Gravesend Page #2

Synopsis: Four young men spend their Saturday night trying to come up with the money to cover up the accidental death of a family member. As the night grows old, the tensions between the four rise and the situation becomes all the more desperate.
Genre: Crime, Drama
Director(s): Salvatore Stabile
Production: Palm Pictures
  1 nomination.
 
IMDB:
6.3
Rotten Tomatoes:
60%
R
Year:
1997
85 min
65 Views


FOR YOU.

[GUNSHOT]

F***ING THREATENING ME

WITH A GUN.

Sal:
RAY, HIS BROTHER,

AND HIS FAMILY:

MOVED TO GRAVESEND

FROM NORTH CAROLINA

WHEN THEY WERE, LIKE,

14 YEARS OLD.

MOTHERF***ER!

I'LL KICK

YOUR F***ING ASS.

AND THAT DOG:

YOU'RE F***ING.

Sal:
A COUPLE

YEARS LATER,

THEIR PARENTS:

HAD PASSED AWAY.

AND RAY AND MARK

WERE LEFT TO LIVE ALONE.

MOTHERF***ER.

I NEVER HAD A HAPPY

HOLIDAY AS LONG:

AS I'VE LIVED HERE.

Sal:
HATE IS

THE BEST WAY TO EXPLAIN

THEIR RELATIONSHIP.

THE COPS WERE ALWAYS

AT THEIR HOUSE.

RAY, WHO WANTED TO BE

A MUSICIAN,

BUT WASN'T REALLY GOOD,

ALWAYS PLAYED HIS GUITAR

LATE AT NIGHT.

ONE TIME, MARK TOLD RAY

TO STOP PLAYING:

'CAUSE HE COULDN'T SLEEP,

BUT RAY DIDN'T STOP.

SO, MARK CAME DOWN

TO THE BASEMENT:

WITH A BUTCHER KNIFE

AND CHASED RAY:

DOWN THE BLOCK,

AND ALL THE WAY:

INTO MacDONALD'S

ON 24th AVENUE.

RAY, ONLY IN HIS UNDERWEAR,

GOT AWAY FROM MARK,

BUT WAS ARRESTED

FOR INDECENT EXPOSURE.

GET IN THERE,

MAN. HE THREATENED ME

WITH A GUN.

YO, MARK.

COME HERE,

MARK!

Sal:
BUT RAY ALWAYS

GOT BACK AT MARK.

ONE TIME, HE SLASHED

MARK'S TIRES.

ANOTHER TIME, HE POURED

SUGAR IN HIS GAS TANK.

ANOTHER TIME, RAY HAD

F***ED MARK'S FIANCE,

CAUSING THEM TO SPLIT.

BUT THE WORST WAS

WHEN MARK HIT RAY

IN THE FACE WITH HIS SHOE

AND RAY TOOK BOILING WATER

AND THREW IT:

ALL OVER MARK'S LEGS,

GIVING HIM:

A THIRD-DEGREE BURN.

IT'S THE ONLY

VIRGIN MARY THAT

EVER EXISTS, MAN.

AT LEAST:

IN THIS PROPERTY.

WELL, YOU GUYS REALLY

CELEBRATE THE HOLIDAY.

I'M PROUD OF THAT.

Sal:
WE ALL TOLD

RAY TO MOVE OUT,

BUT RAY HAD NO MONEY

AND NO JOB.

F***IN' FIGHT

WITH A GUN.

HANG A SHINING STAR

UPON THE HIGHEST BOUGH

AND HAVE...

OPEN THE F***ING

TRUNK, MAN.

COME ON, MAN.

JUST OPEN:

THE TRUNK.

A MERRY LITTLE CHRISTMAS

JESUS CHRIST, WE GO CARS PASSING, MAN.

OK, OK, READY?

ON 3, ON 3.

1...2...3.

COME ON, LET'S GO.

WHO IS THIS GUY?

JOJO.

JOJO WHO?

JOJO THE JUNKIE.

