Gone in 60 Seconds: The Ride Page #2

Genre: Action
  1 nomination.
 
IMDB:
7.1
Year:
2000
1,636 Views


your brother, and I kill your mother...

for the aggravation

you've caused me.

Three:
You accept the deal,

you steal some cars,

you make some money

and you be a big brother.

- Memphis!

- 8:
00 a.m. Friday morning.

The cars are on the boat,

or your brother's in the coffin.

Get me outta here!

Somebody get me outta here.

Listen, you really don't

have to make me anything.

Oh, hey, you come down here.

You saved my ass.

It's the least I can do.

Hey, I heard you were, uh, pumping gas

someplace up North or something, right?

- Yeah, working with kids.

- Oh, really?

"First place."

I remember this.

Oh, yeah, that was...

that was a long time ago.

What'd you put in it?

I don't know.

It's good.

Ow. Ow. Oh, God.

Does Mom know

about any of this?

No, no, no, she doesn't,

and I don't think she should.

You know, she... she works

really hard, and this... this...

She doesn't need to know

about any of this stuff.

Look, you know,

I got everything under control.

Kitchen's on fire.

Uh, man.

Hey, Memphis.

It's good to see you.

Haul the cartons over there!

- Hey, Fuzzy.

- Aw, sh*t. What are you doin' here?

- I told you I don't know anything.

- Yeah, but you're a liar.

- You're gonna get me fired, man.

- Fired? That's not good. You're on parole, right?

Fuzzy, hey, nobody

wants to get you fired.

We just need this

information is all.

Two weeks ago, a call came in

for a lot of top-end cars.

- And who made that call?

- I don't have a clue.

- Okay. We should go talk to your boss.

- Oh, shhh.

The delivery date.

I know the delivery date.

- And when is that?

- Thursday, Friday, end of the week.

Well, you get me a name

within 48 hours, or we'll be back.

Good to see you, buddy.

Thank you.

I'm looking

for Helen Raines.

Helen, some guy's

here for you.

What guy?

What's he look like?

Like a firecracker.

Like your son.

You look so good.

Thank you, Momma. Here.

Spring... Spring bouquet.

What are you doing here?

Well, uh, Atley Jackson

came to see me.

Told me something about Kip.

Can I help you

with one of these?

Okay, that's yours.

Tell Castlebeck he's not gonna believe

who just walked into the Quality Cafe.

I can't say I'm surprised.

All his life he looked up to you,

tried to be you.

I guess now he is.

So why is this happening?

I send you guys money.

He... He met some people,

and he changed.

He lost that...

that sweetness, you know?

Okay... tell me.

How deep in is he?

Deep.

Can you get him out?

It means doin' things,

things I told you

I'd never do again.

Do what it takes, Randall.

When did you get into town, Raines?

- Last night.

- Last night? What for?

I thought I'd catch a Lakers game.

Heard we got Shaquille.

Guys wanna go?

- Guess not.

- Randall, Randall, Randall, come here.

I get this call from this

uniform, you know?

Axton. Very nice man.

Remembers everything.

This man calls me up, says, "Guess

who's back in town?" I say, "Who?"

He says, "Randall Raines."

I say, "Randall Raines the car thief?"

He says, "Yeah." I say, "Impossible."

He says, "No, he's back."

I say, "No, he's not." He says, "Yes, I

will bet you $200 I just saw Randall Raines."

- You guys said a lot. Look, Detective...

- No, whoa, whoa.

What's really, really

ironic about this...

Two nights ago we snare these

At the time I'm thinking,

"This feels like Randall Raines."

Now, it didn't have your

panache, your, uh, flash,

but it just felt

like Randall Raines.

And now here you are.

Look, I don't know what you boys are

looking for, but I just got back, okay?

It was a family emergency.

Now, that's the truth.

Family emergency. Yeah, I got

a family emergency too, Randall.

I gotta go tell my woman

that I just lost $200 on a stupid deal.

