Fiesta Page #2

Synopsis: Famous matador Antonio Morales's disappointment turns to joy when his wife's pregnancy yields twins, and the second child is the hoped for boy. Morales names his twins Maria and Mario, and as soon as he is old enough, begins to train Mario for the bull-fighting ring. However, Mario's interests lie more in music, while his sister Maria is fascinated with the ring. Eventually, Mario is angered by the high demands of his father and leaves town for a chance to study with a famous composer. Mario abandoning the bullring brings disgrace to the family name, but Maria has a plan...
 
IMDB:
6.0
APPROVED
Year:
1947
104 min
57 Views


-Of course. Ah, ah, ah.

Tomorrow is your birthday, not today.

There.

Hello, mamacita.

-Big news for you, Mario.

-Oh, really?.

-Is it very beautiful, Father?.

-Magnificent.

You know, Mario, it is exactly my size.

MARIA:
Your size?.

MRS. MORALES:
What are you talking about?.

Mario`s bullfighting costume, of course.

[SCOFFS]

Uh, Father, Maria means the party dress

for her birthday.

Oh, that`s all right, Mario.

The younger always comes first.

Younger?. You are twins.

I`m older by 1 5 minutes.

-Fifteen minutes.

MRS. MORALES:
Antonio...

-...did you or did you not get the dress?.

-Yes.

Of course.

It`s a good moment

for your career, Mario.

You see, your measurements are exactly

as mine were when I was your age.

We`II show them something tomorrow.

Like father, Iike son. Ha, ha.

You know I`II do my best. For you.

Antonio, I know Mario must fight

in this exhibition tomorrow.

Of course. How else will Barrios know

he`s good enough for Mexico City?.

-Barrios?.

-Is he really coming to see me fight?.

-Certainly.

-Tomorrow`s his birthday.

Now, Mother, don`t worry.

Morales men,

they know how to handle bulls.

Have you picked your bull yet?.

I was just about to Ieave when--

We`re going now.

Are you ready, Maria?.

I`II get my hat.

MARIO:

I`II be waiting.

That`s quite a boy I`ve got there.

I wonder if you`ve ever forgiven me

for the fact that your first child was a girl.

Well, it was a shock.

But you made everything all right.

And immediately. Ha, ha.

You always make everything all right.

MARIA:

Mario, no, no! PIease, Mario, no!

Tell me, where is my music?. Where is it?.

-I`II tell you.

-You promise?.

-Yes, I promise.

-AII right, where is it?.

Mario.

[CHUCKLES]

CIose the gate.

[BELLOWING]

-Ooh.

-Oh!

[LAUGHING]

Miguel, what are you trying to do

to that bull?.

What is the bull trying to do to Miguel?.

-Ha, ha. I Iike that one.

-You do?. That`s good enough for me.

Maria`s right. With him,

you`II put on a good show tomorrow.

He`II charge straight, you`II see.

He`s got strong Iegs, good shoulders,

and his eyes are on fire. That`s a true bull.

Isn`t it wonderful

how much Chato knows about a bull?.

How do you account for it, Maria?.

Well, that`s simple, Mario.

AII you have to do is think Iike a bull.

Well, I`II see you Iater, Chato.

-You`II be over Iater, Maria?.

-Yes.

[MARIO WHISTLES]

I`II be right back, Papa.

Now, suppose you tell me:

-Where have you been?.

-Out of my mind.

Now you tell me:

which way does the world go round?.

This way or that way?.

-Why?.

-You`re wrong. Today, it goes this way.

-And this way. And this way. Ha, ha.

-Oh, please, Mario.

Now will you tell me?.

When Pepe gets here,

we`II know everything.

And who did it?. Who thought of it?.

Maria. I`m telling you, she`s--

-Oh, Mario, you`re not telling me anything.

-Oh, she`s so smart.

If it weren`t for her, I--

Conchita, if I ever amount to anything

in this world...

-...you know who`II be responsible.

-Maria.

Oh, Conchita, I`m not....

I know, darling, she`s your twin.

But what happened?.

Well, I-- My music manuscripts disappeared.

Now, wait a minute.

I Iooked all over for them.

And when I was about to go crazy...

...I suddenly see Maria

smiling Iike a porcelain cat.

Do you know who has the music now?.

No.

