that sh*t.

I love the honesty.

E!

When am I gonna see this movie?

- I was gonna call you to talk about it.

- I don't wanna talk.

I want to watch a film.

- It's not ready.

- When will it be?

Because important people

are starting to wonder.

Important people meaning me.

Did I tell you The Jewish Journal named me

"Best-Looking Circumcised Studio Head"?

- Well, Vince still hasn't finished his cut.

- You've been saying that for a month.

- Hold on.

- Do you have time for lunch today?

No, I can't. I got the doctor.

That's right. With Sloan.

Look, I know this is weird...

- Eric!

- Yeah, listen...

- ...how about Vince and I come and see you?

- See me? Why?

- Something wrong?

- No, it's all good.

- We're just gonna come by the office. You free?

- For what? What's wrong?

We need more money. Bye.

Don't hang... Did you hang up on me?

E, you f***ing dwarf c*nt!

What's a dwarf c*nt, Dad?

I'm sorry. It's nothing, buddy.

It's a new movie idea I had.

Don't use that word at school.

You were just on a run.

How could you be so angry?

Work is not supposed to make you

this angry anymore, Ari.

- Yeah, Dad.

- I know. I know.

- That was our agreement.

- Yes. I know.

Do we need to make a therapy session

with Dr. Marcus?

- No.

- I think that would be best.

Maybe.

Why are you so scared

to show Ari the movie?

I'm not scared.

- Should at least show him my scenes.

- It's not ready yet...

...which is why I need E to tell him that

he can't see it until after the screening.

You really won't tell him?

I told him about the money.

- The only thing he'll do is scream at me.

- Fine. I'll tell him.

- P*ssy.

- Speaking of which...

- Wait till you see the girls I got lined up tonight.

- I told you I was handling the girls.

I know. But I would like to avoid some of the

nursing home rejects from the last party.

I thought the screening was to get opinions

on the movie, not to get laid.

Everything we do is to also get laid, E.

You know that.

F*** me.

- Emily Ratajkowski.

- I love her.

- I know her.

- Why wouldn't you?

- Hey, Vince.

- Hey, Emily. How are you?

It's so funny to see you. I just got

an invitation for your screening.

- Really?

- Yeah.

One of mine, obviously.

Whose-ever. This is gonna be

a great f***ing screening.

Vince.

Hey, Emily, I gotta run

into this meeting. I'll call you later?

Yeah. Call me.

- You're upset.

- "Upset"?

He means angry.

This is the third time

that you've come to me for more money.

- Ari, listen...

- I was talking to Vince, Eric.

I know they didn't teach you about budgets

in spaghetti and meatballs class.

Vinnie has been on sets before,

so I expected more from him.

- Told you he'd yell at me.

- Yeah, but he's yelling about me.

What'd you spend the money on? I know

it wasn't on Turtle and Craft Services.

- Like the new svelte frame?

- You look like Karen f***ing Carpenter.

What did I tell you

when I gave you $100 million?

What'd we tell you?

- You agreed to not go over.

- We told you it wasn't enough.

But you agreed to not go over.

Because you said I couldn't direct

unless we agreed.

It's like when a girl asks

if you wanna bang her hot sister.

Of course you say no.

Neither of you really believes

you mean it, though.

- What's he doing here? This is bad.

- When you see it, you won't think so.

- He's seen it?

- He's seen a couple of scenes.

- They are powerful.

- Yeah, a few in particular.

When am I gonna see it?

We're having

a friends-and-family screening tonight.

We'll get some feedback,

then show you the cut.

You're gonna let everyone see it but me.

Ari, you are all that matters.

- I want it to be perfect when I show it to you.

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Doug Ellin

Douglas Reed "Doug" Ellin (born April 6, 1968) is an American screenwriter and director, known best for creating the HBO television series Entourage. Ellin also served as executive producer and head writer for the series, and wrote, directed and produced its 2015 film adaptation. He attended Tulane University. more…

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Submitted on August 05, 2018

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    "Entourage" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/entourage_7697>.

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