Fast & Furious Page #3

Synopsis: Heading back to the streets where it all began, two men rejoin two women to blast muscle, tuner and exotic cars across Los Angeles and floor through the Mexican desert. When a crime brings them back to L.A., fugitive ex-con Dom Toretto reignites his feud with agent Brian O'Connor. But as they are forced to confront a shared enemy, Dom and Brian must give in to an uncertain new trust if they hope to outmaneuver him. And from convoy heists to precision tunnel crawls across international lines, two men will find the best way to get revenge: push the limits of what's possible behind the wheel.
Director(s): Justin Lin
Production: Universal Pictures
  5 wins & 2 nominations.
 
IMDB:
6.6
Metacritic:
46
Rotten Tomatoes:
29%
PG-13
Year:
2009
107 min
$155,022,220
Website
8,571 Views


Take off your shoes.

So beautiful.

(CHUCKLES)

Dwight likes this foot a lot.

Yes, baby !

Daddy Dwight loves. . .

BRlAN:
FBl !

l didn't do nothing, man !

Dwight didn't do nothing !

Hey, no ! Stay, stay ! Where you going?

WOMAN:
Bye, Dwight !

No, what did l do?

(EXCLAlMS lN PAlN)

BRlAN:
You're under arrest

for distribution of meth.

Meth? Dwight's never

touched that sh*t, bro !

Dwight has now.

Yo, that ain't mine ! No !

You know that's never

gonna stick, right?

Yeah, it's not supposed to.

(TlRES SQUEALlNG)

Live it up ! Live it up !

(HlP-HOP MUSlC PLAYlNG)

Yeah, Corona.

That's too bad

about Dwight.

Having the Feds raid your house

the same night you make the team.

So unfortunate.

l wish l could say l was surprised

to see you here.

What's to stop someone

from telling them you're a cop?

Probably the same thing that's keeping me

from telling them why you're really here.

What up, fellows?

Hey, how you doing?

Great. You having a good time?

Yeah, a great time.

Come on, let's have a better time.

How's your car?

lt took a nasty bump.

BRlAN:
lt'll be ready.

l also heard you just

got out of County.

Yeah.

Mmm-hmm.

You know a guy

named Jim Garcia?

Nah. Big place.

Lots of names, lots of faces.

And you, you're wanted by

a lot of people, homes.

Yeah, that kind of heat

can't be good for business.

Yeah, well, that depends

on how you look at things.

l go down, l do time.

l do real time.

l don't know about your other drivers,

but when l see flashing lights in my mirror,

l don't stop.

Do you know each other?

He used to date

my sister.

l see.

You're a lucky man.

How's that?

You're still breathing.

(CHUCKLES)

To the ladies we've loved

and the ladies we've lost.

(CAMPOS TOASTlNG lN SPANlSH)

So, what's Braga about?

You know, he's just one of us.

Came up from the streets.

Down for el barrio.

Now he's a shot caller.

The boss of bosses.

See all these cats in here?

Any one of them

would die for Braga.

lncluding you?

Especially me.

(WHlSPERlNG)

Enjoy the party, fellows.

Club's yours.

Whatever you want, booze,

broads, it's all good.

Braga's mine.

l'm taking the whole house down.

Good luck.

(CLUB MUSlC PLAYlNG)

(ELEVATOR BELL RlNGS)

(MEN CHATTERlNG)

Something interests you

about this car?

Just admiring the body work.

Are you one of those boys

who prefers cars to women?

l'm one of those boys that appreciates

a fine body, regardless of the make.

Your car?

lt's Fenix's car.

You'll meet him at the rendezvous.

He'll be leading you.

So now

that l know your taste in cars,

tell me, what about your women?

lt all starts with the eyes.

She's got to have those kind of eyes

that can look right through the bullshit

to the good in someone.

Down to earth.

Ain't afraid to get a little engine

grease under her fingernails.

That doesn't sound

anything like me.

lt ain't.

Hi.

Hi.

l got a gift for you.

All right.

A dirty shot glass,

just what l always wanted.

l got these from the club

last night.

There's two sets of prints here.

Run them both.

l know one of these is Campos'.

l think the other might be Braga's.

And you're gonna have

to go beyond lnterpol.

So, that means l have to contact

individual agencies,

and that could take weeks. Okay.

(GPS VlBRATlNG)

(CARS HONKlNG)

(CELL PHONE RlNGlNG)

Yeah.

That's your third traffic violation

in less than three blocks.

Slow it down, O'Conner.

