Entourage Page #9

Synopsis: This movie picks up where the TV show ended. Vincent Chase is offered a role by his former agent now Studio boss Ari Gold in a movie he is developing. Vincent agrees on the condition that he be allowed to direct the movie also. Nearly a year later, Vince is uncertain if the movie is ready, so he asks Ari for money to finish the movie. But Vincent has asked for money more than once already and Ari's bosses are not happy of how much they're spending. But he goes to their backer to ask for more money and he wants to see what Vince has shot so far but Vince won't let anyone see it yet. But he's planning a screening, and asks the backer to come to L.A. with him but he can't so he sends his son instead. At the screening Vince decides not to show it. But gives out DVDS. The son after watching the movie, says he has issues with Drama, Vince's brother who has a small role in the movie. Vince is unwilling to drop him. When they appease the son, he then says he has issues with Vince. So as they t
Genre: Comedy
Director(s): Doug Ellin
Production: Warner Bros. Pictures
 
IMDB:
6.6
Metacritic:
38
Rotten Tomatoes:
33%
R
Year:
2015
104 min
Website
2,184 Views


You're really good in this movie.

Tell him, guys.

I didn't even think you could act

until I saw this.

Thanks.

Don't worry, we'll handle it.

If it doesn't work out, we can always

move back to Queens with Ma, right?

I don't wanna go back to Queens, bro!

I'll handle it.

I like the weather out here too much.

- Hello?

- Guess what?

I know who you are:

Tarvold from Viking Quest.

And I'm gonna f***ing kill you!

Hey, pal, guess what?

I'm already dead.

So f***ing bring it!

Hey! There he is.

- Travis. Thanks for making the time.

- No, thank you for coming to me.

- How are you?

- You're sitting in on this too?

Yeah.

Okay. Look.

I'm real sorry about earlier, Vince.

- But that Ari just wouldn't let me be heard.

- Probably just being protective. He's like that.

Well, I'm just being protective

of my money. I'm like that.

- We understand that.

- I'm sorry.

I know we met before,

but what is your involvement in this again?

- I'm the producer of the movie.

- And my manager.

Yeah!

You were the guy on Piers Morgan,

spinning pizza dough, right?

Vince, you take care of more people

than Red Cross?

I like to think they take care of me.

It's probably best

to think of it that way, yeah.

So listen, I'd love to hear

your thoughts on the movie.

- I know you have some issues with my brother.

- Yeah.

- He's not good.

- Well...

- Yeah, I disagree.

- It's probably because you're too close to it.

You can't see it clearly

because he's your brother.

As an artist, I'm pretty unbiased.

Maybe there's a bigger issue that's

making you not like his character, Travis.

He's pretty pivotal in the movie,

including the final scene.

I don't understand

how you could cut him out.

Yeah, I think that bigger issue thing

makes sense.

Did you have other problems

with the movie?

- Yeah, I did. I gave Ari a whole list.

- Maybe you could be more specific.

You're putting me

in an awkward position here, Vince...

...because not only are you the director,

you're the star.

It's okay. I won't take

anything personally.

With a movie, there are so many parts

that have to come together.

So tell me, what exactly didn't you like?

Well, okay.

Aside from your brother...

...I didn't like you.

Understand, this is really strange for me,

Vince, because I really am a big fan of yours.

I'm probably the only person in the whole world

who liked that Medellin thing that you did.

But, with this, you know, it's like

you were trying to do this kooky thing...

...like Johnny Depp did

in Pirates of the Caribbean.

Now, what he did, he went out on a limb.

And it could've been stupid,

but, God, it worked.

What you did here, though...

...it just didn't.

Maybe that's because you directed it...

...and all you had was your buddy

looking over your shoulder.

You don't have anyone

who can come in and say:

"Hey, this is getting kinda f***ed up

and goofy."

But it most certainly was.

You should've punched him

right in the f***ing face.

- Believe me, I thought about it.

- Maybe we are too close to it. Maybe I do suck.

- Pfft.

- You know what, bro?

