Garden Party Page #6

Synopsis: Are you young, sexually confused, just trying to get by? Do you sing, dance or possess some other talent? Welcome to the Garden Party. At the center of the story is 15-year-old April. She is running from one bad situation into another, hoping to find an answer that doesn't involve taking off her clothes. As April navigates Los Angeles, she falls in with a group of confused kids struggling to chase their dreams. The black widow at the center of this web is a sexy, pot-dealing realtor named Sally St. Clair. Anyone who gets too close falls victim to her kinky entanglements. For some it goes bad, for other worse.
Genre: Drama
Director(s): Jason Freeland
Production: Lionsgate
 
IMDB:
5.6
Metacritic:
31
Rotten Tomatoes:
15%
NOT RATED
Year:
2008
88 min
Website
132 Views


I... I miss you.

Do you want me to come over?

Sure, I guess. What are we gonna do,

sleep on the floor?

I don't care.

I just wanna see you.

You're p*ssy-whipped, dude.

Okay. I'll see you soon.

You a**hole.

What are you watching?

Geographic, dude. No lie.

Hot chicks.

Hey. Hope that didn't hurt too much.

A**hole.

Davey. You know why we're here?

Come over here, Sally.

Come on over.

Okay, Dave.

Why the f*** are her pictures up

on the Internet, huh?

See this?

I'm gonna pull this ball gag out of

your mouth. But if you try anything...

...I'm gonna hit you so hard,

you'll lose your hearing. You got that?

All right.

- Jesus, Sally. What is this?

- Where are the pictures?

- What pictures?

- All of 'em.

Of Sally. Of everyone.

I want all the pictures,

you f***in' pervert.

I don't know who you are,

or what it is that

you think you're doing.

He is my friend.

And he's here to help me.

Now, I want all the pictures

you've taken of me.

You see, Davey, some of those pictures

ended up on the Internet.

Sure. I mean, whatever.

Take all the pictures.

And I want three of your listings.

Three of your houses

that you have on the market.

Come on, how can I do that?

Call 'em up and say

you can't help them anymore.

A medical problem.

And that you recommend me.

You don't think

you're gonna get away with this, do ya?

With all the underage girls you parade

through here for photo shoots?

What are you, gonna go to the cops?

I don't think so.

Honey, what are you doing

with a guy like that?

What was I doing

with a guy like you, huh?

I'm always looking

for someone to help me.

You know what Dad was like.

This is some good stuff.

You're very talented.

Yeah, thank you. A**hole.

- Are my photos in there?

- Well, there's lots of boxes.

We'll just have to take it all.

I love this song.

- So, what's your story?

- Oh, my story?

I'm from Lincoln Nebraska,

and I was raised by my grandma.

And my only friend in high

school joined the Army.

So I had to get outta there.

No...

I mean...

Do you like girls?

Yeah, I like girls.

Do you like me?

Yeah, I like you.

Do you like guys

more than you like girls?

Come on, Little Miss Missy.

Learn how to dance.

Just give me a second, okay?

I'm not exactly used to this sort of...

- Excuses, excuses.

- You just gotta give me a minute, okay?

Yeah, go. Peace.

Bye! Have fun.

Follow me.

You don't like guys.

Are you some frat boy f***ing with me?

No, man.

I never even went to college.

Where do you think you're going, man?

Stay there.

I didn't come in here for nothing.

You can't stay here.

It's fine, don't worry about it.

No, this place is gross.

I'll clean it up.

How can you be inspired to write

anything beautiful in a place like this?

Just leave that to me.

No.

I found you.

You're my discovery.

Hey. Can I get a large, non-fat latte...

...and a regular, small coffee.

Okay. That'll be $5.65.

Good morning.

Didn't I see you at the coffee shop?

Yeah.

- Is Sally here?

- Yeah. What was your name?

I'm Todd.

- April.

- April.

Nice to meet you. You're a bit young

to be doing this, aren't you?

Why would you say that?

I mean, Sally says I'm doing a great job.

I'm just kidding with you.

I'm just...

Todd, is it?

- It is.

- Come back, please.

Bye. Nice to meet you.

Very professional.

Very impressive.

I just got a call

from one of Davey's clients.

- Oh, good.

- He's going down.

Hey, what do you wanna do

with the pictures?

You can keep 'em.

Do what you want with them.

I know you're a total perv.

Yeah.

What are you looking at?

I was looking at April.

What do you think?

I love it.

I look like a douchebag in these clothes.

You look great,

and you are so not a douchebag.

Come on, let's just go.

We're gonna be late.

Sammy. We're gonna go.

You look great.

Sabrina, don't listen to him.

We'll take it.

Call me tomorrow, and

we'll figure it out.

I gotta call you back.

- I thought you were sick.

- Hung over.

Those are the keys

to the house and the car.

What's happening, Nathan?

I'm moving back to Nebraska.

Nebraska?

Why would you wanna do that?

I'm done. I talked to my dad...

...and he said he'd help me

with school next semester.

I'm just not cut out

for Hollywood and all this.

You can't quit.

You're always one step ahead

of everybody.

I mean, that's why you got

April in here, isn't it?

Yeah, you're right.

You know, out of all the screwups

I've had...

...you had days

when you almost got everything right.

Well, I'd like to think that today

is one of those days. Thanks, Sally.

Thanks.

Hey.

Call me.

It's your day, big boy.

Second page, sign under "artist".

I left her with you.

Don't f***ing touch me.

Where is she?

I don't know.

What was the last time you saw her?

- We love these.

- Yeah, we wanna do a show.

We're looking for

something for this fall.

- What do you think?

- Yeah, okay.

We'll do it.

They wanna show my stuff.

- Really?

- Yeah.

- That's cool, huh?

- Yeah.

No, no, that one's just being leased.

Hold on.

Hey. Do you like that picture?

- Do you think I look sexy enough?

- You're a pretty sexy lady.

Yeah, I am.

Wow, that's beautiful.

Beautiful. Yes.

Okay, now look at me like you want me.

Come on, tell me that

you want me. Come on, Sally.

Wow, that's beautiful.

Beautiful.

Yes, I like the attitude.

That works. That was good.

Hey,

you need a ride?

- Where you going?

- Hop in.

I'll take you any place you wanna go.

Put your seatbelt on.

You been waiting long?

Rate this script:0.0 / 0 votes

Jason Freeland

All Jason Freeland scripts | Jason Freeland Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Garden Party" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/garden_party_8793>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Garden Party

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "CUT TO:" indicate in a screenplay?
    A A camera movement
    B The beginning of the screenplay
    C A transition to a new scene
    D The end of a scene