Euro Angels Hardball 13: The Hole Story Page #5

Genre: Adult
Director(s): Christoph Clark
X
Year:
2001
735 Views


We could stop by the station

and get a pizza. I'm starving.

- No. Thanks, though.

- C'mon, trains go to London all the time.

Yeah, no. I... I know.

I'm gonna go by Amber's, see if we can

patch things up. Things have been awful.

Amber? But she humiliated you.

How the f*** would you know

anything about that?

Enjoy yourselves. I'm outta here.

Hey, Mikey? Your weed, mate.

- Mate, you said you'd do this.

- You said it'd be fun.

- It is!

- For you. You'll have a great weekend.

- We could have fun. Please.

- You're gonna get laid. Enjoy this.

Come on, Mike. Please. Stay.

You're gonna have a great time.

You'll be here completely by yourselves.

Enjoy it, all right?

- I hate him.

- What's up, Liz?

- Something's wrong! I can't open the door!

Can you move out of the way?

Watch this.

F***! It won't open.

- Well, push it, you twat.

- The handle's stuck.

You are such a donkey, mate.

Oi, Liz! Down. Let me sort it out.

- You are such a cretin.

- Look, I'm not f***ing retarded, OK?

- The f***ing door won't open!

- Get out of the way!

- Who was the last one down?

- It was Geoff.

- How f***ing hard did you slam it?

- It wasn't me, it was Liz!

- It's a heavy door! It slammed itself.

- Doors don't just slam themselves locked.

Hello!

Sorry! I didn't know we'd get stuck, did l?

- This is bullshit!

- You're sorry?! That's just f***ing great

What do we do? Do we just f***ing rot?

I guess... we just wait to be found.

In two days, my parents are going to be

up there waiting for me.

If I'm not there, they'll know I told a pack of

lies and I'll be up to my arse in sh*t!

Good point. My parents'll go berserk!

Good f***ing job, a**hole!

- How long before we're found?

- I don't know!

Sh*t! I am in so much trouble!

Perfect

Help! Anyone! Help!

- Somebody try the glass.

We have to do something

that might open the f***ing door!

- Well, what'll we f***ing do?

F***ing b*tch! You f***ing b*tch!

You all right? Why don't we sit down?

Thanks.

It's been a nightmare for forensics.

They can barely lift a usable print.

It'll take us six months to sift through

all the hair and fibre we lifted.

What about the listening devices?

The kids probably mistook

the small air vents for microphones.

Lack of food and water would have

made them confused and paranoid.

So do you have anything

to tie Martin Taylor to the scene?

Not yet.

But he will have left

something somewhere.

And we'll find it.

Right. Thanks.

Open the door! You b*tch! Open the door!

Liz! Liz!

Liz!

- Sorry! Sorry! I'm sorry!

- Bullshit!

- Bullshit!

- I'm sorry!

How could you do this to me, Lizzie?

You f***ing betrayed me!

No! They let you go! I knew they would!

They've tapped my phone,

they tried to follow me here!

- They want me for the whole thing!

- They can't prove anything!

- If they could, they would have by now!

- You grassed me up, you b*tch!

Hello?

Hello?

What happened?

You've got to get me out of here!

Please. I don't feel safe.

I don't want to be alone.

I don't feel safe.

- All right. All right. Liz...

- Please. Please!

Liz, come on. Calm down.

Take a deep breath. Come on. Calm down.

Listen, I can help you,

but you've got to stop playing games.

Some people

need to know what happened.

They don't care how terrible your story is.

They want to know the truth.

I want to know the truth too!

I want to go back to the hole.

Absolutely not! No way.

I keep getting glimpses of what happened.

I'll be doing something like tying my laces

and I'll turn around... and I'll see Frankie.

But when I try to remember, I can't.

There's nothing.

Nothing at all.

And I don't know what happened.

I want to know, but I can't remember.

Do you want to be re-admitted?

And we can work through this.

No.

I need to go back to the hole.

There's no escape, Tom.

Mrs Dunn called again,...

..pissing and moaning

Dr Horwood's run away with her child.

Saying she'll call the press, the Complaints

Commission, if we don't find her!

All right. But I bet you they're having

a bloody pizza somewhere.

- D'you want the rest?

- Go on. Amaze me.

I will. It's about Martin Taylor.

Come on.

Come on!

Looks different.

I don't even feel like I've been here before.

Liz.

Liz.

Hey, Mikey? Your weed, mate.

You are the cretin.

Dude, you're getting laid.

It's gonna be a great time.

