From Up on Poppy Hill Page #4

Synopsis: A group of Yokohama teens look to save their school's clubhouse from the wrecking ball in preparations for the 1964 Tokyo Olympics.
Genre: Animation, Drama, Family
Director(s): Gorô Miyazaki
Actors: Masami Nagasawa, Jun'ichi Okada, Keiko Takeshita, Yuriko Ishida
Production: Independent Pictures
  6 wins & 11 nominations.
 
IMDB:
7.5
Metacritic:
71
Rotten Tomatoes:
84%
  From Up on Poppy Hill Movie Quotes »
Collection  Edit  Watch  PDF  Buy   
PG
Year:
2011
91 min
$696,519
Website
1,937 Views

Dialogue:
0,0:23:20.25,0:23:22.63,poppy,,0000,0000,0000,,But the program just started.

Dialogue:
0,0:23:23.29,0:23:25.38,poppy,,0000,0000,0000,,You didn't ask Tomoko to get some?

Dialogue:
0,0:23:26.13,0:23:27.84,poppy,,0000,0000,0000,,I used it for lunches.

Dialogue:
0,0:23:34.47,0:23:37.35,poppy,,0000,0000,0000,,Start the rice in 10 minutes, okay?

Dialogue:
0,0:23:38.81,0:23:40.48,poppy,,0000,0000,0000,,Okay.

Dialogue:
0,0:23:53.99,0:23:54.87,poppy,,0000,0000,0000,,Shopping?

Dialogue:
0,0:23:55.37,0:23:56.41,poppy,,0000,0000,0000,,Sort of.

Dialogue:
0,0:23:58.33,0:24:01.12,poppy,,0000,0000,0000,,Hop on.\NBottom of the hill, right?

Dialogue:
0,0:24:01.71,0:24:05.63,poppy,,0000,0000,0000,,Don't worry, my hand's okay.\NI can use the brake just fine.

Dialogue:
0,0:24:21.56,0:24:23.52,poppy,,0000,0000,0000,,How was your meeting?

Dialogue:
0,0:24:23.52,0:24:25.23,poppy,,0000,0000,0000,,Still going strong.

Dialogue:
0,0:24:25.81,0:24:27.77,poppy,,0000,0000,0000,,But I've got curfew.

Dialogue:
0,0:24:30.69,0:24:33.24,poppy,,0000,0000,0000,,Did you finish printing the paper?

Dialogue:
0,0:24:33.24,0:24:37.16,poppy,,0000,0000,0000,,You must be kidding.\NI'll do it tomorrow before school.

Dialogue:
0,0:24:41.25,0:24:43.75,poppy,,0000,0000,0000,,Listen, Shun.\NCan I ask you something?

Dialogue:
0,0:24:45.96,0:24:47.75,poppy,,0000,0000,0000,,That poem in the paper...

Dialogue:
0,0:24:56.05,0:24:57.39,poppy,,0000,0000,0000,,You were saying?

Dialogue:
0,0:24:57.39,0:24:59.10,poppy,,0000,0000,0000,,No, it's okay.

Dialogue:
0,0:25:11.78,0:25:12.82,poppy,,0000,0000,0000,,Thanks.

Dialogue:
0,0:25:15.53,0:25:17.78,poppy,,0000,0000,0000,,400 grams of sliced pork.

Dialogue:
0,0:25:18.37,0:25:19.78,poppy,,0000,0000,0000,,Two to go.

Dialogue:
0,0:25:20.37,0:25:22.66,poppy,,0000,0000,0000,,Here you go. 240 yen.

Dialogue:
0,0:25:22.66,0:25:23.37,poppy,,0000,0000,0000,,Thanks.

Dialogue:
0,0:25:27.08,0:25:28.79,poppy,,0000,0000,0000,,Come again.

Dialogue:
0,0:25:30.13,0:25:31.25,poppy,,0000,0000,0000,,Thanks.

Dialogue:
0,0:25:32.09,0:25:32.88,poppy,,0000,0000,0000,,Dig in.

Dialogue:
0,0:25:35.84,0:25:37.76,poppy,,0000,0000,0000,,I need energy to get home.

Dialogue:
0,0:25:38.55,0:25:39.97,poppy,,0000,0000,0000,,Where's your house?

Dialogue:
0,0:25:40.51,0:25:41.43,poppy,,0000,0000,0000,,By the harbor.

Dialogue:
0,0:25:41.43,0:25:42.77,poppy,,0000,0000,0000,,Gosh, that's far.

Dialogue:
0,0:25:46.44,0:25:47.56,poppy,,0000,0000,0000,,See you.

Dialogue:
0,0:25:49.44,0:25:50.77,poppy,,0000,0000,0000,,Thank you!

Dialogue:
0,0:26:02.45,0:26:03.66,poppy,,0000,0000,0000,,This is nice.

