Fiza Page #2

Synopsis: Six years after Fiza's (Karisma Kapoor) brother, Aman (played by Hrithik Roshan) disappears during the 1993 Mumbai riots, she goes to look for him. When she does find him, to her horror she sees that he has joined a terrorist group. She forces him to come home, and he finally re-unites with their mother (played by Jaya Bachchan). However his allegiance and thoughts make him want to join the terrorist network, led by Murad Khan (Manoj Bajpai). A confrontation with two men who harass Fiza leads to Aman revealing his involvement with the terrorist network in front of his sister, mother and the police. His mother's grief and disappointment eventually lead her to commit suicide. Fiza tries once more to find her brother, with the help of Anirudh (Bikram Saluja). Aman has been sent on a mission to kill two powerful politicians; when he does succeed in assassinating them, his own terrorist group tries to kill him. He escapes and Fiza follows him. They confront each other and with the police cl
Genre: Action, Crime, Drama
Director(s): Khalid Mohamed
  4 wins & 18 nominations.
 
IMDB:
6.2
Year:
2000
170 min
218 Views


Where's my fast moving train | going with the flowers.

Don't call me from behind. I'm | going on some important job.

My calling won't hurt you. Even | mother's curse is a good omen.

May I cook a parantha bread! | - I don't have time.

Just in one minute. | - I know how long your minute is.

Okay! Then come back soon. | Come before sunset.

I'm always worried. | - I will obey your curfew.

Mummy! | - It's for good omen.

For God's sake you shouldn't | speak in English.

Good. You should go laughing so | that you can return laughing.

What a beauty! God protect her | from evil eye. Dust in my eyes.

Fiza darling is so beautiful. | Her youth has blossomed.

Lock your lips. You're mad to | say whatever comes to your mind.

Am I mad?

Whole world was mad. Mad about my | voice-mad about my postures.

Things change with times. Gone is | time, people who appreciated me.

Otherwise, my beauty is the same | and my voice is the same.

And your stupidity is the same...

Stop waking late nights for girls | else, you'll always be defeated.

Shall we've one more game. | - Forget about the game.

You've come to see me here!

Why are you carrying this file?

I'm going for an interview.

Must be for a small job.

Come to my dad's office tomorrow | I'll have a job fixed for you.

I don't want to get a job | by recommendation.

Oh, so much pride. | - No, it's self-respect.

But, listen to me.

Is it your first try for a job? | - How did you know?

Because experienced searchers | don't look at the time.

I'm an old hunter in this jungle. | Have patience. May take 4-5 hours

But the ad said it's on the | spot interview!

It means they don't want to use a | Rs.2 postcard to call us.

It is all drama. But don't worry, | you'll get used to it.

Then you won't think about time, | day or month.

Like to have a sip of water?

It isn't Bislery. I boiled tap | water and bottled it at home.

See. What did I say!

Isn't there no other way to | get out of here.

There are many ways, but I | can't leave my vehicle here.

It's Mumbai's traffic. | Relax and listen to music.

Aman...!

Hey! Are you mad or blind. If you | must die, go elsewhere to die!

Go. So much of the lesson today.

What's the matter? | Why are you so late?

I fear, you might leave me too. | - I won't go anywhere.

Where can I go? | Is there a way out for me?

Why are you being cross? | I haven't said anything to you!

Today, I felt he was going | in another auto.

I ran after him, but there | was too much traffic.

Couldn't do anything.

Come mummy, give me my ornaments. | - Why?

I've to pawn them. | - Why do you need to do that?

By God's grace, we've | enough to eat.

I need money. I want to bring | an end to this suspense.

Neither we can live with it, | nor we can die with it.

I want to search Aman and | I need money for that.

How much will you get for an | anklet and pair of earnings?

I won't sell them, | I'll pawn them.

I won't give.

You won't give because you don't | have courage to find the truth.

You don't want to know what | happened that night?

What your son went through? | - Yes, I don't want to know.

In old age there is no better | support than a young son.

I don't have a son today, | but I do have hope.

You want to take away that too | from me Fiza.

I don't have anything else | except that hope.