Yeah, yeah, yeah, yeah, yeah!

We weren't locked in from the outside.

Sh*t! I am in so much trouble!

F***! Sh*t, I don't believe it! The stupid...

Did you try the glass?

What could I do?

I couldn't let him leave.

Carry on.

- Guys, guys! The water's gone off.

- Are you sure?

- I just went for a drink. There's no water.

- What?

What? What? What's happened?

After you start to feel thirsty,...

..you find yourself feeling impatient.

Maybe even a little sick.

Then your pulse starts to go up.

Then there's the headaches, dizziness...

When it gets bad, your vision will

blur and you'll find it hard to walk and talk.

Your tongue swells up.

Your skin shrivels.

You twitch.

You go deaf.

And then you die.

How long does this take?

From when we run out of water,

about three or four days.

- How do you know all this?

- Army cadets.

Liz! Lizzie!

Lizzie, it's gonna be fine!

It's gonna be OK, Liz!

We're bound to get rescued!

They'll find us. They will! Next week

we'll be down the pub having a laugh.

- I promise you.

And I'm buying, all right?

It's gonna be all right.

We'll go out and buy lots of new things.

And there's all those exciting exams

to look forward to.

Can we look on the positive side?

No, I've got a hard-on for those exams.

They're great.

- You've got a hard-on for everything.

- Not for you, mate.

I'm OK.

Have you ever loved someone so much...

..you didn't care what happened

to yourself?

You just had to be with them.

If they look atyou,...

..yourheart stops.

Ifyou feel theirbreath on yourskin,...

..youjust ache.

Have you ever craved someone so much...

..that you didn't exist any more?

No.

Well, I have.

Guys!

Hey, guys! Liz!

Guys! Liz!

- Frankie's sick.

Look, I'm serious. She's very, very sick.

It just keeps coming out of her.

So you're f***ing her now?

He really doesn't kiss

the way I thought he would.

I always thought he'd kiss me really soft,....

- ..but he kisses really hard.

You know, you could have told me

about you and Mike.

But I suppose it doesn't matter any more.

We're getting on so well!

It's like we've been together for ages.

- I think he's falling in love with me.

- He is. Yeah, he is, I can feel it.

- We'll probably sleep together tonight.

- I bet we'll get out tomorrow.

I have a really strong feeling we'll get out.

Like... Iike someone will find us, right?

- Do you think you can hang on that long?

Frankie?

Franks? Frankie?

Frankie!

- Frankie!

- Get away from her!

Frankie...

- Frankie, wake up!

- Frankie, speak to me!

- Oh, my God!

What's wrong?

Oh, sh*t! What have you done to her?

Rate this script:0.0 / 0 votes

Christoph Clark

Christoph Clark (born 9 February 1958) is a French pornographic actor and director.Called "perhaps the most popular male star in the French porn industry", Clark was born in France, but after working with figures including Marc Dorcel and Michel Renaud, he moved to Budapest in 1991, where he established his Euro Angel production company. Clark claims to be the first foreign producer to make a porn film in Hungary. He distributes his movies via John "Buttman" Stagliano's Evil Angel company. Stagliano financed Clark's anal sex-themed series Euro Angels, which starred Hungarian actresses.Clark began directing for Evil Angel in 1997. His first film was Euro Angels, and he has since directed series including Beautiful Girls, Angel Perverse, Dressed To Fuck, Euro Angels, Euro Angels Hardball, Big Natural Tits, Nasty Intentions, Top Wet Girls, Euro Slit and Euro Domination, and one-off releases like Christoph Clark's Obsession and Swallow. Like the other Evil Angel directors, he owns the films he creates, whilst Evil handles the films' manufacture, distribution, promotion and sales, and takes a percentage of the gross sales. In the late 1990s he also directed for Private Media Group.Clark produces Gonzo pornography, and typically interacts on-screen with his film crew and performers. His Hardball and Eurogirls series, which began in 1997, often feature sex on chairs, balconies or countertops, with bodies upside-down or in unusual positions. The success of his films has boosted the American popularity of other European producers. more…

All Christoph Clark scripts | Christoph Clark Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Euro Angels Hardball 13: The Hole Story" Scripts.com. STANDS4 LLC, 2024. Web. 29 Aug. 2024. <https://www.scripts.com/script/euro_angels_hardball_13:_the_hole_story_10050>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is one key element that makes dialogue in a screenplay effective?
    A Natural-sounding speech that reveals character and advances the plot
    B Excessive use of slang
    C Long monologues
    D Overly complex vocabulary