Four Rooms Page #15
- R
- Year:
- 1995
- 98 min
- 661 Views
lying out on the floor is love, then no wonder we find
ourselves as we are at this very f***ing moment.
SIGFRIED:
Oh, no. I heard you and there was genuine care in that
voice. Can't be denied. Can it, Ted?
TED:
I think you're right and, if you just keep this kind of open
dialogue going, you'll go a long way to resolving this misunderstanding.
Ted edges his way toward the door.
TED:
(continuing)
You'd be surprised what happens when people just listen to
each other without succumbing to all that pain and anger.
ANGELA:
You heard sh*t, monkey boy. Easy for you to say after you
f*** another man's wife. You should at least have the guts
to stand by your convictions.
Sigfried turns an icy eye on Ted, who has given up all hope of ever getting
out of the room.
TED:
That's a lie, Sigfried. I swear to God.
Angela continues her tirade.
ANGELA:
When I think of all the times you were inside me promising
me a better life, it makes me want to puke.
Sigfried slowly raises his gun, pointing it directly at Ted's chest.
TED:
Why are you doing this? What have I ever done to you people?
ANGELA:
What didn't you do, stick man? Unfortunately, you don't
have the balls to back up the actions of your huge cock.
The words hit Sigfried like bullets to the chest . . . his legs weaken.
SIGFRIED:
(whimpering)
He's got a huge cock?
TED:
She's lying again, mister. It's not that big.
SIGFRIED:
Show it to me.
TED:
Come on, man, she's lying. Can't you see she's f***ing with you?
ANGELA:
Put it this way, God made up for what he did to Gumby
with Ted here.
SIGFRIED:
Show it to me.
ANGELA:
Show him your cock, Theodore.
Sigfried runs over to Angela and kneels in front of her.
SIGFRIED:
Stop talking about his cock, will you?!
ANGELA:
It's hard to stop talking about something so huge. I could
go on and on about his cock, bone, nob, bishop, wang,
thang, hotrod. Hump mobile, Oscar, dong, dagger, banana,
cucumber, salami. Sausage, kielbasa, schlong, dink, tool,
Big Ben, Mister Happy, prick, disk, pecker, peter, pee-pee,
wee-wee, weiner, pisser, pistol, joint, hose, horn, middle-
leg, third-leg, meat, stick, joystick, dipstick.
Angela is on a roll. She fires the words at Sigfried, hitting him
pointblank. He staggers. He pleads with her to stop, covering his ears. Ted
watches the man crumble.
ANGELA:
(continuing)
Junior, the little head, little guy, Rumple Foreskin, Tootsie
Roll. Snake, one-eyed monster, one-eyed wonder, shaft,
sword, meat whistle, skin flute, love muscle, Roto-Rooter,
instrument, banger, rammer, ramrod, cherrypicker, log,
pole.
Sigfried tries jamming the sock back in her mouth to stop the flow; she
manages to give him a "f*** of a bite" in the process. Meanwhile, Ted
figures this to be his moment to make a move and bolts for the door, only
to be tackled by Sigfried at the one-yard line. After a struggle, the two
men rest on the floor, catching their breath in a relaxed embrace.
SIGFRIED:
Please, don't leave me. I'll call you Ted from now on.
TED:
It's not me, mister, I swear.
SIGFRIED:
Personally, I don't give a f***, Ted, it's just I don't want to
be alone right now. I'm feeling a little vulnerable.
Sigfried heaves the gun over his shoulder, grabs a half-empty bottle of
Jack Daniel's, and passes it to Ted, who takes a hit.
SIGFRIED:
(continuing)
No guns, okay? Just you and me, Ted. You know my father
used to say that forgiveness is the only thing that evil can't
sink its teeth into.
TED:
That's beautiful.
SIGFRIED:
Kind of nice down here on the floor, isn't it, Ted?
TED:
Yes, actually.
SIGFRIED:
Things take on a whole new perspective . . . . You'd like my
trust, wouldn't you, Ted?
TED:
Yes I would.
SIGFRIED:
I just got one thing to ask you and I'll let you go.
TED:
Okay. Okay.
SIGFRIED:
Tell me straight now.
TED:
What?
SIGFRIED:
What was it like?
TED:
What was what like?
SIGFRIED:
You know, you and her.
TED:
Oh, for f*** sake, Sigfried, what do you want me to say?
SIGFRIED:
Either way you're f***ed, right? You ever gonna see her
again, Theodore?
TED:
If I ever saw her again, I'd run the other way.
SIGFRIED:
Promise?
TED:
I promise.
Sigfried releases Ted and stands up.
SIGFRIED:
You're lying, but I can respect that, Ted. If you told me, it
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Four Rooms" Scripts.com. STANDS4 LLC, 2025. Web. 23 Jan. 2025. <https://www.scripts.com/script/four_rooms_860>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In