Girl with the Dragon Tattoo Page #5
INT. VANGER MANOR - NIGHT - 1966
44
The family has assembled at a long dining table.
VANGER V/O
The sun was down, the excitement
over, we sat down to dinner. That’s
when I noticed Harriet wasn’t there.
Vanger considers an empty chair as everyone else,
including the young man from the bridge, his jacket
draped on his chair, passes platters of food around.
VANGER V/O
And she wasn’t there the next
morning. Or the next. Or the next
forty years.
44A
OMIT:
INT. VANGER MANOR - NIGHT44A
Dragon Tattoo Final 9/1/11 SZ 23.
23.23.
INT. VANGER’S MANOR - DUSK - PRESENT DAY
Vanger has the same look of concern on his face now as he
leads Blomkvist up some stairs.
VANGER:
What was she going to tell me? Why
didn’t I make time for her? Why
didn’t I listen?
BLOMKVIST:
She couldn’t have run away?
VANGER:
45A
EXT. THE BRIDGE - NIGHT - 1966
45A
The crews continue their work under lights.
VANGER:
Firemen stayed on the bridge all
night pumping out the gasoline. And
no one swam across, or took a row
boat. All of them were still tied up
on this side Sunday. Believe me, we
checked.
45B
INT. VANGER MANOR - DUSK - PRESENT DAY
45B
BLOMKVIST:
She couldn’t have fallen and drowned?
VANGER:
The currents aren’t strong here.
Anything that falls into the water
turns up nearby. Like her father.
His body didn’t drift more than ten
meters when he drowned the year
before.
Vanger’s pauses at a landing to steady himself and his
labored breathing.
VANGER:
Blomkvist. Someone on the island
that day. Someone close enough to
know what she used to give me each
year on my birthday.
He unlocks the door of the attic and pushes it open to
reveal a cluster of nine dusty framed dried flowers on a
wall.
Dragon Tattoo Final 9/1/11 SZ 24.
24.24.
VANGER:
These were from her.
And, on another wall, forty similarly-framed flowers
VANGER:
These, from her killer.
Blomkvist regards the forty ...
BLOMKVIST:
Who knows about these?
VANGER:
Me, the police, the murderer ...
and now you.
EXT. STOCKHOLM - DUSK
46
It’s raining as an elegantly-dressed woman slows before
a luxurious apartment building. Salander approaches from
the other direction. Passing, she notes the four number
tones the woman keys in the code lock.
The door buzzes open and the woman disappears inside.
Salander doubles back and keys the same four number tones
in the Milton Security lock.
INT. APARTMENT BUILDING - STOCKHOLM - CONTINUOUS
47
Opulent foyer. Security camera. Antique elevator cage
whose cables pull the woman upstairs. Salander comes to
an unlocked service door and takes stairs to a basement
machine room. Examines tangles of phone lines, meters,
Wi-Fi routers. Photographs them with a digital camera.
She climbs the stairs back up to the foyer. The front
door buzzes, and a man in a suit on the sidewalk pushes
it open, sees her, holds it wide enough for her to pass.
The man is a driver/bodyguard. He continues to hold the
door for his employer who now emerges from the back of an
idling car and crosses to it in the rain ... Wennerstrom.
EXT. VANGER’S MANOR - NIGHT
48
The rain here is icier and more punishing.
VANGER V/O
When the police investigation petered
out, I kept at it
Dragon Tattoo Final 9/1/11 SZ 25.
25.25.
They’re eating dinner now in the dining room.
VANGER:
interviews, all the information there
was, and it’s a lot. I’ve spent half
my life examining the events of a
single day.
And for all that, he’s no closer to the truth.
BLOMKVIST:
I understand your frustration.
But what you’re asking me to do is
a waste of money.
VANGER:
We haven’t discussed your fee.
BLOMKVIST:
We don’t need to. I can’t find
something you haven’t been able to
in forty years.
VANGER:
You don’t know that. You have a
very keen investigative mind.
Blomkvist wonders why he ever agreed to come here as
Vanger refills his wine glass.
VANGER:
Here’s what I propose: You come
stay on the island. I have a nice
little cottage by the water you can
use. You study the material I give
you. You find something I’ve missed
- or you don’t.
BLOMKVIST:
You want me to set aside my life
and career for something that’s a
complete waste of time.
VANGER:
Think of it as a well deserved
vacation. A way of avoiding all the
people you want to avoid right now.
(nothing from Blomkvist)
As for compensation, I’ll pay you
twice your salary for as many months
as it takes. I’ll quadruple it if
you solve the mystery.
Dragon Tattoo Final 9/1/11 SZ 26.
26.26.
BLOMKVIST:
Mr. (Vanger)
VANGER:
I’m not done. I’ll throw in one
more thing - even though you’re a
terrible negotiator. It’s what you
want more than anything else and it
can’t be bought at any price. I’ll
give it to you ... Hans-Erik
Wennerstrom.
He pushes toward Blomkvist a plate: the carcass of the
fresh-killed and cooked duck they’ve been eating. It and
the mention of Wennerstrom’s name clouds, at least for a
moment, Blomkvist’s memory of the train he missed.
VANGER:
He began his career working for me.
And I’ve followed it with interest,
shall we say, ever since. You were
right about him. You just couldn’t
prove it.
A50
EXT. PLAGUE’S APARTMENT - ESTABLISHING
A50
INT. PLAGUE’S APARTMENT - STOCKHOLM - NIGHT
Salander climbs a flight of stairs in a building that
couldn’t be more different than Wennerstrom’s. Knocks
on a door, waits, listens to some dead-bolts unlocking.
It opens, but remains impassable by a figure weighing
over 300 pounds. He offers her no greeting. Fades back
into the shadows of his dark apartment.
PLAGUE:
Would you like to sit? I could
possibly clear a place if necessary.
It’s hard to imagine how he or anyone might accomplish
that. The place is like a junkyard. Even the unmade bed
is covered with stuff.
SALANDER:
Did you make it?
PLAGUE:
Have you something for me?
She takes some cash from a pocket, hands it to him. He
counts it and is unimpressed with its total.
PLAGUE:
I’m on welfare; I don’t administer
it. This isn’t enough.
Dragon Tattoo Final 9/1/11 SZ 27.
27.27.
SALANDER:
I had to pay three months back rent
and eat a little bit. It’s all I
have right now.
PLAGUE:
I find that so poignant.
So much so that he does nothing more than look at her.
She reaches to take the money back, but he pockets it and
moves across the dark room to a work table where high-end
computers fight for space with debris. Finds and gives
her a small homemade electronic box, which she turns over
in her hands.
While it’s clear both these people are deficient in
behavior that governs polite society, it’s hard to tell
which lacks it more.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Girl with the Dragon Tattoo" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/girl_with_the_dragon_tattoo_1415>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In