Fight Club Page #10
The GUESTS command the WAITERS with snaps of fingers.
INT. SERVICE ELEVATOR - NIGHT
Jack turns and WE PAN to Tyler, standing by a CART with a
giant SOUP TUREEN. His hands are at his open fly and he's
in position to piss into the soup.
JACK:
He was the guerrilla terrorist of the
food service industry.
TYLER:
Don't watch. I can't if you watch.
Jack waits. The SOUND of a STREAM of LIQUID is HEARD.
TYLER:
... Oh, yeah. Oh, yeah.
JACK:
He farted on meringue; he sneezed on
braised endive; and, with creme of
mushroom soup, well...
TYLER (O.S.)
Go ahead. Say it.
JACK:
You get the idea.
EXT. PARKING LOT OF TAVERN - RESUMING
Tyler and Jack come out the back door.
JACK:
I don't know about this.
TYLER:
I don't know, either. I want to find
out. I've never been hit, have you?
JACK:
No. That's a good thing, isn't it?
TYLER:
I don't want to die without any
scars. How much can you really know
about yourself if you've never been
in a fight? Come on... you're the
only person I've ever asked.
JACK:
Me?
Jack stares at him.
TYLER:
Why not you? I'm letting you go
first. Do it.
JACK:
This is crazy.
TYLER:
Alright, go crazy. Let 'er rip.
JACK:
Where do you want it? In the face?
TYLER:
Surprise me.
Jack swings a wide, clumsy roundhouse -- hits Tyler's
neck -- makes a dull, flat sound.
JACK:
Sh*t. Sorry. That didn't count.
TYLER:
Like hell. That counted.
Tyler shoots out a straight punch to Jack's chest. Jack
falls back against a car. His eyes tear up.
TYLER:
How do you feel?
JACK:
Strange.
TYLER:
But a good strange.
JACK:
Is it?
TYLER:
We've crossed the threshold. You
want to call it off?
JACK:
Call what off?
TYLER:
The fight.
JACK:
What fight?
TYLER:
This fight, p*ssy.
Jack swings another roundhouse that slams right under
Tyler's ear. Tyler punches Jack in the stomach. Tyler and
Jack move clumsily, throwing punches. They breathe heavier,
drooling saliva and blood, growing dizzier from every impact.
EXT. CURBSIDE - LATER
Jack and Tyler sit on the curb, watching sparse headlights
on the nearby freeway. Their eyes are glazed with endorphin-
induced serenity. They look at each other, laugh. Look away.
TYLER:
If you could fight anyone... one on
one, whoever you wanted, who would
you fight?
JACK:
Anyone?
TYLER:
Anyone.
Jack thinks.
JACK:
My boss, probably.
(pause)
Who would you fight?
TYLER:
My dad. No question.
A long pause as Jack studies Tyler's face.
JACK:
Oh, yeah.
(nodding)
I didn't know my dad. Well, I knew
him, till I was six. He went and
married another woman, had more kids.
Every six years or so he'd do it
again -- new city, new family.
TYLER:
He was setting up franchises. My
father never went to college, so it
was really important that I go.
JACK:
I know that.
TYLER:
After I graduated, I called him long
distance and asked, "Now what?" He
said, "Get a job." When I turned
twenty-five, I called him and asked,
"Now what?" He said, "I don't know.
Get married."
JACK:
Same here.
TYLER:
A generation of men raised by women.
I'm wondering if another woman is the
answer we really need.
Another pause. Jack feels his bleeding lip, smiles.
JACK:
We should do this again sometime.
Tyler cracks a smile, give a sidelong glance to Jack.
EXT. PAPER STREET - NIGHT
A street sign:
"PAPER STREET." A PAPER MILL stis on oneside, facing a lone HOUSE on the other. The rest of the
land is grass and weeds. It's a grand, old three-story,
long abandoned. Tyler leads Jack toward it.
JACK:
Where's your car?
TYLER:
What car?
JACK (V.O.)
I don't know how Tyler found the
house, but he'd been there for half
a year.
INT. PAPER ST. HOUSE - ENTRANCE -- NIGHT
Tyler leads Jack through the FRONT DOOR...
JACK (V.O.)
It looked like it was waiting to be
torn down. Most of the windows were
boarded up.
INT. PAPER ST. HOUSE - LIVING ROOM - MOMENT LATER
Tyler and Jack climb CREAKY STAIRS to the 2ND FLOOR LANDING.
JACK (V.O.)
None of the doors locked. The stairs
were ready to collapse. I didn't
know if he owned it or he was
squatting.
Tyler opens the door to a ROOM...
INT. ROOM - CONTINUOUS
Jack enters, stis on the creaky BED. Dust drifts upwards.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Fight Club" Scripts.com. STANDS4 LLC, 2024. Web. 25 Dec. 2024. <https://www.scripts.com/script/fight_club_158>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In