Good Morning, Vietnam Page #9

Synopsis: A new Disc Jockey is shipped from Crete to Vietnam to bring humor to Armed Forces Radio. He turns the studio on its ear and becomes wildly popular with the troops but runs afoul of the middle management who think he isn't G.I. enough. While he is off the air, he tries to meet Vietnamese especially girls, and begins to have brushes with the real war that never appears on the radio.
Director(s): Barry Levinson
Production: Buena Vista Pictures
  Nominated for 1 Oscar. Another 7 wins & 3 nominations.
 
IMDB:
7.3
Metacritic:
67
Rotten Tomatoes:
90%
R
Year:
1987
121 min
3,854 Views


The men all hate Hauk.|They want Cronauer back.

He's an exhilarating personality,|and polkas are just no substitute.

- I think I see a pattern forming here.|- Sir, these letters are unequivocal.

Uh, e.g. "Hey, Hauk, eat a bag|of sh*t. You suck."

That's pretty much to the point, sir.|Not much grey area in this one.

We got one positive call from some guy|in Wichita who thought Hauk's comedy|was visionary and interesting.

The other 1,100 calls said that the man|can't do comedy to save his dick.

- That's a direct quote, sir.|- I've taken 90 calls this morning.|They just don't like Hauk.

From a marine in Da Nang: "Captain Hauk|sucks the sweat off a dead man's balls."

I have no idea what that means, sir,|but it seems very negative to me.

I think the troops are tryin'|to tell us somethin', fellas.

Sir, if it is my programming|choices, I can change.

I've been broadcasting|the polkas because I thought|a certain segment of the men...

weren't represented by Cronauer's|broadcasts of rock and roll.

But I can easily play|an occasional Gary Lewis record.

It doesn't make a damn whether|you play polkas or don't play polkas.|Military politics.

Nothing personal. The men just|like him better than they do you.

He maliciously and with purposeful|intent read unofficial news.

No, no, no, no.|He made a mistake.

We all make mistakes. Now this thing|is a delicate balance over here...

and I don't want it|dependent on a disc jockey.

The men want him back,|I want him back.

Sir, you heard from the men|who don't like my humour, but what|about the silent masses who do?

And as far as polkas, they are|a much-maligned musical taste.

Lieutenant, you don't know whether|you're shot, f***ed, powder-burned or|snake-bit. I don't care about polkas.

They're rioting in Hue. We're bringin'|in thousands of troops every month.

Terrorism's on the uprise|in Saigon.

The problems of this country have not|one goddamned thing to do with...

whether you play polkas|or don't play polkas.

The men want him back.|I want him back.

Reinstate the man.

Sir, in my heart...

I know I'm funny.

Thank you, Lieutenant.

- There you are, sir.|- Please don't call me "sir."

It just came down the pike.|You're back on the air, sir.

- I'm not goin' on.|- What do you mean|you're not goin' on?

If you don't understand what I said,|maybe you should take my English class.|I'm not goin' on.

You're a very attractive man, Abersold.|Don't think I haven't noticed.

- You'll be bored, you know.|What are you gonna do with your time?|- I don't know.

I may go downtown, look|for a Vietnamese man named Phil.

Or I may just stay here|and listen to old Pat Boone records.

Try and find some hidden meaning|'cause basically I believe that|that man is a misunderstood genius.

Genius. What are you|saying to me?

I'm sayin' I'm through, Ed. I'm tired|of people tellin' me what I can't say.

This news isn't official.|That comment is too sarcastic.

I can't even make fun of|Richard Nixon, and there's a man|who's screaming out to be made fun of.

So f*** it. Sorry.

- Is he all right?|- No, Phil, he's not all right.

A man does not refer to Pat Boone|as a beautiful genius|if things are all right.

- Sir.|- Garlick?

I'd like you to collate these|one-minute spots prior to broadcast.

You have a problem|with that, young man?

Absolutely not.|I live to collate, sir.

Good. So do I.

- "Get A Job."|- Get a job. Again.

- Get a job. Right. You got it.|You're cookin' now.|- Sir?