If you do, at least we suck together.

- It's good, right, baby?

- Yes, Ari.

- You like it?

- Yes.

- But do you love it?

- I love it.

- You wouldn't lie to me, would you?

- No.

- Then say it again.

- I love it, Ari.

- Say it again, honey.

- I love it!

It's the best movie Vince has ever done!

Now can we finish?

The meds are still in me, baby.

I'm not sure I can.

Then get off because I was done,

like, 20 minutes ago.

I'm sorry.

It's this kid. He's killing me.

I know I haven't been great

to you lately, baby.

You know that I didn't come back for the

money. I came back to leave a legacy.

To make my family proud.

And I wanna go out on my own terms.

And this kid is trying to hobble me.

Like Tonya Harding.

And I can't have it because he's wrong.

Drama sucking,

I could've maybe bought that.

But Vince?

No. I'm a million percent sure

he is wrong.

It's just his opinion.

What can you do?

Thanks, Hector. I won't be long.

- What, Ari, no suit?

- Not tonight, DV.

Who told you where I was staying?

My office booked your room for you.

- Can I come in?

- No.

You haven't returned any of my calls.

- Ari, I have people here.

- I don't mind.

Sorry about that.

Didn't realize you were

in the middle of a work session.

Maybe I should call security and have your

ass dragged out. How would you like that?

I am sorry about that, but we do have

what are known as protocols.

- Even in this lawless town.

- My father wants to shoot you.

We could have

a Mexican standoff, then.

Because after looking at your long list

of proposed changes to my movie...

...I wanna shoot myself because

they don't make any f***ing sense.

I agree.

- With what?

- I'm grasping at straws here, Ari.

I don't know how to fix my problems.

- Vincent Chase's great in this movie.

- Bullshit.

He sucks. His too-pretty face ruins

the f***ing thing. It's distracting.

How the hell are you gonna fix

his face with editing?

I guess I'm not.

Which is why I told my father

we should bite the bullet...

...put some more money into it...

...and reshoot it with new actors

and a different director.

Reshoot? Do you have any idea

what that'll cost?

That's your job to figure out.

But I'll bet that there's a cheap way

to do it digitally.

Hell, I saw Tupac Shakur

in concert last year.

That guy's been dead 20 years.

You had no problem with Vince at the party.

A fan, even.

Did something happen?

I don't know what you're talking about.

- What happened?

- I don't know what you're talking about, Ari.

But if you don't leave right now,

I really will call security.

This guy's really gonna screw up

$100 million movie...

- ...because of a personal problem?

- That's what Ari says.

- Says he wants to replace me with a hologram.

- Can they even do that?

I was replaced

with a digital character once.

But that was before filming began.

What could I possibly

have done to this guy?

Did you shake hands when you met him?

Southerners, real particular about manners.

I think so.

Boy. Armie Hammer, 12 o'clock.

Good God.

Yo, Vinnie Chase. The DJ from hell.

- What's up, Armie?

- What's up?

- You know that I was dating Emily, right?

- Emily? I thought you guys broke up.

I don't see how that f***ing matters.

No, this isn't the time or the place.

But just know that I will enjoy

sneaking up behind you...

...and snatching the

f***ing life out of you.

You know what I'm talking about,

right, Drama?

You guys enjoy your salads.

- That was awkward.

- He's a lot bigger than I thought.

Why didn't you just tell him

it wasn't true?

Because it is true.

- Really. Since when?

- Since after the screening.

I went over there later, after she was

done watching the movie with Travis.

What?

A girl? This whole thing

is over a f***ing girl?

You guys are being crazy.

I can't believe you were with Emily

and you didn't tell us.

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Doug Ellin

Douglas Reed "Doug" Ellin (born April 6, 1968) is an American screenwriter and director, known best for creating the HBO television series Entourage. Ellin also served as executive producer and head writer for the series, and wrote, directed and produced its 2015 film adaptation. He attended Tulane University. more…

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Submitted on August 05, 2018

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    "Entourage" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/entourage_7697>.

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