Gigi Page #6
- G
- Year:
- 1958
- 115 min
- 1,518 Views
Your grip on the saucer
must be firm. . .
. . .but not obviously so.
The saucer must seem so much
a part of your fingers. . .
. . .that one would think
it could only be removed by surgery.
Now pour. . .
. . .and be sure the coffeepot is upright
before you take the cup away.
There must be no drops.
Now give it to me.
l don't take any, but be sure and
always ask about cream and sugar.
Now serve yourself.
And remember the firm grip.
No, the coffeepot first!
Now, you will try it once more.
Remember, you will go
to the door properly. . .
. . .turn, walk in properly
and sit down properly.
Now, go on.
And not like a marionette.
Keep your shoulders level.
Now turn. . .
. . .walk back and sit down.
And don't flop into the chair.
lnsinuate yourself.
That's better.
Now rise and exit the same way.
Don't jump up!
Ascend!
Now, you hold the glass like this.
Charles, some more wine
for mademoiselle.
Watch me.
Try it.
Don't gulp it!
Sip it. A little at a time.
Fill mademoiselle's glass, Charles.
That's better.
You have to fully enjoy the aroma.
Hold your first sip on the roof
of your mouth for a moment. . .
. . .and breathe through your nose.
Then you will feel the flavor.
Did you feel the perfume?
-No.
-Try it again.
A bad year will be sharp.
A good year, which this is,
of course, will waft.
Marvelous!
That will be all, Charles.
Hello, Grandma--
Hello, Gigi.
Come in.
How good to see you.
l have a present for--
What's the matter with her?
Everything.
Don't you look well!
Did you have a nice trip?
How was Monte Carlo this year?
Well, the sea is blue.
The palm trees are green.
The sun is yellow.
lt all makes a lovely post card.
Just as it should be.
Actually, it's a bore.
One has to be as rich as you
l brought Gigi some caramels.
Really, Gaston,
you spoil her too much.
Would you like a cup of chamomile tea?
Please. Please, Mamita.
Look, Gaston.
Four yards of material in the skirt.
Well, don't l look great ladyish?
You look like
an organ-grinder's monkey!
An organ-grinder's monkey?
What happened to your
little Scotch dress?
And that ridiculous collar!
And what's wrong with that collar?
lt makes you look like
a giraffe with a goiter.
With all the talk
there is about you, Gaston. . .
you had any taste in clothes.
Have you gone mad? How dare you
speak to Gaston like that?
Apologize.
Apologize at once!
l certainly will not.
This is a beautiful dress.
Gaston, please.
l beg of you, wait.
She'll apologize.
ls this the education she gets
from you and your sister?
My congratulations to you both.
What have you done?
Why did he fly off the handle?
He knew l'd answer him back.
You ungrateful little thing.
How can you be rude to Gaston
when he's been so good to us?
And just when
we were trying so hard. . .
. . .to make an elegant
young lady out of you.
To show you off
to your best advantage.
You must admit, one doesn't have to
. . .for an old friend like Gaston.
lt's silly.
lt's absolutely silly.
l've decided your new dress
may not be as bad as all that.
l didn't see it properly,
and perhaps l was a bit cruel.
To prove it,
l'll take you for a drive. . .
. . .for tea at the Reservoirs
in Versailles.
-Would you like that?
-l'd love it!
Gaston wants to take me
to tea at the Reservoirs.
You've come back, Gaston.
How tolerant you are.
l hadn't really gone.
We're going to tea
at the Reservoirs.
No, you're not.
l'm sorry, Gaston.
What do you mean?
Grandmama, please.
Gigi, go to your room
for a moment.
l have to talk to Gaston
about something.
No, Grandmama.
Gigi, do as you're told.
Mamita, what does this mean?
Something has changed here lately.
l can feel it.
Sit down, Gaston.
Please.
Gaston, you know my friendship for you.
My friendship and my gratitude.
But l must not forget my duty.
Gigi's mother has neither the time
nor the mind to take care of her.
And Gigi isn't just another girl.
She's special.
Of course.
For years, you've been giving her
candies and trinkets. . .
. . .and she adores you.
Now you want to take her in your
automobile to the Reservoirs for tea.
lf it were just you and l,
l would say:
''Take Gigi wherever you want. ''
l would trust her with you anywhere.
But there are others, Gaston.
You are known everywhere.
For a woman to
go out with you alone now. . .
. . .with the eyes of Paris on you. . . .
Are you trying to make me believe. . .
. . .that if Gigi goes out with me,
she'll be compromised?
Let us say she would be labeled.
A young girl who goes out with you
is no longer an ordinary young girl.
Not even a respectable young girl.
Mamita, this is absurd.
As far as you are concerned,
it would be just another news item.
But in this case, l would not
have the heart to laugh. . .
. . .when l read it in the newspapers.
This is too ridiculous
to discuss any further.
l don't want to contradict you,
and l don't want to argue about it.
lf you feel you're protecting Gigi
from some cruel fate. . .
. . .that's your affair.
l understand responsibility to Gigi
better than you.
l'll do all l can to entrust her
only to a man who'll be able to say:
''l'll take care of her.
l'll answer for her future. ''
Now, can l get you
your chamomile tea, Gaston?
No, thank you.
l have an appointment. . .
. . .and l'm late already.
But forgive me if l wonder, madame. . .
. . .whom you are keeping her for?
Some underpaid bank clerk. . .
. . .who'll marry her and give her
You're upset.
Please--
To see her married in white in
a dingy little church to a plumber. . .
. . .who'll only give her
a worthless name. . .
. . .and the squalor of good intentions?
Very well, madame.
Very well!
lf that's your ambition. . .
. . .inflict your misery
in the name of respectability.
l pity you!
l pity you all!
Upset!
What utter rubbish!
Pierre. . .
. . .do l look upset?
Yes, monsieur, you do.
Upset!
Upset indeed!
She's a babe
Just a babe
Still cavorting in her crib
Eating breakfast with a bib
With her baby teeth
And all her baby curls
She's a tot
Just a tot
Good for bouncing on your knee
I am positive that she
Doesn 't even know
That boys aren 't girls
She's a snip
Just a snip
Making dreadful baby noise
Having fun with all her toys
Just a chickadee
She's a cub, a papoose
You could never turn her loose
She's too infantile
To take her from her pen
Of course, that weekend in Trouville
In spite of all her youthful zeal
She was exceedingly polite
And on the whole, a sheer delight
And if it wasn 't joy galore
At least not once was she a bore
That I recall
No, not at all
She's a child
A silly child
Adolescent to her toes
And good heaven, how it shows
Sticky thumbs are all the fingers
She has got
She's a child
A clumsy child
She's as swollen as a grape
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Gigi" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/gigi_8963>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In