Gernika Page #4

Synopsis: The bombing of Guernica and the art works that Jose Luis Zumeta and Mikel Laboa created to evoke that fateful event come alive as a single piece to inspire this animated document. Guernica, April 26th 1937, market day. Nothing seems to indicate that everyday life will be violently interrupted. But preparations for a terrible military operation are underway.
Director(s): Angel Sandimas
  1 nomination.
Year:
2012
13 min
54 Views


You two are in it together.

He's a big cheater.

A toast!

Cheers.

For the magician!

American, cheers!

Uncle will play a song.

I hope you like it.

- Yes!

- We can dance, if someone teaches me.

- Can I?

- Yes.

Let's see.

-L've no idea.

-Lt's very easy.

You want to dance?

Come on. You can't...

You know, I'm actually a very good dancer.

Start like this?

Is that one of ours?

No.

It's German.

German.

Let's go inside.

-Isabel!

-Lsabel!

Go, go!

You see.

Let me be clear.

Okay, I'm not sure I believe this.

You invite journalist to your family home,

and then the American...

He tries to send this?

- Maybe he was...

- Don't lie to...

I'm sorry. I'm sorry. Don't lie to me.

- As I was...

- Just...

- What's happening to you?

- Just go, okay?

Just go!

Please, come in.

I'm sorry, mr howell,

but I cannot authorise this.

L'm sorry?

It says the Republic has lost its morale.

You criticised the hospital,

and what about the burned girl?

You gave her too little space.

Well, the article isn't about a burned girl.

It's about the horrors of war,

and the people trapped in the middle of it.

Well, we are not demoralised.

It is true what they say.

They use a pretty face

to push me to tell the truth.

But what you really mean is

you want me to push your propaganda.

You know, this whole office is a story!

I should send a photo of you to New York.

You're not sending anything.

I'll handle this, Teresa.

Lam not some Italian journalist, you know.

I'm the New York herald tribune.

I know exactly who you are, mr howell.

What's that supposed to mean?

Why don't you come to Russia?

You will be a hero of the revolution,

as soon as you put a sheet of paper

in a typewriter.

In your dreams, comrade.

Don't play tough guy with me.

We know you left your interpreter in Ethiopia.

The Italians, they came to your hotel,

and then what?

Tell me.

You ran away.

No!

Gentlemen,

thermite!

In just a few seconds, it reaches 1,000c

and melts anything

it comes into contact with.

During the 8 minutes it burns,

it can't be put out with water nor sand.

First, we shall bomb

their water supply systems,

so they cannot put out any fire.

Then we'll incinerate

everything with thermite.

German efficiency at its best:

Minimum intervention,

maximum destruction!

Meeting someone?

No.

Good. I need something translated.

I'm afraid you'll have to stay.

It can't wait until tomorrow morning?

No.

Tired?

I have some pages left,

but I can't read any word.

I'm exhausted.

There's a reception at city hall

tomorrow night.

Will you come with me?

I'll be glad to.

No, thank you.

Thank you.

I'm sorry I couldn't meet you.

Vasyl kept me working until very late.

I think he knew.

Is that all?

You're hurt because I censored your article.

Well, you were the one

who wanted me to write the damn thing.

Well, I had no option. I'm sorry.

You don't understand.

Right.

Henry, I did love your article.

You must keep writing

with the same feeling.

What you are doing is important.

Not just for Spain, but for you.

How is it important for Spain

if no one gets to read it?

We'll find a way.

Maybe it doesn't make sense,

but I was inspired by your writing.

Let's dance.

What's on your mind?

I don't know, marta. I...

I don't know how to explain in English,

but, you know, this war...

I know this war.

- You know...

- Yeah, but tonight's a party...

Communiqu from your consul.

Just now.

He says, "do you have someone for me yet?"

He wants to make an example of someone.

He doesn't care who.

No. He does.

You know I suppose I actually should

thank you.

I really liked writing that article.

I liked it a lot.

I need to get back to that sort of writing,

and I will.

But perhaps not in Spain.

Are you leaving?

Of course you are.

Teresa.

We both want the same thing, Henry.

The problem is, one of us is not free.

Teresa.

Teresa.

It's late.

There's a foreign delegation

coming tomorrow.

I'm sorry, vasyl, but tomorrow is tomorrow.

Welcome to my hiding place.

This place reminds me of why I do what I do.

Here, we preserve art

and beauty from the war.

This place is so emotional for me.

Wait.

- I can't.

- Yes, you can.

Please.

Come with me to Paris.

Good morning, everybody.

Carmen.

Do you think I can get a line

to New York, please?

Okay.

Hold it!

Don't move! Hands up!

Your attention.

An official stamp belonging to the

censor's office has been stolen.

All shipment of articles will be suspended

until it is recovered.

Search this room.

What? Why?

- Do you know something?

- No.

Hey, what are you doing?

This is your coat, mr howell?

Approved

who is the owner of this coat, huh?

Who?

It's mine.

Look at the other pocket.

It's my lipstick.

What are you doing?

The pin on the lapel, it's also mine.

You know that's my coat, mikiavich.

You know it's mine.

- Teresa...

- I can handle it.

I'll be all right.

You come with me.

