Fast Five Page #4

Synopsis: Former cop Brian O'Conner partners with ex-con Dom Toretto on the opposite side of the law. Since Brian and Mia Toretto broke Dom out of custody, they've blown across many borders to elude authorities. Now backed into a corner in Rio de Janeiro, they must pull one last job in order to gain their freedom. As they assemble their elite team of top racers, the unlikely allies know their only shot of getting out for good means confronting the corrupt businessman who wants them dead. But he's not the only one on their tail. Hard-nosed federal agent Luke Hobbs never misses his target. When he is assigned to track down Dom and Brian, he and his strike team launch an all-out assault to capture them. But as his men tear through Brazil, Hobbs learns he can't separate the good guys from the bad. Now, he must rely on his instincts to corner his prey... before someone else runs them down first.
Director(s): Justin Lin
Production: Universal Pictures
  9 wins & 21 nominations.
 
IMDB:
7.3
Metacritic:
66
Rotten Tomatoes:
77%
PG-13
Year:
2011
130 min
$209,805,005
Website
12,583 Views


Five-O. One-time. Pigs.

People we don't like.

You know, police stations are

designed to keep people in, not out.

That's why it's

a stealth mission.

We'll be in and out before

they even know we were there.

Well, we'll need

to get eyes in there.

At least to find out the make

and model of that vault.

So the vault

and then, so...

it's crazy.

Who's supposed

to do all this?

What do you mean?

Why me?

Because you got

the biggest mouth.

That's for damn sure.

Ooh.

Hello, beautiful.

Look at those dimples.

Sexy, sexy.

Love those glasses.

Where did you get them from?

Are those like Gucci frames

or something?

No English?

No, no, no. Damn.

How are you, sir?

Special Agent O'Conner.

US Federal Bureau of Investigation.

It says Caucasian.

That's a tan.

You know, a tan?

Look, I'm working this case and I

got some evidence here to be held.

But I need to get in and check

your storage facility first.

Nope.

Look, I know you're a true professional,

and I respect you, I promise.

You know, it looks like you

work out a little bit, too.

What do you bench,

about 350?

Ah, Sh*t.

Look, I'm just trying

to do my job, man.

My boss sent me here to just make

sure that everything was safe.

It will be safe.

Let me just come in

and take a quick peek.

Nope.

Come on, man.

Hook a brother up, please?

Nope. And you're

not my brother.

Brother from

another mother?

Look! No one enters the facility

but authorized evidence personnel.

Now stop wasting my time.

I'm going to call

the embassy.

No,no,no!

No, we're good.

We don't need to call them.

For what? We're good.

Here, I got the box.

We're all good.

I promise you.

Thank you so much for your time.

Swear to God, if you were on

the other side of that glass

I'd bust your damn face in.

Now translate that.

It's done. See, I think I make a better

special agent than you ever did.

Well, that depends

on how you define "special."

TEJ:
Come on, now.

Let's see what we got.

Not funny.

All right, come on.

Dawg,

you still can't drive.

Now, I see why you're always

getting into accidents.

You can't even drive

a damn remote control car.

I'm going to need you

to shut up right now.

I'm not going to shut up.

Shut up.

Strap him in his

safety belt, man.

Give me the remote,

dawg. Go left.

It looks like something right over

there to the left. What is that?

BRIAN:
What is that?

Bingo.

What is that,

six-by-six?

Eight-by-twelve.

Seven-by-twelve.

Fitted with 18-inch-thick

steel reinforced walls

with a insulated copper core to

protect against thermal lance.

A Class-3 electronic lock with

a surefire Griffin retumbler

and a biometric palm scanner.

Ten tons of

top-of-the-line security.

Do I want to know

how you know all that?

I had a life before

you knew me, O'Conner.

Let's just leave it

at that, all right?

She is a beauty,

though, man.

A "beauty"

as in "good"?

"Beauty" as in, she's going to

start off playing hard to get.

Then, no matter how much I caress

her, no matter how much I love her,

in the end, she still ain't

going to give up that ass.

(SPEAKING SPANISH)

Two to one says

you blow the wrong pipe.