Sure thing, Dad.

He stopped.

(BUG DETECTOR BUZZlNG)

(BEEPlNG)

(BUG DETECTOR BUZZlNG)

We lost him.

He killed the tracker.

We don't know that.

l'm telling you, he killed the tracker.

We don't know that yet !

Get the bird overhead.

PILOT ON RADIO:
Right now,

I'm moving north, 33', 56'...

All clear.

PILOT ON RADIO:

Base, fIag nine, I'm at AngeIs 5.

I don't have a taIIy on the target.

Repeat, I don't have a taIIy on the target.

They're gone,

there's no one down there.

Damn it !

TASH:
This ain't right, bro. Nobody said

nothing about being locked in no truck.

Tell me about it.

Hey. Hey !

Yo ! Where do you think

they're taking us?

Don't matter.

We're all just along

for the ride now.

Welcome to Mexico, boys.

There are helicopters

and surveillance cameras

that scan for heat

signatures at the border.

But there are blind spots that l can

guide you through via satellite.

There can be no margin of error,

so you must follow my every direction.

Any questions?

l thought Fenix was gonna be here.

He'll meet you out there.

All right, everybody, sync up.

Good luck, gentlemen.

(SPEAKlNG SPANlSH)

GISELE ON RADIO:

SateIIite Iinkup engaged.

Keep proceeding northbound

at current speed.

Stay cIose to Fenix.

He'II Iead you across.

(BEEPlNG)

(MONlTOR BEEPlNG)

l got a heat signature northbound

along Legardo Ravine.

Thermal imaging window on the Mexico

side's gonna be down for about 45 seconds.

Get the camera on it.

MAN:
Manual override. Rerouting camera

to designated coordinates.

GISELE:
Hurry it up.

You guys have been tagged.

(CAR ENGlNES REVVlNG)

Sh*t.

Toretto, get back in formation.

Reimaging commencing.

l don't see anything.

They're gone.

Get the helicopters to cover it.

PILOT ON RADIO:
Base, we're

GISELE:
They're sending

a heIicopter.

You have 30 seconds.

PILOT:
North 32' 33', west 116' 49'.

GISELE:
The window is cIosing fast.

You need to get out of there before

they send ground support.

Fifteen seconds.

PILOT:
Base, target is at two miIes.

GISELE:
You're running out of time.

You need to get out now !

PILOT:
Base, we're at north 32' 33',

west 1 1 6' 49'.

We have no visuaI contact.

RoII ground units for confirmation.

Sloppy !

Very sloppy !

What are you doing, man?

(GAS HlSSlNG)

Come on.

(SPEAKlNG SPANlSH)

Get out.

Come on, man.

Come on, today, man.

Come on, let's go.

MALlK:
Hey, don't touch me.

Hey, don't touch me, man !

(MAN SPEAKlNG SPANlSH)

Hey, l said don't touch me, man !

Hey, look, dawg,

don't put your hands on me.

TASH:
Hey, Malik, chill, bro.

Yo, man, what's up

with your boy?

(GUN C*CKS)

DOM:
Hey, boss man !

What did you say?

l said only pussies

run nitrometh.

You looked under my hood?

l'm talking to you.

Got something on your mind?

'70 Plymouth.

Her name was Letty.

Yo.

Where's my money?

DOM:
And somebody

wrecked her car.

l wrecked her car.

(TlRES SQUEALlNG)

You remember her face?

Huh?

'Cause l don't.

Last time l saw it, it was burning.

Now what?

l'm going to enjoy

what happens next.

(MAN SCREAMlNG)

(GUNFlRE)

(GRUNTlNG)

(GUNSHOT)

(MAN GROANS)

Dom, get in !

Get in ! Come on !

(ALARM BLARlNG)

Come on ! Get in the f***ing car !

Let's go ! Hurry up !

(HELlCOPTERS WHlRRlNG

lN DlSTANCE)

(PHONE DlALlNG)

(PHONE RlNGlNG)

PENNlNG:
What have you got, Trinh?

We're contacting agencies

in multiple countries.

Unfortunately, most of them have to

manually scan their prints for us to upload.

O'Conner's on line five.

And, sir, you should see this.

Thank you.

(PHONE BEEPS)

Talk to me, O'Conner.

Where the heII have you been?

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Chris Morgan

Chris Morgan is an American screenwriter and film producer. His writing credits include the screenplays for The Fast and the Furious franchise, Wanted, and the Fox crime drama Gang Related. more…

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Submitted on August 05, 2018

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