No. Where are you taking her?

You're wrong.

This is not a game, Teresa.

Do you understand? Do you understand?

The sacrifices we've made in Spain,

the savings on ammunition and fuel

have not been in vain.

Blitzkrieg.

They've been talking about it

in Berlin for months.

A three-day air raid

carried out in just one afternoon.

As fast as lightning.

We've received orders

to put it into practice

during our attack today.

Therefore, gentlemen...

Enjoy your flight...

To gernika.

Where is Teresa?

I don't have that information.

You liar!

What happens in her life

is no longer my business.

Now get out. And take your coat.

Get out.

Carmen.

Where is Teresa?

I don't know.

How should I know?

- You're her friend, aren't you?

- I don't know anything!

Go away. Leave me alone.

Please!

Help me.

Don't you get it?

For god's sake, leave.

Please.

Henry.

Bad news.

They found the body of

that Spanish journalist.

My contacts say

Teresa didn't leave.

She's in a cheka.

- A what?

- Soviet prison.

They use it to make their enemies disappear.

- It is in gernika.

- Let's go.

She was working right under your nose,

was she?

Excellent work, mikiavich.

Stalin will be pleased.

- And?

- And what, mikiavich?

I delivered you an enemy of the people.

My brother, Nikolai.

Unfortunately,

too late.

I will need your...

I will need your signature

on the death certificate.

Stalin does not forgive, mikiavich.

You continue your work,

or you will have to come back to Moscow,

with some explanations.

A magnificent day.

Ideal for a drive along the beach,

don't you think?

Good luck, boys!

Everything will be ok!

No.

Please.

- Can you stop this?

- We have to follow the orders.

Take your clothes off!

- No.

- Undress!

Vasyl, why are you doing this?

Vasyl!

Have mercy, please!

Out of the way!

It's lovely, how much is it?

- Yeah, this is the street. don tello street.

- don tello, okay.

Excuse me. Excuse me.

Calle don tello?

Marco, this way.

Now, don't make this more difficult.

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angel sandimas

He was born in Pamplona-Iruña (Spain) and worked for many years as a creative interior designer and airbrushing specialist before moving into the audio-visual sector as a director specialized in Digital Animation. He worked for several years as a digital artist as well as participating in the design of several sets for various films. He then completed his education in Computer Generated Imaginary CGI in Madrid, while he took charge of editing the short film "Searching for the polar decline" and all its digital effects. Later he started working into a creative team dedicated to the creation of digital content for museums and multimedia shows, becoming director of several very successful audio-visual works. Thanks to that he got a very relevant post as he became responsible for conducting the special effects and digital archaeology recreations for museums in the Basque Country like the Oiasso Museum of the Romanization in Irun or the Pre-industrialization Museum in Legazpi among others. He became a freelance and worked with artist Javier Longobardo in the production of 3D musical videos with bands such as Ladytron, The Planets or MUM among others. He embarked on his first animation film "Gernika" along with the painter J.L. Zumeta which was released in 2012 on the 75th anniversary of the bombing of Gernika in the Victoria Eugenia Theatre during the celebration of the X Human Rights Film Festival in Donostia-San Sebastian. The film was also selected in numerous international film festivals and got several awards including the award for "Best Film on Disarmament" at the Um Film per la Paz Festival in Italy and the award for "Best Basque Short Film" at the Festival Cortada of Vitoria-Gasteiz. He also produced the exhibition "From Canvas to display” about his short film Gernika in Donostia-San Sebastián, which was widely acclaimed by the attending audience of over 4000 visitors. Nowadays he combines his work as a freelance in special effects for films with his expertise in videomapping creation. The commission by the Government of Navarra to produce and direct the Videomapping work projected onto the facade of the Mirador at the Olite Castle for the opening ceremony at the Classical Theatre Festival 2014. He has participated in several film festivals and was selected to be part of the Jury at Cinanima International Festival, one of the most important worldwide since it qualifies for the Oscars and is the longest and the most consolidated festival in the world of animation. In the last time I have been responsible for numerous mappings in Spain collaborating with different studies and also in international collaborations AWARDS -Finalist at Moscow International Festival Circle of Light 2018 in Art Vision Classic Category -Finalist at “LUZ Y VANGUARDIAS” international maping contest 2018 (Salamanca- SPAIN) -Finalist at Moscow International Festival Circle of Light 2016 in Art Vision Modern Category -Finalist at Moscow International Festival Circle of Light 2015 in Art Vision Classic Category -Finalist Project THE ROUNDED SQUARE"at International Mapping Contest FIMG 2015 in Girona. -Finalist at International Mapping Contest GENIUS LOCI WEIMAR 2015 in Germany -First Prize at International Video Mapping Contest LUX GRECO 2013 in Toledo, Spain -Best National Animation Short Film Award at Fotofilm Calella in Barcelona 2013 -“Sereia Animada”Award at International Animation Film Festival in Espinho in Portugal 2013- -Best Basque Short Film Award at Cortada Festival in Vitoria-Gasteiz 2012 -Special Award for the Best Film at Disarmament International Festival “A Film for Peace” 2014 -More than 40 selection in national and international film festivals animation more…

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Submitted on August 05, 2018

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