Dialogue:
0,0:26:24.14,0:26:26.56,poppy,,0000,0000,0000,,Hiro, can I come in?

Dialogue:
0,0:26:28.98,0:26:30.35,poppy,,0000,0000,0000,,Don't you feel well?

Dialogue:
0,0:26:35.32,0:26:36.78,poppy,,0000,0000,0000,,Go on ahead, Sora.

Dialogue:
0,0:26:37.53,0:26:39.36,poppy,,0000,0000,0000,,I'm coming in.

Dialogue:
0,0:26:51.42,0:26:53.21,poppy,,0000,0000,0000,,Wow...

Dialogue:
0,0:27:02.64,0:27:06.18,poppy,,0000,0000,0000,,I shouldn't paint at night.\NThe colors are all wrong.

Dialogue:
0,0:27:07.35,0:27:09.06,poppy,,0000,0000,0000,,It's beautiful.

Dialogue:
0,0:27:10.73,0:27:11.69,poppy,,0000,0000,0000,,What's this?

Dialogue:
0,0:27:15.69,0:27:19.57,poppy,,0000,0000,0000,,That tug goes by a lot.\NI think it's answering your flags.

Dialogue:
0,0:27:20.36,0:27:23.03,poppy,,0000,0000,0000,,Guess you can't see the tug from there.

Dialogue:
0,0:27:25.49,0:27:27.04,poppy,,0000,0000,0000,,Answering my message?

Dialogue:
0,0:27:35.67,0:27:37.00,poppy,,0000,0000,0000,,I need food.

Dialogue:
0,0:27:58.90,0:27:59.86,poppy,,0000,0000,0000,,Morning.

Dialogue:
0,0:27:59.86,0:28:01.20,poppy,,0000,0000,0000,,Good morning.

Dialogue:
0,0:28:01.57,0:28:03.70,poppy,,0000,0000,0000,,All printed up.\NYour handwriting's great.

Dialogue:
0,0:28:04.91,0:28:06.70,poppy,,0000,0000,0000,,Thanks.

Dialogue:
0,0:28:07.70,0:28:08.95,poppy,,0000,0000,0000,,Listen...

Dialogue:
0,0:28:14.21,0:28:16.38,poppy,,0000,0000,0000,,Can I help with anything else?

Dialogue:
0,0:28:16.92,0:28:17.96,poppy,,0000,0000,0000,,Of course.

Dialogue:
0,0:28:19.51,0:28:22.97,poppy,,0000,0000,0000,,But I can't stay late.

Dialogue:
0,0:28:23.34,0:28:27.35,poppy,,0000,0000,0000,,I'll give you some stencils.\NYou can transfer copy at home.

Dialogue:
0,0:28:29.35,0:28:33.52,poppy,,0000,0000,0000,,There's a debate after school.\NWhy don't you come?

Dialogue:
0,0:28:33.52,0:28:36.23,poppy,,0000,0000,0000,,Sorry, I'm busy today.

Dialogue:
0,0:28:37.40,0:28:38.61,poppy,,0000,0000,0000,,Bye.

Dialogue:
0,0:28:45.53,0:28:46.70,poppy,,0000,0000,0000,,Umi, wait!

Dialogue:
0,0:28:47.07,0:28:48.45,poppy,,0000,0000,0000,,Let's get ice cream.

Dialogue:
0,0:28:48.45,0:28:49.58,poppy,,0000,0000,0000,,No club meeting?

Dialogue:
0,0:28:49.91,0:28:52.37,poppy,,0000,0000,0000,,It was canceled for the debate.

Dialogue:
0,0:28:52.75,0:28:56.13,poppy,,0000,0000,0000,,Sorry, Tomoko's off today.\NI have to be back early.

Dialogue:
0,0:28:56.79,0:28:59.63,poppy,,0000,0000,0000,,Come on everybody, the debate's starting.

Dialogue:
0,0:29:04.01,0:29:05.97,poppy,,0000,0000,0000,,Good, hold it right there.

Dialogue:
0,0:29:08.64,0:29:09.93,poppy,,0000,0000,0000,,This'll get rough.

Dialogue:
0,0:29:14.77,0:29:19.36,poppy,,0000,0000,0000,,Afternoon. Heading home?\NGot some nice flounder fillets.

Dialogue:
0,0:29:19.36,0:29:21.07,poppy,,0000,0000,0000,,Okay, I'll take some.

Dialogue:
0,0:29:22.53,0:29:24.36,poppy,,0000,0000,0000,,Your mom back yet?

Dialogue:
0,0:29:24.36,0:29:26.07,poppy,,0000,0000,0000,,Not yet.

Dialogue:
0,0:29:26.07,0:29:27.95,poppy,,0000,0000,0000,,I'll come back later!