- Edward.|- I'd like an explanation.

- On anything in particular?|- A lot of people|went to the mat for you.

Thousands of guys wrote in, called in,|tryin' to get you reinstated.

And I literally think|that you owe it to all of them|to get your ass back on the air.

If you haven't noticed,|the army doesn't really want me, Ed.

They've been harassing me since|the day I got off the plane.

So what? It's the guys|in the field that matter, remember?|Those are the guys that are dyin'.

Edward, I tried to tell the truth,|and they kicked me off the air.

I screw up once more,|Dickerson sends me into the field|with a rifle. I come home in a box.

What you do is important|to a lot of people.

Forget it, will ya?|Listen. I give up.

I'm gonna phone 'em in, okay?|Enough bullshit.|I'm outta here. See you, fellas.

- Buy you some lunch.|- Can't let you do that.

Listen, if I don't get to my class,|there's gonna be a bunch of Vietnamese|speaking in short, choppy sentences.

- Look, we gotta talk.|We gotta talk now.|- Not now, man. Come on.

I can't believe you!|What? That's it?

You're gonna leave the whole f***in'|thing behind. You're gonna leave|everything f***in' hanging.

- People are depending on you!|- Edward, please.

That's two nasty words|in one year.

- Forgive me.|- Hey.

Hey, you wanna give me a ride to school|or am I gonna have to buy another bike?

You're pissin' me off.

- What the hell's the hold-up?|- Check it out.

Garlick, will you cut it out?|You're beginning to sound like|a priest in a '40s movie.

We are not firing you|when the boys are dependin' on you.

- Gentlemen?|- What are you doing, Ed?

Hey, guys. Guess who the hell|I got in here.

- Uh-oh. Don't do this sh*t.|- Groucho Marx!

- Senator Dirksen.|- Hey, Curly!

-Moe.|-Come on, come on, come on. Guess again.|-Oh, bag it. Bag it, Garlick.

The fellow I got in here is|the gentleman, the one and the only...

- You're a dead man.|- king of the airwaves, Adrian Cronauer.

Hey, Peterson, get up here, man.|I think we got Cronauer here.

Hey, Cronauer, say|"Good morning, Vietnam."

Oh, give me a break, man.|It's too hot for radio sh*t, okay?

- Come on.|- Come on!

- How do we know it's Adrian Cronauer?|- Okay.

I'll give her the best shot.

Good morning, Vietnam!

All right! All right!

We love you, Cron!

All right, this is Adrian Cronauer.|I'm on at 6:00 and again at 4:00.

Hey, we'd like to welcome you|to Vietnam, the country|that is more stimulating...

than a strong cup of cappuccino|or an espresso enema.

That one's comin' right at you|right now, but first,|our fashion report from Special Forces|Sergeant Ernest Lee Sincere.

"Thank you. I think this fall,|the discerning GI is gonna|be wearing green in the jungle.

Why? Because it matches|with the green. I don't know.

The leaves, they fall upon the helmets,|says yes to me." Thank you.

Here's a little news flash|comin' your way right now.

We can't afford the teletype.|Here it is, comin' for you|right now. Quick news flash.

Former President Eisenhower,|actually cartoon character Elmer Fudd.

He was quoted as saying:|"Thank you, America.

It was fun being Pwesident."

Also, Gina Lollobrigida has been|declared the Italian National|Mountain Range.

Thank you, Gina. "Look out.|Look, I don't see the sun any more."

Let's play a little game show while|we're waiting. And who can tell me|who sang the song "My Guy"?

- Hi. Where you from?|- Uh, Boston.

- Boston, you know who|sang the song "My Guy"?|- Yeah, sh*t, I can't think of it.

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Mitch Markowitz

Mitch Markowitz is an American screenwriter best known for writing the film Good Morning, Vietnam. He also wrote the movie Crazy People. His television credits include M*A*S*H, Van Dyke and Company, Best of the West, Report To Murphy, What's Happening?, Buffalo Bill, Monk, and Too Close For Comfort, among others. more…

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Submitted on August 05, 2018

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