Father of the Bride Part II Page #4

Synopsis: In this sequel to "Father of the Bride", George Banks must accept the reality of what his daughter's ascension from daughter to wife, and now, to mother means when placed into perspective against his own stage of life. As the comfortable family unit starts to unravel in his mind, a rapid progression into mid-life crisis is in his future. His journey to regain his youth acts as a catalyst for a kind of "rebirth" of his attitude on life when he and his wife, Nina, find how their lives are about to change as well.
Director(s): Charles Shyer
Production: Disney
  Nominated for 1 Golden Globe. Another 1 win & 1 nomination.
 
IMDB:
6.0
Metacritic:
49
Rotten Tomatoes:
48%
PG
Year:
1995
106 min
2,983 Views


That's not|what I was thinking.

How many times do you think|we've played out here?

About a thousand.

- I remember our very first game.|- Me too.

- I remember you were four.|- Here you go. Here you go.

You had a red ribbon|tied in your hair.

Dad!

Look, Dad,|I can dribble. Watch.

That's my girl.|That's my girl.

Hey.

Sorry to interrupt.

Oh, uh, hi.

- You got the key, George?|- Yeah, I-- Uh, I have it right here.

Uh. I got it.|I know I have it.

Oh, uh, Mr. Habib,|this is my daughter Annie.

Uh, she had her wedding here|at this house.

Ah, yes. The key?

Oh, yeah. I got it.|Somewhere.

Did I give that to you?|Ah, okay. Oh, sorry.

So, well, here you are.|And, uh, here you go.

- She's all yours.|- Good luck, Banks.

Uh, you too.

Well.

- Ah, what perfect timing. We were|just about to depart ourselves.|- Hi, Nina.

- Are you-- Are you in a hurry?|- Oh, not at all. No.|We have plenty of time.

- Oh, thanks so much.|- Welcome. Come on in.

- Oh, it's our pleasure.|- Welcome. Welcome.|Make yourselves at home.

- Come in, please.|- Are you sure?|- Where's Matty?

- Oh, he's sleeping at a friend's.|- I'll tell you what. The dog food's...

- all in the refrigerator and marked.|- That's nice.

- Uh, uh, you remember|the dogs, of course?|- Yeah. Yeah.

- Fortunately, they forgot you.|- Oh.

Come here, you angels.

I'm gonna miss you guys.

- See, George? They're|completely harmless.|- Mm-hmm.

Get ahold of yourself. Now, listen,|I want you to pay attention...

to your Uncle George and|your Aunt Nina now, all right?

Bye, fellows.

Oh, all right.|One more kiss, you maniac.

- John!|- Wow.|- All right.

- We're off.|- Well, good-bye.|- Oh! Oh.

- Oh, well.|- That's what the limo was for.

- Help yourself to anything|you see. We'll call you.|- Got the tickets, honey?

- They're all yours.|- Thanks.|- Okay, bye-bye.

- Enjoy.|- Thanks so much.|- I've got everything, sweetheart.

And when you get through with|that limo, send it back for us.

Oh. Oh, George.

Honey, do something.|They look sad.

Hey, guys.|Don't worry about a thing.

- Uncle George is here--|- Oh, George.

All right. Now, just take it easy, guys.|He's not gonna hurt you.

- Cute. Cute.|- Well, as it turned out,|the dogs did remember me.

Hey, puppy, puppy, puppy.

It was going to be a long night.|Just the four of us|in the old MacKenzie mansion.

Hey, listen to this. Luxury|beach condo. Marina views.

Stroll along winding streams|past lush landscaped gardens.

Honey, are you sure you didn't|pack the Pepto-Bismol?

Why? You still feel sick?

I can't seem to shake this thing.|I just don't feel right.

You just need a good night's sleep.|That's all. Tomorrow--

- Oh.|- Tell 'em to get off.

Okay, come on, guys.|Get off. Let's go. Off.

Come on. Off.|Come-- Oh, forget it.

I gotta-- I gotta lay down.|Just come on. Let's move over.

That's a good dog. Oh!

What am I supposed to do?|Sleep standing up?

I don't know, honey.|Just push 'em off.

All right, boys. Hey, come on, come on.|Now, now, fun's over. Let's go.

Come on. Get off the bed.|Off the bed. Now, come on.

Come on. I-I don't|wanna have to get tough.

