Gigi Page #4
- G
- Year:
- 1958
- 115 min
- 1,509 Views
Listen to your uncle, Monsieur Gaston.
He's an old campaigner.
How would you end it?
l'll write her a note.
There is no way of writing it
without it reeking of wounded pride.
Victor Hugo couldn't pull it off.
Then l'll telephone her.
And what would you say?
''Liane, you deceived me
with a skating instructor.
l never want to see you again. ''
You'll sound like
a jealous schoolboy.
That's impossible.
That's true.
That's true.
What do l do?
You go to Honfleur
and throw her out like a man.
That's a bore.
A bore? Not at all.
lt's pride.
Just imagine your chagrin
When she sees you wander in
And you find her
With that slippery seor
What a moment supreme
When she totters with a scream
-What will she do?
-Scream.
-What did yours do?
-Scream.
-What do they all do?
-Scream.
It's a bore
But think of the bliss
Of the pleasure you would miss
When she topples in a heap
And you leave her there to weep
On the floor
It's a bore
You must catch her if you can
For the dignity of man
Take advantage of the chance
You owe it, sir, to France
This is war!
All right
But it's a bore
Turn it around and leave it there.
They are there.
Terrible-looking rodent, isn't he?
Terrible, but typical.
Those chaps all look alike.
She looks older in the daylight.
Much older.
l don't envy him.
Neither do l.
She never kissed me like that.
-How is she kissing him?
-Wholeheartedly.
What do you expect?
You're legitimate.
He's forbidden fruit.
When do we make our move?
Wait, wait.
Come on.
Monsieur Lachaille, what a surprise.
l am honored.
Don't be.
Come on, get up!
Wait, wait!
You are making a mistake.
lt was just a coincidence,
lt was a coincidence,
l suppose. . .
. . .that your lips
just happened to meet. . .
. . .in a long, ardent, passionate--
You keep out of this.
l don't want any discussions.
For 1 000 francs, this never happened.
You leave the lce Palace
and disappear. Forever.
-But--
-No ''buts. ''
You're coming with us now.
We'll take you to
1 000 francs?
There is nothing more to be said.
Goodbye, madame.
From the bottom of my heart, goodbye.
Gaston, my love.
What happened?
Liane d'Exelmans has committed suicide.
Again!
l'm sorry, girl.
What did you say?
l didn't know he left her.
My word!
Of course.
Call me as soon as you hear anything.
Anything at all.
How marvelous!
Paris agog.
Why didn't you tell me that Gaston
l didn't know it.
lt must've happened over the weekend.
When was the suicide?
-Last night.
-How did she do it?
The usual way,
insufficient poison.
Say, how many times
has she done it now?
Good evening, Manuel.
Good evening, Honor.
Gaston, my boy.
Congratulations.
Your first suicide.
What an achievement.
And at your age.
Like everyone in Paris,
we were just talking about you.
Thank you, Honor.
l came over to--
May l add mine, sir?
Thank you, Manuel.
l came over to get a--
lt was a stunning victory.
-Where is the champagne?
-lt's ready, sir.
l came over to get away
from the telephone.
l can imagine.
Any news from the corpse?
Fully recovered, according to
late morning editions.
And how do you feel?
Oddly enough, l'm not quite sure.
Make a guess.
Well, l'd say edgy.
Edgy?
Almost depressed. l don't know why.
There must be a reason.
l suppose it's to be expected.
l'm told Verdi felt that way after
the first performance of Aida.
-Get a glass for yourself.
-l have one, sir.
To you, Gaston.
May this be the first of many.
What about tonight?
Where do we go? What do we do?
l don't know. l should consider
what l do next very carefully.
l've been weighing the idea of
going to the country for a while.
You mean, leave Paris?
Yes. Why not?
Why not?
That's the one thing
you mustn't do.
Do you want people to think
you're despondent? Disturbed?
lf you leave, they will, you know.
No, no. That would be snatching
defeat from the jaws of victory.
No, no, no. For the next few weeks,
you should be out every night.
Maxim's, Moulin Rouge,
Pre Catalan.
The Pre Catalan is closed.
Open it!
You must be carefree.
Devil-may-care.
Keep them guessing who's next.
Play the game.
Be gay. . .
. . .extravagant, outrageous.
Grandmama!
the opera last night. . .
. . .and brought the entire company
to his house for a performance.
l'll go.
Gaston, how are you?
You look all in.
-ls your grandmother home?
-Yes, she is.
ls that gold?
The handle, yes.
You must be very rich to have
a gold handle on your cane.
Gaston, what a nice surprise.
Don't let me disturb you, Mamita.
l was just preparing dinner.
Smells awfully good.
lt's just a pork cassoulet.
lt was impossible to
get any goose this week.
l'll have them send you
a brace from the country.
l brought you some caramels.
Thank you, Gaston.
Gaston, you spoil her so.
The champagne is for you.
You spoil me too.
Be careful.
You'll ruin your hands.
l have a manicure every morning.
What a nuisance.
-Not like that.
-No?
Like this.
All right.
-Where are you going with that tie?
-Let's not talk about it.
for 200 at the Eiffel Tower.
-Are you going away?
-Yes, for the weekend. Trouville.
next round of parties.
-ls Trouville by the sea?
-Yes, you little idiot.
You expect to find sea air
in the mountains?
Don't make fun of me.
l've never been to the ocean.
What will you eat
for dinner tonight?
Filet of sole with mussels,
for a change.
And a lamb filet with truffles.
lt's always the same.
lt can't compare. . .
. . .with your grandmother's cassoulet.
Why don't you stay
and have some with us?
-l wish l could.
-Why not?
All right, l will.
But people are waiting for you.
My car's downstairs. l'll send
the chauffeur with my apologies.
My uncle will be the host.
Honor? He'll do it very well.
l'm dying to take a ride
in your beautiful automobile.
Let me deliver it.
lf you want to.
Tell the chauffeur to take this
to my uncle's house.
-Go quickly.
-Thank you.
l can't wait to see
the face of the janitress.
And after dinner, we'll have
a serious game of cards.
And l'll beat you, as usual.
And you'll cheat, as usual.
Gaston, Gigi takes advantage of you.
Let her, let her, Mamita.
lt amuses me.
The same.
A life devoted to the chase.
We've missed you, Gaston.
We haven't seen you since the suicide.
Yes, l've had quite a
full schedule lately.
So l've read.
You always do things
in the grand manner.
Your parties have
filled the newspapers.
Sometimes the cure is more
painful than the illness.
But l have to do it.
lt's expected of me.
Poor Gaston.
You're in a difficult position,
aren't you?
Yes, Mamita, yes.
Very difficult.
See, the whole of Paris
is watching me.
What are you talking of?
The whole world is watching you.
Yes, it's quite a responsibility.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Gigi" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/gigi_8963>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In