Yo, why you got to be

so negative all the time, man?

(SPEAKING SPANISH)

I ain't negative.

I'm just positive

you're going to mess it up.

I'm telling you, man,

you got issues.

Next time if there's no

elevator, I'm not coming.

You need to learn

to relax, loco.

(SPEAKING SPANISH)

You better hurry up,

we got less than a minute.

Why do you always set

the timer so short?

(RICO SPEAKING SPANISH)

I hope you know

where you're going.

I got this. Relax, man.

Relax.

(SPEAKING SPANISH)

...a police station.

Relax.

(SPEAKING SPANISH)

You used too much

explosive! Again.

Too much, too little...

it's all the same.

That's some Buddha sh*t you learned from

a book in the prison library, isn't it?

And what you're doing

there on the wall...

You got that from

the same book, huh?

You're so negative, bro.

Can I have some light?

MIA:
Got it. We got it!

BRIAN:
Yeah, we're looking

at four cameras.

Yo, that's some

high-end sh*t, too.

Marker optics.

Hundred-degree

field-of-view.

Ten seconds oscillation.

Yeah, that's

a narrow window, man.

Can't we just tap in

and replace the image?

No, it's hooked

into a digital sync.

They would know we were

in the system.

The best we can do is peek.

We're going to need some real

fast cars to get through this.

Not just fast.

You got a hard right

and a hairpin.

We're going to need

something agile.

You guys mock up a track.

O'Conner.

Let's go get some cars.

Nice.

Home sweet home.

BRIAN:
Or that.

How about that?

All motor, no tuning issues.

I always wanted one of those.

Held the record on the

Avenida three years running.

(SPEAKING PORTUGUESE)

Damn, bro...

You got a lot of balls to bring

your problems here, Toretto.

Not to mention a cop.

Yeah, we can keep

that on the low.

Word on the street is a lot of

people are looking for you two.

What?

You didn't think

we'd recognize you?

No, we're kind

of counting on it.

That little coupe may run

the streets around here,

but that monster has never

seen a set of tail lights.

Even

Well, she's about to.

(DIOGO SPEAKING PORTUGUESE)

Dominic Toretto's

ride in my garage.

Now that...

will be a nice trophy.

Let's go, legend.

Car for car.

Car for car?

DIOGO:
You want it,

come and get it.

Let's see what they got.

Really?

Where did you get

that from? Papa Smurf?

Okay, O'Conner,

give it your best shot.

How was that one?

Camera caught you.

What?

Yeah, it still caught you.

Man, I was milking the hell

out of that thing, too.

We're going to need

a faster car.

I want my money.

Come on, man.

Yeah!

Let's get it! Watch this.

That's exactly why your ass

ain't been driving.

I think I'm in love.

That was real solid work.

I think Camera 3

still caught you, though.

Let's do it again.

TEGO:
That's the piggy bank

you ordered.

You're kidding me.

Yep.

Where in the hell

did y'all get one of these?

Well, we had a life

before you met us.

All right, I'll get to work

on the electronic tumbler

but there's still

another problem.

Palm scanner.

And without Reyes' handprint,

Houdini himself

couldn't open this b*tch.

How do you know

it's Reyes' handprint?

You got $100 million

in a safe.

You going to put somebody

else's handprint on it?

That sh*t is eating

you alive.

You check that.

Yo, check that.

Shut up!

How are we supposed to get

Reyes' handprint?

DOM:
Han.

You're up.

Sure. Nothing like

the easy stuff.

Let's go. I'll drive.

I make six bodyguards.

Seven.

You think that guy with a

fanny pack is a tourist?

So, how long were

you in the army?

That gun you pulled the other

day was a Jericho 941.

Thumb-racking the slide?

That was

straight-up Mossad.

I got out of the military

probably the same time

you quit smoking.

The amount

of chips you eat,

the way you always have to keep

your hands and mouth busy,

Rate this script:2.8 / 5 votes

Chris Morgan

Chris Morgan is an American screenwriter and film producer. His writing credits include the screenplays for The Fast and the Furious franchise, Wanted, and the Fox crime drama Gang Related. more…

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Submitted on August 05, 2018

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