-Maximino Contreras.

-The symphony conductor.

-That`s right.

-Oh, Mario.

I wouldn`t have the nerve to send my music

to a man Iike that. I couldn`t.

But Maria, well, she just gave it to Pepe,

who`s a friend of Contreras...

...and forced Pepe

to make Contreras play it.

-And I am scared to death.

-Oh, but it`s good, Mario.

It`s beautiful.

He`s sure to Iike it.

Oh, I don`t know. I can`t believe it.

But if he does Iike it....

I mean, if Maria is right....

Conchita...

...you know that`s what I Iive for.

That and this.

It`s wrong. AII wrong.

-Have you done something wrong again?.

-No, I didn`t.

And it is not necessary for me to think

Iike a bull to know where Mario went.

Oh, you`re beginning to cackle

Iike an old hen.

Oh, I`m a hen now. Oh, right.

But Iet me tell you something.

You cannot fight a bull without rest.

You just can`t.

Tomorrow is his birthday. His friends

wanna give him a Iittle party, that`s all.

A Iittle party, how sweet.

Tonight, they give him a party.

Tomorrow, he gives them a party.

You know as well as I do...

...when he gets together

with those musicians, he stays out all night.

-He`II be all right tomorrow.

-Don`t always defend him. It`s all wrong.

With Senor Barrios coming all the way

from Mexico City to watch him.

It`s a very important day, and--

No, I`m sorry.

This time, I will have to tell your father.

Oh, no, you won`t.

-Why won`t I?.

-You know why.

-Why?.

-Because you never have and you never will.

Come on. Come on, baby.

""You never have and never will.""

[CAR HORN HONKS]

[PEPE & CHATO SPEAKING IN SPANISH]

-Pepe.

-Chato.

-Say, what`s all the rush?.

-Oh, great news.

Where`s Maria and Mario?.

Where do you expect Mario to be?.

Where`s Maria?.

Say, uh, what`s in that box?.

Something for Senor Morales.

Now, where is Maria?.

Where would you expect her to be?.

Thank you, old goat.

Now I`m a goat.

Hey, Maria.

AII right, darling. Just a moment.

Ah, Pepe, I`m so glad to see you.

AII day Iong, just one thought

has been running around my head:

When will Pepe get here?. When?.

Music, music to my ears.

Now Iet me tell you the big news.

-About Mario?.

-No, about us.

You did take Mario`s music

to Senor Contreras, didn`t you?.

-Yes, I did, but something came up--

-You don`t think Mario`s music is important?.

-Did Contreras play it?.

-Will you Iet me--?.

Contreras must be a fool

if he doesn`t Iike my brother`s music.

Instead of conducting an orchestra,

he ought to be on the street...

-...blowing a tin horn--

-Will you Iet me tell you what he said?.

That`s what I`m waiting for, darling.

What did he say?.

Nothing.

Nothing?. How could he possibly

say nothing?.

-PIay that music once, and--

-He played it more than once.

He played it over and over.

He got so excited he couldn`t talk.

-Now, will you Iet me tell you--?.

-I knew he`d Iove it.

Oh, that`s wonderful.

He`s gonna play it with his orchestra.

-He is, isn`t it, Pepe?.

-I don`t know.

He`s coming tomorrow.

He`s coming to see Mario personally.

Here?. Oh, Pepe,

thank you for doing this for Mario.

He`II be so happy. Oh, this is wonderful.

Now, will you...

-...Iet me tell you something about us?.

-Don`t say a word to Mario. Not a word.

-What now?.

-Well, don`t you see?.

Mario won`t know anything about it.

Tomorrow will be Iike any other birthday.

And then, suddenly, someone comes to him

and says:

""Mario, there`s a gentleman

to see you from Mexico City.

A Senor Maximino Contreras,

about the music you sent him.""

Oh, it will be the greatest moment

in Mario`s Iife.

And in yours.

Yes, darling, it will.

Everything is Mario.

Mario and his music.

Rate this script:0.0 / 0 votes

George Bruce

All George Bruce scripts | George Bruce Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Fiesta" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/fiesta_8145>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Fiesta

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who wrote the screenplay for "Schindler’s List"?
    A Eric Roth
    B Steven Zaillian
    C Quentin Tarantino
    D Aaron Sorkin