Francisca Page #3
- Year:
- 1981
- 166 min
- 66 Views
They lock themselves in their rooms,
eat croquettes
Listen! Friendship is the only thing
that Gods envy about humans.
Back in Oporto, on a theatre night.
Why don't you greet him?
I will not feed
He loves her if others covet her.
If she cheats on him,
he'll love her as long as they say:
- "What a beautiful woman!"
- We are all like that.
Love is but a crystallization of desire.
Jos Augusto is whimsical,
but not perfidious.
At the age of twenty-three,
nobody is yet a Marquis de Sade.
I think you are sleeping
in the shadow of your feuilletons.
Novels are harmful to many people,
but not their authors.
There are people who can't
and then want to conquer it by force.
They think they are exceptional and
accuse others of not understanding them.
Jos Augusto is one of them.
He thinks he is D. Juan, or Hamlet.
His mother died before he could
understand death as a law of nature.
He sees it as an unforgivable vileness.
He has a passion for novels.
which is too little for a vocation
and too much for an aristocrat.
You envy him.
- I don't envy a man
who does not define himself
in his consciousness or experience.
When he looks stern,
he's an idiot.
When people think he is melancholic,
he's just a scoundrel.
And even when behaving as if he is
rich, he lies with the sole
determination that I recognize in him.
I advised him to
wed a rich woman
who writes poems
with the figure of Psyche
having the wings of a butterfly.
You are being a moralist...
the country deserves that from you
because it is more inclined to
commerce than to imagination.
Every retired poet
enrolls in an academy
Our efforts to be delicate
are worth something.
Virtue will cost you much
if you're not an expert in it.
The sky wasn't made for the sparrows,
no matter how high they can fly.
In my opinion,
you are jealous of Jos Augusto.
If he deserves it or not,
that is another question.
Camilo and Jos Augusto returned
to Santa Cruz do Douro.
The great secret
is not the romantics.
Only their ignorance is romantic.
Let's take the other way.
I don't want to be seen.
This is not my place,
it's the cottier's.
You'll see. They will soon ask for
cigarettes and liquor.
That's what they ask for.
We don't know if that's what they want.
Those are the words.
But what are words?
They are a kind of law,
but nobody knows, in fact,
to what it applies.
- They are drunkards, nothing more.
one should never say "nothing more".
I need solitude and I need you.
And you need me
to help you create another heart.
From now on, I am in charge of you.
House of Vilar do Paraso.
When Jos Augusto
came to the Owens' house,
as he did everyday to see Maria,
he bumped into Camilo.
See what you did!
Don't be so fastidious, Fanny,
"Or is it that the dryness of Spring
no longer shows you the flowers?"
Camilo had rented
a small house in Vilar de Paraso
which was close to Jos Augusto's.
"There are secrets among the living
that conjure shadows of the dead".
- Who are you writing to?
- Someone to whom I am a slave
and who must pay me
for this slavery with tears.
Who? Is it Fanny?
If someone loved Fanny, I'd kill him.
Come on...
Friendship is usually less bloodthirsty.
The landlady is a pious vareira;
by giving me this room
with the blue bunk bed, she's informing
me of her ritual procedures,
which are lugubrious,
related to the tragedies in the sea.
And she forgets to put oil in this lamp.
You didn't understand.
I meant to say that Fanny
is not a plaything for an ennuied man.
I also think that way.
She is there, in that house,
between vulgarity and spite,
like Daphne, transformed into a
laurel tree to escape god Apollo.
Don't you love her?
No. But I know what I'm rejecting.
You have no way of knowing it.
Am I some sort of handicap?
Do you think I cannot love Fanny?
immense love in her.
A love censored by me,
excited by my own severeness.
To promise, to subdue, to give hope,
to feed desire
just to study
the consequences of nonsatiation.
To skim her forehead with a kiss
and then pass by without a touch.
To look at her,
with a deep and austere gaze.
To seed illusions and reap shame,
humiliation and guilt.
To create an angel
in the plenitude of martyrdom.
- Could you do it?
- To promise, to subdue, to give hope,
to feed desire just to study
the consequences of nonsatiation.
To skim her forehead with a kiss
and then pass by without a touch.
To look at her
with a deep and austere gaze.
To seed illusions and reap shame,
humilliation and guilt.
To create an angel
in the plenitude of martyrdom.
- Could you do it? - Wouldn't it be
more beautiful than procreation?
Isn't it to be truly fertile and
in greater harmony with the work of God?
- Why not? He is in my genealogy.
Wait, Jos Augusto.
We promised to trust one another.
I risked my honor when I trusted you.
Virtue interests you
as a road to an easy triumph.
To me, only perfection means
something.
Perfection, even if in vice.
But regardless of any agreement
with others.
Do you have a soul, Jos Augusto?
I'm asking you if you have a soul.
The soul!
If I could cry over my wasted,
ridiculed youth,
then I would have a soul.
My ferocity
is what clings me to life.
Isn't this a soul as well?
- You are a child, Jos Augusto.
A child made man through disgrace.
Now I see that
there are no superficial men.
I used to laugh at them.
lazy stupidity ten times. And suddenly
one single aristocrat avenged you all.
You made me learn that imagination,
even of the pettiest bourgeois,
knows no law!
You are a portent,
but isn't it better to put you off
like I did with that lamp?
Ashes instead of desire.
Consciousness instead of passion.
Can this be a soul?
On the next day,
by providential chance,
Manuel Negro passed by his door.
Well, if it isn't Manuel Negro!
- Glad to see you.
- Cheers, my friend!
I'm going on a trip to Lisbon,
to visit my grandmother.
I remember her very well,
The Countess of Mag.
Exactly. And, of course,
I could not go without stopping by.
Here, in this stagnant place.
What about Coronel Owen's daughters?
Talent is corrupted
with amorous banalities,
in conversations with Fanny
on the church steps
and in strolls with her
along the beach.
I hold the silk umbrella
so that she can remove her shoes
and I carry them in my hand.
Ridiculous, these maneuvers
around a girl who is always
sad and sleepy.
And in whom I truly have no interest.
I'm going with you,
this must end.
I'm going with you.
under a coat of thin snow.
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"Francisca" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/francisca_8514>.
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