- Mmm, she's mean.

- What?

She can be mean.

Come here.

Come here, Randall.

Take those glasses off, Randall.

Please, do me a favor.

Six years ago you make

a real smart move, you know?

You retire from a life that's gonna get

you busted or killed or maybe even both.

And I'm thinkin' that not putting

you away when I had a chance...

is like this big bug up the ass of this

real impressive career that I've had.

Oh, yeah.

Well, without disappointment,

you can't appreciate victory.

Eleanor tell you that?

Now, that's hittin'

below the belt.

Yeah, all right, let me tell you

about below the belt, Randall.

From here on out, if you walk across

the street outside of a crosswalk,

if you roll

through a stop sign,

if you use an aerosol can in

a manner other than directed...

I mean, I don't care,

you make one slip,

and I will put you away

for good.

- Okay.

- By the time you get out, a**hole,

there won't even be cars.

We'll all be cruising around

in your little, vroom, spaceships.

That's gonna suck.

Who's Eleanor?

It's a damn car.

And don't ever

talk about my wife.

Excuse me.

You know where Otto is?

He's in the back, in the paint shop.

Is that you? About time

you came to see me.

- I missed you.

- Good to see you!

You look great.

- It's good to see you.

- You too. Oh, remember my Junie?

Hey, Junie.

How are you?

- We're doin' good, thank you.

- Good, good.

You look happy.

Well, I am happy.

I really am.

So what happened here?

- What do you mean?

- Well, it's nice.

But the chop shop,

the stripped cars, my education.

What happened? Hey.

Old age happened.

That's what happened.

Got tired of killing 'em.

You know, I woke up

one morning and thought,

"I'm no longer a destroyer.

I'm a means of resurrection."

Now we restore,

we revive.

Come here.

Remember we used to do this?

- What?

- You know. Come here. Okay.

It's a Ferrari 365 GTB-4 Daytona.

Le Mans, 1971.

- Five cam...

- That's a V-12.

V-12, right, right,

right, right!

Here it peaks

at 5,500 r.p.m.!

- What do you know about Raymond Calitri?

- Who?

Raymond Calitri.

Uh, excuse us, sweetness.

I'll be right back.

- We can talk here.

- No, no, no, no, no. It's all right.

Raymond Calitri.

He's a jackal tearing at the

soft belly of our... of our fair town.

And he's an a**hole to boot,

so be careful.

I heard about Kip.

Are you considering a comeback tour?

- Do you think it can be done?

- Don't do this to me, okay?

Please, please not now.

Oh, man.

- How many cars?

- Fifty.

- How many days?

- Three.

How many in your crew?

One, but I came here

hoping to negotiate for a second.

No way.

It can't be done.

I mean, you need time to prep,

time to shop. You know that.

It has to be.

They're gonna kill him.

Oh, man.

It was a mistake

to come here.

You have a great life now.

I don't want to upset that.

Uh, wait a minute.

Uh, hold on.

Look around you.

These days...

I'm all about second chances.

So, uh, let's make a few phone calls,

and we'll go from there, okay?

Okay.

- Don't look at me!

Look at the people next to you!

That's... Turn the wheel!

Pull over! Pull her the hell over!

A**hole!

Learn how to drive!

Don't touch nothing. Just...

Rate this script:0.0 / 0 votes

Scott Rosenberg

Scott Mitchell Rosenberg is an American film, television, and comic book producer. He is the chairman of Platinum Studios, an entertainment company that controls a library of comic-book characters and adapts them for film, television and other media. He is also the former founder and president of Malibu Comics, and is a former senior executive vice president for Marvel Comics. more…

All Scott Rosenberg scripts | Scott Rosenberg Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Gone in 60 Seconds: The Ride" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/gone_in_60_seconds:_the_ride_9158>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "resolution" in a screenplay?
    A The rising action
    B The climax of the story
    C The beginning of the story
    D The part of the story where the conflicts are resolved