So just come on. Let's go!|I mean it. Amscray!

Off the bed! Come on! Off!

- Oh.|- Get your filthy paw|off my wife, you good--

Oh, forget about it. It's their house.|Let 'em have the bed.

I'll-- I'll go stay in one|of the other seven bedrooms.

Oh, but, honey, I don't|wanna be left alone in this|big room. I don't feel good.

Fine. I-I'll sleep|on the floor. Huh?

Thanks.

Oh, I know. I have an idea.|What if after they fall asleep,|you just lift them off?

Oh, yeah, of course. I'll just|lift 'em off. What are you, nuts?

- Could you hand me a pillow?|- Yep.

Oh, I'm so naive.

Oh, I know|what's wrong with me.

What? What's|wrong with you?

It's so obvious. I don't know|why I didn't realize it before.

Honey, I'm going|through menopause.

Oh, Nina. You can't be going|through menopause. My mother|went through menopause.

Well, exactly,|and probably at my age.

George, I have|all the symptoms.

I'm late. I'm weepy all|the time. I'm hot and dizzy.

- Don't be silly. We're still so--|- But, George, honey, we're not.

We're not as young|as you think we are.

Just because we're getting|older, it doesn't mean that|we're old. This is the '90s.

Growing old isn't what|it used to be. Well, it's true.

Women my age are doing Geritol ads|and Fixodent commercials.

- Nina.|- They are.

And guess who I saw on|the cover of Longevity magazine.

- Guess.|- Barbara Bush.

Peggy Lipton.

From The Mod Squad?

This is reality, George.|Do me a favor, will ya, honey?

Stop acting like|this isn't happening.

- Oh, do I have to?|- Yes! Yes.

George. George. You haven't been|the same since the day you|found out Annie was pregnant.

Now, I know you, and I know it takes you|a long time to work these things out.

- But I miss the old George.|- Must you use that word?

All right. I miss the adorable|George Banks I used to be married to.

Honey, you got me worried. I don't know.|You dyed your hair. You sold our house.

- What's next, a 19-year-old girlfriend?|- Nina!

Well, men do those kinds|of things, George.

They don't wanna grow old with their|wives, so they get-- I don't know.

New wives. Young wives.|Just--

- Nina.|- What, honey?

- What?|- I may dye my hair, and I may|wanna move to the beach and...

- Yeah?|- I may hate the idea that|I'm gonna be a grandfather,

but never for one millisecond|of one day...

did I ever not wanna spend|the rest of my life with you.

- Really?|- Really.|- Really?

And I'm sorry|I've been such a jerk.

- Oh, that's okay. I'm used to it.|- Yeah.

- Good night.|- Good night.

The doctor didn't give you|any indication of why|he wanted me to come with you?

-No.|-But he didn't say there was|anything to be concerned about?

No. I mean, I assume this is|absolutely routine. I don't know, honey.

I've never been through|menopause before, you know.

He probably just wants to tell us|what to expect un-- well, unless--

- Unless what? What? Unless what? What?|- Well, unless...

something showed up on my|blood test that was too horrible|to tell me over the phone,

and he wanted you here for|support in case I flipped out.

- You know, and he just, like--|- Nina, well, what did|the man say exact--

- Well--|- What were his words?|- Just that...

he thought it would be wise for us|to come in together as soon as possible.

That's all.|Okay, here we are, honey.

I'm sure I'm gonna be fine.|I hope.

I'd never seen Nina|so unglued.

I wasn't used to being|the calm one.

I didn't know what the doctor|was about to tell us.

But nothing, absolutely nothing,|could've prepared me for what|I was about to hear.

- It's gonna be all right.|- I know.

Nina, George.

- Well, we ran a panel on Nina's blood.|- Nina.

- What?|- Whatever it is, I just want|you to know I'm here for you.

- And you can count on me.|- Okay.

We're gonna get|through this together.

- Okay?|- Okay.

So, uh, tell us. Uh, what is it?|We can handle it.

Rate this script:4.8 / 4 votes

Nancy Meyers

Nancy Jane Meyers (born December 8, 1949) is an American film director, producer and screenwriter. She is the writer, producer and director of several big-screen successes, including The Parent Trap (1998), What Women Want (2000), Something's Gotta Give (2003), The Holiday (2006), It's Complicated (2009) and The Intern (2015). more…

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Submitted on August 05, 2018

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