Ferocious Page #6

Synopsis: Leigh Parrish, a likeable, small-town girl, now famous actress, takes increasingly drastic steps to protect her fame.
Genre: Thriller
Director(s): Robert Cuffley
Production: MTI Home Video
  7 nominations.
 
IMDB:
4.5
NOT RATED
Year:
2013
93 min
Website
47 Views


- I don't want to cover it up!

I want it gone!

- Leigh! Leigh! Leigh: stop!

- (Leigh in video): Come on.

Come on. Wake up, OK?

Come on, don't leave me.

Come on. Come on, big boy.

You like that? Come on,

take that. You 'want that?

Yeah, you like that.

You like that'?

- OK. Look. whatever happened

here.

Whatever he dxd to you

it doesn't mean that your career

has to come to a dead stop, OK?

OK':

We can have mm charged.

- It's not what he did to me.

Come on, big boy.

It's what I did to him.

(Leigh sighing in video)

(Maurice yelling in pain)

- (Pvaurice):
F***!

- (Leigh):
F***. Oh, sh*t.

(Leigh sobbing):
You f***ing--

You're a f***ing--

Oh, sh*t! NO!

(Leigh sobbing and yelling

in a panic)

Oh, sh*t!

- Stand back Stand back.

F*** F***.

They said yes, OK?

The f***ing network said yes.

- (Leigh xvhispering in video):

You're never gonna see me again.

When I come back...

(Maurice groaning in video)

(Leigh yelling in anger)

- Stay down. Stay down!

Don't move

- Hey. Where are

our lady friends?

- Don't care.

'cause you know what?

This is between you and me.

- Oh, no:
it's not.

No, it's not.

Enc. M's not.

This is us

against them.

- On. How-v convenient

for you.

Clan I sit on your lap'?

(chuckling)

Hi.

- Here. buddy.

I didn't Knox-v x-vhere

to point that trigger.

'Cause all three of you xyere

looking really, really guilty.

But nouv I Knox-v

you had nothing to do with this.

Nothing.

- That's right.

- Nothing.

Those girls broke m here

to steal something

that wasn't theirs.

And when the cops get xvind of this,

you are gonna take the blame.

- What'? Blame me'?

Why would they do that'?

I didn't do nothing.

- Doesn't matter. Your girlfriend

upstairs, she's gonna pin this on you.

I Knox-v all about her.

Nlaurice told me.

She left you before.

She's gonna leave you again.

She WM. Don't trust her.

And you will be alone

like you alx-vays are.

- No.

- Now you listen to me.

I have a lot of cleaning up

to do.

This is a big-time mess.

Just go handle stuff,

and I'll make some calls. Right'?

- You're gonna help me?

- I'm gonna help you.

Absolutely. Here's a drink.

It's for you.

That's it. That's it.

- Don't move.

- I'm not gonna move. Stop pointing that at me.

Just do what you have to do.

Come on.

- I can't, man.

I can't do this, man. I can't go

up there and kill them, you know'.

I mean, your brother, maybe

it was an accident, you know?

Think about it. She's a TV star, man.

You knoxv, we kill her,

people are gonna come around, people

are gonna start asking questions.

Cops, man!

There's gotta be another way.

- SM.

Whew. Now I gotta...

All right.

Yeah, there's another x-vay.

I'll-- Listen, I'll do it.

I'll do it, OK'?

- You sure'? - Yeah.

- Yeah.

Hey, Sal.

Take this thing, you know'?

That ain't me.

- All right.

Hey, listen, listen.

You remind me x-vnen this is allover, I'm

gonna give you my dental surgeon's card.

He's a f***in' artist.

I'll give you his card.

- Yeah. Thanks, Sal.

(two gunshots)

- (Sal):
Hello!

Hello!

Who's coming douvn?

Come on, prairie blossom.

I'm waiting for you.

All right. I'm coming up.

- Sal, wan! I'm coming down

- AH fight.

: Leigh.

Leigh!

- Head hurts.

Let's go, people!

What's this new'?

What is this now?

What is this now?

What is this now?

