Faces Page #2
- R
- Year:
- 1968
- 130 min
- 1,455 Views
I know this jerk?
- Well, Dickie, he's just Dickie.
- No, no, no.
- I'm not one of these guys who has a few
- I know.
- Ah, he didn't mean it.
- Oh. There he is.
- Come on out, and to hell
with the family and responsibilities.
- That's right.
Come on. Let's ball it up, old buddy.
We don't even know each other.
I'm talking about
somebody deep down!
- That's right. That's right.
- I'm talk
He's gonna cry.
Do something. Freddie!
[Forst]
[Mimicking Sobs]
Oh, Dickie, Dickie, Dickie.
Hi, ho, Silver, away!
Get 'em up, Scout!
Masked bandits. Get 'em, Tonto!
[Mimics Gunfire]
Aaah! Aaah!
Aaah! My hand!
Oh, and I shot your hand.
That's a silver bullet.
Hi, ho, Silver, away!
Hey, Jeannie.
Hey, Jeannie.
Did you hear the one
[Laughing]
About the goose that
went down into the subway...
and got peopled to death?
Oh, isn't that
Listen, do you know
that Dickie and I...
# Used to do routines in college #
[Laughing]
Oh, boy!
- Hey, Freddie.
- Remember that time
we auditioned for the nightclub?
Ah, it closed! Hey, Freddie, let's do
one of our routines forJeannie, eh?
Come on.
Come on. Let's do it.
- Well, come on!
- [Laughs]
It wasn't funny then, buddy,
and a hundred years wouldn't change it.
Listen, Freddie, after what I saw on television,
I'm not ashamed of any of our routines.
- Now, come on. Come on.
- Come on. I do want to see it.
- Come on!
- All right! Let's do it.
- Come on, you crazy, shy son of a b*tch.
- Go ahead.
Up on your feet.
Come on.
Come on! Come on!
- She doesn't want to see it.
- Come on! I'll do that goddamn routine!
- No. To hell with ya.
- Come on! Hey, listen. Get this.
Ladies and gentlemen,
the great Siegfried!
- Yea! Yea!
- ## [Mimics Trumpet Flourish]
Bow! Bow, will ya! Bow!
Aw, come on, Dickie! Bow!
Oh, phooey!
Phooey, phooey, phooey!
He spoiled the whole goddamn act.
When the drumroll begins,
he's supposed to bow.
All right, you big chickens.
I'll do mine.
- Okay, you ready? Listen.
- I'm ready!
Neither one of you's
a communist, are you?
- Well, uh
- Oh, I don't care.
I made this up.
All right?
[With Russian Accent]
#There's a #
# Moscow theater
where the Reds love to go #
#To see Sonia the cutie
of the burleskovitch show #
#All the Commies love her stripping
to the very last man #
#They claim it's even better
than the Five-Year Plan #
#Take it off
Take it off #
# Da-da, da-da #
- #Take it off, take it off #
- ## [Freddie Vocalizing]
#Take it off
Take it off #
# But she didn't join the fun ##
- [All Laughing]
- [Freddie] Whee!
[Jeannie Sighing]
Oh! Oh! Oh!
- Come on, Dickie. Come on.
- What?
Now, listen. Get the picture.
- Stand up there.
- This is a fine
- This is a fine impression
we'll make with the lady, huh?
- Stand up there!
- "Stand up there."
- Listen. Get the picture.
- We
- Boy, this is ridiculous.
- Look, I'm gonna We're gonna do it
if my heart doesn't give out.
- All right.
Are you ready?
Now, get the picture.
Pinpoint spot.
[Makes Whooshing Sound]
- I got the picture. I got it.
- Got it?
- Achtung!
- Achtung!
- Right turn!
- Right turn!
- Right turn!
- [Yelling] Shoulders back!
- Back!
- [Yells]
- [Yells]
- [Yells]
[Grunting]
Cut.
[Laughs]
[Growling]
- Attention.
- Attenzione!
Ooh!
Ta-da!
And I'm supposed to act like
like it's all a big mistake.
- It's wonderful. You're wonderful.
- [Freddie] Ooh, Jeannie.
You're great.
And now
And now, if you'll excuse me...
I'm going into the boudoir to change
into something more comfortable.
Don't worry. You shall feel
[Sighs]
Oh. My heart.
It's beating.
- I'm so excited.
- Sh*t!
Uh-huh.
What are we doin' on our knees?
[Laughing]
What is the matter with you?
[Humming]
She's gonna change!
Ooh, Dickie. Remember when we didn't
have to worry about our wives and kids?
Oh, God!
Yeah.
Phew.
Mmm.
Remember when we had
our own apartment...
and all the girls would
come up and see us?
And they'd mix drinks for us,
and they would cook us anything we wanted...
and then they'd give us their money
and go to bed with us.
- Don't you remember?
- It never happened.
Of course it did. Don't you remember
Connie and Julie and what the hell's her name?
- The one with the
- I don't know.
Oh, my God, Dickie! You're getting old
and gray, and I'm getting fat and gray.
What the hell's she doing in there?
# I dream #
# OfJeannie with the light brown hair #
# I dream ofJeannie
# I dream ofJeannie
with the light brown hair, hey #
# Hey, I dream ofJeannie
with the light brown hair, hey #
# I dream ofJeannie
# I dream ofJeannie
# I dream ofJeannie
# I dream ofJeannie
# I dream ofJeannie
with the light brown hair, hey, hey #
# I dream ofJeannie
# I dream ofJeannie
##[Both Mumbling]
# I dream of Freddie
## [All Humming]
# I dream ofJeannie with the #
# I dream of Dickie with the silver hair #
# I dream ofJeannie
[Laughs]
# I dream #
[Jeannie]
Sing it, Dickie.
Hey, uh
## [Jeannie Humming]
## [Forst Humming]
## [Humming]
# I dream #
# OfJeannie
## [Both Humming]
By the way, Jeannie,
what do you charge?
#With the light ##
Oh, Freddie.
Aw, Freddie.
Aw, no, Freddie.
Don't spoil it, Freddie. Please.
Spoil what?
Honey, I'm game for anything.
I just want to know
how much you charge.
It's legitimate, isn't it?
I know I have to pay.
I'm not too schooled
in these things...
but I know somewhere along the line, your
little hand's gonna find its way into my pocket.
You're shocked, aren't you,
old Dickie, old pal?
What do you think she is? You think she's
some clean towel that's never been used?
[Freddie]
My God, Dickie. You think you don't pay?
How many times a week
does Maria ask you for some money?
Money, Charlie, is a necessity. And don't you think
that you don't work for it and pay for it.
My God, wait.
What is this?
I'm offering you.
Hell, look!
What's the matter?
If I went to one of
those fancy restaurants...
I'd probably tip the headwaiter,
the waiter, the busboy...
and a hundred bucks
goes flying down the drain.
And I couldn't have any more fun
than I could with Jeannie here.
- Let go of my girl.
- Dickie, wait. Please.
Please. Please. Please.
Don't be shocked.
It's like this.
Fred is a very sad man.
- Now, you
- Will you let me finish!
Because you're a man
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Faces" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/faces_7920>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In