Mummy! By hiding, the illness | doesn't go away. It aggravates.

I've decided that we won't live | carrying this pain in our hearts.

I won't let you or myself die | with the death of anxiety.

Have faith in me mummy. | I'm right. Please trust me.

I need Rs.25,000. Please give me.

Don't you trust. We bought | these from you.

What do you say sister.

If I didn't trust, I'd taken the | interest. Do you accept Rs.18000?

Okay, please give me.

Can I use your phone. | - Yes, by all means.

Cost of one local call is Rs.3.

These are your Rs.18,000, sister.

Is it as I asked? | - Yes, exactly Rs.4000.

Why are you looking like this.

If I wasn't going on duty, I'd | have taken 7-8 glasses like this.

You were going to tell me what | had happened that night.

This is copy of the statement | I gave in the court.

Whatever happened and I saw is | all written in it.

I've heard your statement. I was | in the court that day.

So, what do you want to hear? | - What isn't in this affidavit.

The truth.

Don't dramatize it. Do you | mean I had lied in the court?

If you can't tell, then | return my Rs.5,000.

I can tell what you want to hear. | But, you're a good family girl.

So, my advice to you is - | forget whatever has happened.

If you remove skin from the | dry wound, it will hurt more.

So many people have police cases.

Old Sawant's son was killed. | Sawant has become a beggar.

Forget all things. | Eat some popcorn.

Tell me what happened that night.

He came running.

Sir, they all are chasing me. | They will kill me.

They killed my friend. | We didn't do anything.

Do you want to be safe? | Better go to Pakistan. Go. Run.

They burn my husband alive by | putting a tire over his neck.

Do something. In the name | of God, do something.

What're you looking? Don't create | a commotion-go from here.

What can we do. Move back. Go | Move the from here. Go away.

A constable said, the same boy | was attacked again viciously.

What could I do. End of the show. | Popcorn is finished.

You left a dying boy on the road.

That was no time for showing | sentiments.

Had I tried to save one person | four others could have died.

Any idea where my brother | could have gone?

What can I say. If someone had | seen him, how can he remember.

Can't you remember anything? | Somewhere! Perhaps, something.

It's such an old matter. | What can I say.

Was my brother among | those corpses?

May be...! | - Maybe not...!

Yes. Maybe not.

Are you able to sleep | peacefully during night.

What did you say?

Don't know who should I curse. | - What? What did you say?

Take it. Pay for your beer.

Burnt him...! As if I was living | for hearing this!

But isn't it possible that he | may not be among those corpses.

Even after hearing everything | it seems unbelievable.

My eyes won't be so dry, if | my heart had believed it.

He can't die.

What are you going to do?

I don't know exactly.

I've some unclear idea.

Don't put yourself in any danger. | Take an oath on my life.

Don't put me under an oath. | Just have faith on me.

Give whatever you want to give.

May you be happy.

Aren't you Mr. Sawant? | - Who are you?

Fiza lkramulla.

Ikramulla! | I don't want your money.

Take back. I don't want | this money.

Inspector Prakash Shingle | told me about you.

Your story is similar | to my story.

What is my story? | What story did he tell you?

What story did that bastard | inspector told you?

That your son... | - Yes they killed my son.

They killed my son and now | they want a proof.

They say bring a proof that your | son has died.

This government wants proof.

Aren't you Muslim? Why did your | people killed my son?

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Khalid Mohamed

Khalid Mohamed is an Indian journalist, editor, film critic, screenwriter and film director. He formerly worked for the Hindustan Times and was the lead editor for Filmfare magazine. He is the son of Hindi film actress Zubeida Begum, on whose life he wrote the screenplay of Shyam Benegal's 2001 film, Zubeidaa.An alumnus of Cathedral and John Connon School Fort, Mumbai, Mohamed has directed four Hindi films. He was hired by the Hindustan Times where he served as the national cultural editor as well as the editor of the supplement HT Cafe. He left the Times in January 2009. Mohamed has only given a few films a 5-star rating. These include Satya (1998) and Slumdog Millionaire (2008). more…

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Submitted on August 05, 2018

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