Ferocious Page #5

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Yeah, P.O.W Widen.

- All right, Iefs just

talk about this, all right?

- Widen the stance.

- Listen to me, man L .

I'm sorry about your brother.

- I Knox-v you are.

Hands up.

- Come on, Sal.

- Comfortable? Ready'?

- Sat.

- Ready?

- Sal, don't do this.

Don't do this.

Don't do this, Sal.

Don't do this. Don't do this--

Ahhhhh!

- You're not coming'?

Why not? Why') Why? Because I know

that R's not about the money,

or whatever the f***

you toXd Enc

- Must...

I need to stay here, OK'?

- Why?

Does he have naked pictures of you? Like...

did he used to be your dealer?

Do you guys-did you--

do you have a sex tape'?

Oh, sh*t. Sh*t.

Seriously?

No! Seriously?

Oh, my god!

Leigh! Do you have any idea

how-q cool that is?

If I looked like you, I x-vould make

a sex tape every single day! No, no,

no,no:
no! If you lock this door,

I xvill f***ing pound on it!

I Knox-v you, Leigh. I know you,

and you wouldn't be here--

Ow, ow. ow' Ow'

- You know me? You know me')

' Yes!

" Why?

Because you've watched

some character \ play on TV')

You don't know me.

I'm a mirage.

- No no. that's not true

A HoHywvood casting dxrector

discovered you when you were

volunteering at a soup kitchen,

and then you were cast

m an off-Broadway may

and you bhewv everybody away--

- No No.

There's a pretty picture,

but it isn't true.

All right'?

They put this stuff on me-

me being a small-towvn girl

who defied the odds--

because n works.

H gets me jobs.

I'm a brand.

The Cinderella thing

gets me publicity,

and soon as it stops working,

I'll stop x-vorking.

- How do you know

what brand you are?

I'm serious, Leigh.

I'm serious. Please. Please.

Help me understand.

- My mom can't know.

- Know what?

- That I'm disgusting.

Vile.

- You are beautiful.

OK'? You are so, so beautiful.

(grunting and sighing in video)

- (Eric):
I didn't do it!

I didn't do it x-vith those girls!

- (Sal):
You sure

you don't xvant one'?

- So. what do we do now?

Just wan

for that guy to heave'?

What wound ChanteHe do?

Leigh, I'm serious.

- I got into some trouble

a fex-v years ago, Eric.

Some serious, serious,

dark trouble.

I didn't deserve it, either.

So now.

Trouble seems to follow.' me

vmerever I go.

Sort of like a diseased puppy.

I guess xvhat I'm trying

to say is...

I don't need the attention

right now.

The attention means

that people are going to be

looking at me first.

And I don't want that.

(Ends mufed screams)

(thump)

(Eric yelling in pain)

- What are you doing'?

Enc made ms bed

You need to protect yourself

- You'd be great

in the entertainment industry.

- Seriously'?

Are we gonna...

(Tess x-vhispering): Leigh!

(toilet flushing)

Leigh!

Oh. Whew Whew. OK.

Come on! Little... f***er!

Leigh!

- Come on, come on.

I got it. Come.

Come on. No, no!

Sh*t, sh*t.

- Are these the tx-vo ladies that you

were talking about a minute ago?

- We don't know anything.

- (Sal):
I'm sorry'?

- We don't... know anything.

- (Sal):
On.

Lxttle Bo Peep here says

she doesrt know anything.

Peep, would you squat down

for a mmute?

Do I know you'?

Do I-- Have ave met?

You and me? I mean. .

Where xvould I Knox-v you from?

- TV.

" What':

- I Believe in Angels

It's a TV show-v.

- No, no. Um but.

Eric. and I did see you

on a television

just a little x-vhile ago.

Having a little square dance--

two guys, two girls.

(grunting with effort)

- OK.

(grunting with effort)

OK.

. Hey Hey.

Come on. Come on come on

uh...

I've dreamt

about meeting you.

But I gotta be honest.

I half hoped I x-vouldwt.

Scared you'd disappoint.

You sit there.

You're filthy.

Just one minute.

- Should we run?

(tap running)

Leigh. Should ave run'?

- No. We don't move

We don't run.

- Why?

(video playing faintly)

- I play it all the time.

It's, uh... background sounds

for angels.

Mannot

believe that it is playing

with you in this room.

Would you sit on my leg?

I'd like you to sit on my leg.

Just a few questions.

Ah...

Hear n, Peep')

Must have been .

Six, seven years ago

I first laid eyes

on this apparition.

It was a video--

the tape:
I call it.

An art installation,

you might say.

Um. she...

...this lovely creature is

on the tape

for 21 riveting minutes.

I loved how you got

inside my brother's head.

Wked.

Watching you do that to him.

Mid.

I found my brother tonight.

I'd love to know

how it happened.

I'm curious.

Would you tell me, please?

(sighing and moaning on video)

(whispenng):
Please

You can get

off my leg now.

Your turn

(Maurice laughing in video)

- (Leigh in video): What'?

(Maurice laughing in video)

- F***!

- You know, I get

the distinct impression

that you had nothing to do

wnh what went down here

tomght

Like, like, you xvere pulled

into it, or you walked into it

like dog sh*t. Poor thing.

Am I right?

I'm right, aren't I? Yeah?

All right:
so:

you're gonna tell me

what you're doing here,

or Lady Godiva over there will

watch me do some thmgs

with you

- Sh-sh-she. .

- Come on come on

(moaning in video)

(silence)

It's gonna restart itself.

Just await.

Here n comes

Nothing?

All right, let's do this.

Come here. It's all right.

- (sobbing):
No, no, no, no!

- Sal, stop!

- No, Leigh, no!

- She's here because of me.

Come here.

Your brother has been

extorting me for three years.

And I decided

to take a stand.

- Good for you!

- Yeah

Well, he didn't like that,

and he tried to kill me.

- Ah!

- OK, OK, you came

to get the tape. I get it.

But why on Gods green earth do

you want to cover up your gifts?

You are a goddess.

Celebrate the tape. right?

Celebrate it'

Get in front of it!

Be proud!

- That's not me anymore.

- F***!

(w-vooci breaking)

Ah!

(He groans.)

- Who's this now-v?

(Enc grunts)

- Hey, Leigh..-

Who is-wvho is this guy'?

- Oh. Well, I'm obviously

just a nobody.

Ain't that right, Leigh'?

Afuckm' nobody'

- Hey no. no, no no.

You- I would prefer if you did

not talk to Leigh like that, OK'?

Wha--

- Why don't you teH your

fuckxn' shoe whore to back off

or I'm gonna put my fist

through his f***in' skull.

- Hey. Call me shoe xvhore again.

- Shoe m

- om

I am her manager!

A**hole

You. Out. Now.

What'? No, no what--

what are you domg?

What is she doing?

- Leigh, forget about the tape!

- What') What tape')

(sighing and bed squeaking

in video)

- I really like that.

- Yeah'? You like that?

- Really like that.

- Yeah.

- So f***ing...

- Oh. Yeah, you like that.

You OK?

- Stop stop

- What'?

- Just for. .

Somethings xvrong with me.

Oh. Oh. f***'

Holy... You almost broke me-

- (Leigh in video): Just take it.

Just take it! Take it! Take it!

- Why didn't you tell me

about this?

- (Leigh):
Come on, come on.

Take it!

Take n! Fuckerl

You want that'?

- It's my job to deal uvith th--

- It happened before ave met!

- I understand that, but--

- There's nothing

you could have done, OK'?!

(shouting in anger)

- Stop. Look, we can cover this up!

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