Girl with the Dragon Tattoo Page #2
Lisbeth Salander walks in: A small, pale, anorexic-
looking waif in her early 20’s. Short black-dyed hair -
pierced eyelid - tattoo of a wasp on her neck; probably
several more under her black leather jacket - black t-
shirt, black jeans, black Caterpillar boots.
Frode is only middlingly successful in concealing his
initial reaction to her. This isn’t punk fashion. This
is someone saying, Stay the f*** away from me.
ARMANSKY:
Lisbeth, Mr. Dirch Frode.
FRODE:
How do you do?
Dragon Tattoo Final 9/1/11 SZ 7.7.
She doesn’t shake Frode’s hand, but does address him:
SALANDER:
Something wrong with the report?
FRODE:
No. It seems quite thorough.
There’s a wealth of data here. But
I’m also interested to know what’s
not in it.
SALANDER:
There’s nothing not in it.
FRODE:
Your opinion of him isn’t.
SALANDER:
I’m not paid to give my opinion.
FRODE:
So you don’t have one?
Salander sends Armansky a weary look. His look back
begs her not to say anything unpleasant. Eventually
SALANDER:
He’s clean. In my opinion.
FRODE:
He’s - excuse me?
SALANDER:
He’s honest. He’s who he presents
himself to be. In his business,
that’s an asset.
FRODE:
There’s less in his asset column
after his conviction today.
SALANDER:
That’s true. He made a fool of
himself with that. If it happened
that way.
Frode looks at Armansky. What’s that supposed to mean?
SALANDER:
If he made up the story, that’s
out of character. So is giving up
without a fight. People don’t do
things that are out of character.
FRODE:
Are you saying he was set up?
Dragon Tattoo Final 9/1/11 SZ 8.8.
SALANDER:
That wasn’t part of my assignment.
And, apparently, she has no opinion on it either.
FRODE:
You’re quite right he made a fool of
himself professionally. How big of a
fool did he make of himself
financially?
SALANDER:
The judgement will just about empty
his savings.
This seems to please Frode more than anything else that
has been said, and Salander sees it.
SALANDER:
May I go?
FRODE:
Your report is light in another
area. His personal life. Anything
you chose not to include?
SALANDER:
Nothing that warranted inclusion.
FRODE:
I’m not sure if that means yes or no.
ARMANSKY:
I think what Ms. Salander means, and
I agree, is that everyone has a right
to a certain amount of privacy, even
when they’re being investigated.
FRODE:
Not in this case. I have to know
if there’s anything about him I might
find unsavory - even if she doesn’t.
Armansky’s look to her at once apologizes for Frode, and
encourages her to speak. She finally relents but puts no
more spin on it than any other piece of raw data
SALANDER:
He’s had a long sexual relationship
with his co-editor. It wrecked his
marriage, but not hers. Her husband
accepts it. Sometimes she sleeps at
Blomkvist’s, sometimes at home.
Frode thinks about that, perhaps imagining how much
simpler his own life would be with such an arrangement.
Dragon Tattoo Final 9/1/11 SZ 9.9.
FRODE:
You were right not to include that.
SALANDER:
I know.
FRODE:
Anything else?
SALANDER:
No.
FRODE:
Please think before you say no.
SALANDER:
I did.
FRODE:
I don’t want to be surprised by
something later.
FRODE:
So. Nothing else. In the personal
department. You’re sure.
SALANDER:
(pause)
He likes sandwiches.
A15
EXT. BLOMKVIST’S APARTMENT - ESTABLISHING
A15
15
INT. BLOMKVIST’S APARTMENT - NIGHT
15
Blomkvist isn’t sentimental, but does have a few framed
snapshots:
his daughter, his sister, and one with Erika -in their 20’s - in which he’s wearing a black leather
jacket.
She wakes up alone in his bed. Pads to the darkened
living room to find him typing on his laptop, a half-
eaten sandwich and glass of water next to it.
ERIKA:
Usually when I wake up in a cold
bed, it’s at home.
BLOMKVIST:
Sorry.
ERIKA:
What are you doing?
Dragon Tattoo Final 9/1/11 SZ 10.
10.10.
BLOMKVIST:
Writing the press release.
ERIKA:
Saying
BLOMKVIST:
You’re taking over as publisher.
You’re sorry for any nuisance
Wennerstrom was caused. I can’t be
reached for comment.
ERIKA:
You’re giving up.
BLOMKVIST:
Just taking a few steps aside.
For you.
ERIKA:
This makes me sick.
OMIT:
INT. BOOKSTORE - STOCKHOLM - DAY16
INT. MCDONALD’S - STOCKHOLM - DAY
17
Salander sits alone at a table waiting for someone with
a coffee and a gift haphazardly wrapped with a Christmas
bow, the price tag still on it, a paperback book -My 60
Memorable Games, by Bobby Fischer. She notices the price
tag is still on it. Peels it off. Dials a call on her
cell. Hangs up when it goes to voice mail.
A18
EXT. PALMGREN’S APARTMENT - ESTABLISHING
A18
INT. PALMGREN’S APARTMENT - STOCKHOLM - DAY
18
She knocks on a door. Hears classical music playing
softly inside, but no one answers. She tries the door.
It’s unlocked. The gift in hand, she pushes it open.
She comes into an apartment which looks like it could
belong to a professor. Sees a chess piece on the floor.
Then a trail of them that lead her to an overturned chess
table and, next to it, a body.
The gash on the old man’s head could have been caused
by a fall into the corner of the table, or from a blow to
it. She quickly tries to determine if he’s breathing.
Calls for an ambulance.
INT. BLOMKVIST’S APARTMENT - STOCKHOLM - EVENING
19
It’s doubtful there’s a stranger Christmas gathering
going on anywhere in the world. Standing around with
eggnog are:
Dragon Tattoo Final 9/1/11 SZ 11.
11.11.
Blomkvist; his teenage daughter Pernilla; his sister
Annika and her Italian husband; Erika and her weirdly
understanding artist husband Greger, whose arm is around
her waist; a few other friends (and perhaps lovers).
GREGER:
You needed a better attorney. You
needed your sister.
BLOMKVIST:
She offered.
ANNIKA:
He declined.
BLOMKVIST:
As she hoped.
ANNIKA:
Never a good idea mixing family and
business.
BLOMKVIST:
GREGOR:
Did you have ... anything on him.
BLOMKVIST:
I had a lot. It just wasn’t any
good.
ERIKA:
It wasn’t even about Mikael. It
was Wennerstrom sending a message to
the press as a whole - and the FSA:
Don’t ask questions.
Blomkvist’s daughter seems concerned for him.
BLOMKVIST:
I’m fine, Nilla. You don’t have to
worry about me.
PERNILLA:
Mom’s worried.
BLOMKVIST:
About me?
PERNILLA:
About all that money.
20
21
22
23
Dragon Tattoo Final 9/1/11 SZ 12.
12.12.
INT. SODER HOSPITAL - STOCKHOLM - NIGHT
20
Outside the ICU, Salander sits on the floor like a dog
who won’t leave the spot its master told it to wait. For
the first time since we’ve met her, she looks vulnerable.
The doors swing open. A doctor steps out. Salander gets
up to hear his report
DOCTOR:
You’re Mr. Palmgren’s daughter?
SALANDER:
His ward. He doesn’t have a
daughter.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Girl with the Dragon Tattoo" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/girl_with_the_dragon_tattoo_1415>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In