Dialogue:
0,0:29:27.95,0:29:28.82,poppy,,0000,0000,0000,,What's going on?

Dialogue:
0,0:29:34.33,0:29:39.42,poppy,,0000,0000,0000,,We've had peace for nearly 20 years.\NThe Olympics are coming soon.

Dialogue:
0,0:29:40.34,0:29:45.84,poppy,,0000,0000,0000,,It's a whole new era.\NJapan is changing radically.

Dialogue:
0,0:29:45.84,0:29:50.22,poppy,,0000,0000,0000,,We must build a new society\Non the ruins of the old.

Dialogue:
0,0:29:51.35,0:29:54.35,poppy,,0000,0000,0000,,Tearing down the Latin Quarter...

Dialogue:
0,0:29:54.35,0:29:58.23,poppy,,0000,0000,0000,,and building a new clubhouse\Nis a historical necessity.

Dialogue:
0,0:29:58.23,0:30:00.02,poppy,,0000,0000,0000,,And the students want it.

Dialogue:
0,0:30:00.02,0:30:01.02,poppy,,0000,0000,0000,,Sis!

Dialogue:
0,0:30:01.61,0:30:03.03,poppy,,0000,0000,0000,,What's happening?

Dialogue:
0,0:30:03.03,0:30:04.65,poppy,,0000,0000,0000,,I don't know exactly.

Dialogue:
0,0:30:05.86,0:30:09.49,poppy,,0000,0000,0000,,We surveyed the students\Nabout the new clubhouse.

Dialogue:
0,0:30:09.49,0:30:13.87,poppy,,0000,0000,0000,,80 percent of the student body\Nwant to rebuild.

Dialogue:
0,0:30:14.33,0:30:18.00,poppy,,0000,0000,0000,,I believe we must accept\Nthe board's plan!

Rate this script:3.8 / 4 votes

Hayao Miyazaki

Hayao Miyazaki (宮崎 駿, Miyazaki Hayao, born January 5, 1941) is a Japanese film director, producer, screenwriter, animator, author, and manga artist. A co-founder of Studio Ghibli, a film and animation studio, he has attained international acclaim as a masterful storyteller and as a maker of anime feature films, and is widely regarded as one of the greatest animation directors. Born in Bunkyō Ward of Tokyo, Miyazaki expressed interest in manga and animation from an early age, and he joined Toei Animation in 1963. During his early years at Toei Animation he worked as an in-between artist and later collaborated with director Isao Takahata. Notable films to which Miyazaki contributed at Toei include Doggie March and Gulliver's Travels Beyond the Moon. He provided key animation to other films at Toei, such as Puss in Boots and Animal Treasure Island, before moving to A-Pro in 1971, where he co-directed Lupin the Third Part I alongside Takahata. After moving to Zuiyō Eizō (later known as Nippon Animation) in 1973, Miyazaki worked as an animator on World Masterpiece Theater, and directed the television series Future Boy Conan. He joined Telecom Animation Film/Tokyo Movie Shinsha in 1979 to direct his first feature films, The Castle of Cagliostro in 1979 and Nausicaä of the Valley of the Wind in 1984, as well as the television series Sherlock Hound. Miyazaki co-founded Studio Ghibli in 1985. He directed multiple films with Ghibli, including Castle in the Sky in 1986, My Neighbor Totoro in 1988, Kiki's Delivery Service in 1989, and Porco Rosso in 1992. The films were met with commercial and critical success in Japan. Miyazaki's film Princess Mononoke was the first animated film to win the Japan Academy Prize for Picture of the Year, and briefly became the highest-grossing film in Japan following its release in 1997; its distribution to the Western world greatly increased Ghibli's popularity and influence outside Japan. His 2001 film Spirited Away became the highest-grossing film in Japanese history, winning the Academy Award for Best Animated Feature at the 75th Academy Awards and considered among the greatest films of the decade. Miyazaki's later films—Howl's Moving Castle, Ponyo, and The Wind Rises—also enjoyed critical and commercial success. Following the release of The Wind Rises, Miyazaki announced his retirement from feature films, though he returned to work on a new feature film in 2016. Miyazaki's works are characterized by the recurrence of themes such as humanity's relationship with nature and technology, the wholesomeness of natural and traditional patterns of living, the importance of art and craftsmanship, and the difficulty of maintaining a pacifist ethic in a violent world. The protagonists of his films are often strong girls or young women, and several of his films present morally ambiguous antagonists with redeeming qualities. Miyazaki's works have been highly praised and awarded; he was named a Person of Cultural Merit for outstanding cultural contributions in November 2012, and received the Academy Honorary Award for his impact on animation and cinema in November 2014. In 2002, American film critic Roger Ebert suggested that Miyazaki may be the best animation filmmaker in history, praising the depth and artistry of his films. more…

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Submitted on August 05, 2018

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