LI-I-

(music switched off)

The disco floor is now closed.

Got n?

" Leighq

"Ah!

- Son of a b*tch!

(Leigh sighing in pain)

(sighing in pain)

- Owv!

- What, um...

what's your actual name?

- It's Leigh.

- Thought ifd be something

more exotic, you know?

Like, like.

Laetma. Lecme...

You have the tape?

- I did.

- What's the matter?

- I x-vant to live.

Please.

Is there--is there any away...

(Leigh sobbing)

- That would be tricky.

I mean... I mean,

it's not just you.

I mean, x-ve have this cute little

couple up there somewhere,

and everyone who lives

past the night...

is just a bigger migraine

for me don-m the road, right?

- What if they...

What if they couldn't'?

- Aren't they your friends?

- Can a bottom feeder be

a friend?

- (Leigh repeating Tess): Sx-vimming beneath

you, eating the food you've discarded

that floats dowvn to you? The

fair-uveather friend, the sponge:

the leech who profits

off the success of others?

- Is that from a book

or something?

- Yeah.

- Beautiful.

- H they weren't awe

to contradict whatever story

that we come up wxth. .

- I f***ing love you.

"We." Yeah. Right'?

Right'? You and me?

- Yeah.

We could help each other.

- \ want to negotiate.

(Leigh laughing)

(Sal laughing)

- That's what this producer said

to me

when I first arrived

in LA.

- What'd you do'?

- Kneed him in the balls.

(Sal laughing)

- You were such a p\sto\

- SUN am.

(Sal shouts in pain.)

- Hey. Oh...

(Sal grunting)

Ah!

- No, Sal, stop!

8T0 p!

- Well... want me to stand here

and bleed out'?

Is that xvhat you want'?

All right, there you go.

Nly pain, it's temporary.

Clan you say the same

about yours'? Don't think so.

Let me just feel the pain for you,

let me uvear it for you, all right?

Come on.

Don't be scared. We're the same

person You just don't know n yet.

Come on. hvant to some home

with you every night.

And I'm gonna-l 'want

to taste your breath: right?

When I'd watch you sleep

(uvhispering):
I love you.

Hove you. Why f?

I'm never gonna let you go.

No one's gonna come

between us ever.

Or I'll burn them

at the stake.

And I'll burn them

and burn them,

bum them, bum them

I'm never gonna let you go.

(gunshot)

: You did xvhat you had

to do. You just, uh:

you did what you had to do.

It's gonna be OK.

It's gonna be OK. OK, urn,

uh:
I can see this,

I can see this. Uh, how,

how do they know Leigh'?

What are they doing here'?

- I don't Knox-v! What do ave do? Do I call someone'?

Do ave call the police'? Can you calm dox-vn?!

- OK, so:
so this guy,

Sal, he:
um...

he was blackmailing Leigh,

right?

Something about a tape, right'? And then, and

he was extorting her, so, so Leigh shoa-vs up.

Sal gets rough, and...

the gun comes out, and then,

then... this guy. Eric,

he defends Leigh,

he tries to help her, but then,

pop pop, pop he's down.

andthen.

Sal, he's ready:
he's ready to kill

Leigh, he's ready to snuff the life

out of her but she..

she stabs him

But he still comes for her.

And that's when our brave dead sotdter here

he musters up just enough energy to. .

To grab a gun. .

And shoot him. Right,

jUSI enough energy~

(two gunshots)

- Ah! Oh' Jesus!

- He just missed

a couple of times first.

What'? What?

- Ws not gonna work.

- What? It uvorksr-

- Ballistics, bullet trajectory.

Clallum, I watch a lot of TV.

That doesn't make sense.

Plus there's still

the brother.

(Tess sighs.)

- OK, so what happened?

- He attacked her and then I--

- You stopped him'?

You defended Leigh?

- Yes.

- Say it then.

- I x-vas protecting myself

and Leigh.

- And it was the only way.

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Robert Cuffley

Robert Cuffley is a Canadian film director and screenwriter. He began with music videos, directing over 40 in all, before moving into short films, and later, drama. more…

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Submitted on August 05, 2018

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