HE OWES ME SOME DRUGS.

JOJO JUNKIE?

YEAH, MAN, DON'T F***IN'

WORRY ABOUT IT, MAN.

YOU'RE LETTING A JUNKIE

BURY MY BROTHER?

RAY, RAY,

CAN WE GO, MAN?

LISTEN, MAN, YOU'RE DOING

THE RIGHT THING, ALL RIGHT?

JOJO JUNKIE?

YOU'RE GONNA

F***IN' REPEAT.

DID I STUTTER?

YEAH, JOJO THE

F***IN' JUNKIE.

LET'S GO, MAN,

BEFORE F***IN'

PEOPLE COME.

GO TO THE LIGHT,

MAKE A RIGHT,

GO TO THE STOP SIGN,

MAKE ANOTHER RIGHT.

WHO IS:

THIS GUY JOJO?

YOU KNOW, ZANE,

I DON'T HAVE

ENOUGH GAS.

HERE. WEAR

MY BASEBALL CAP, OK?

YOU BE THE SKIPPER.

DOES HE KNOW:

A LOT OF PEOPLE?

YEAH. WE GOT GAS

IN THE TRUNK.

YEAH, BUT

THAT'S NOT GOING

TO BE ENOUGH.

DON'T YOU THINK

IT'S A BAD IDEA

THAT WE TAKE MY BROTHER

TO HIM IF HE KNOWS

A LOT OF PEOPLE?

RAY.

HE MIGHT TALK.

WHAT? TAKE HIM WHERE?

WE'LL TAKE HIM TO JOJO.

I KNOW. THAT'S

WHAT YOU JUST SAID.

AND YOU SAID HE KNOWS

A LOT OF PEOPLE.

DON'T YOU THINK

HE MIGHT TALK?

TALK TO WHO?

I DON'T KNOW.

I DON'T EVEN

KNOW THE GUY,

AND YOU WANT TO TAKE

MY BROTHER TO HIM?

I MEAN, ALL I KNOW

IS YOU TOLD ME:

HE'S A JUNKIE.

YOU GUYS,

WHAT IS THIS, 20/20?

HUH? BARBARA WALTERS,

WALTER CRONKITE?

WHOA, WALTER CRONKITE?

YOU MEAN, HUGH DOWNS?

NO, I MEAN

WALTER CRONKITE.

NO.

20/20.

IT'S HUGH DOWNS.

YEAH.

NO, IT'S NOT.

IT'S WALTER CRONKITE.

IT'S HUGH DOWNS.

IT'S EITHER HUGH DOWNS

OR ANDY ROONEY...

OR MICKEY ROONEY OR

ONE OF THE ROONEY BROTHERS.

I WATCH IT:

MONDAY NIGHT, 5:
30.

IT'S WALTER CRONKITE.

IT'S HUGH DOWNS.

WALTER CRONKITE:

F***ING COVERED

THE KENNEDY:

ASSASSINATION.

GET OUT OF HERE.

LAST TIME HE:

WAS ON FILM,

CATCH THIS LIGHT HERE.

IT WAS F***IN'

BLACK AND WHITE.

LOOK, ARE YOU

SURE WE'RE GOING

TO GET GAS?

YEAH, I'M SURE.

I DON'T CARE

ABOUT 20/20 AND

WALTER CRONKITE.

ALL RIGHT, GUYS.

WHAT DO YOU:

WANT TO DO THEN?

IF I DON'T LIKE

THIS GUY, WE'RE

GOING TO THE COPS.

GO TO THE COPS.

OH, OK, WE'LL

GO TO THE COPS.

OVER HERE,

PULL A RIGHT.

I MEAN IT.

PULL OVER HERE.

THIS IS WHERE HE LIVES.

NOW, LISTEN.

YOU GUYS WANT ME

TO TAKE CARE OF THIS

OR WHAT? HUH?

Sal:
EVERY NEIGHBORHOOD

HAS A GUY WHO CAN

GET THINGS DONE:

WHEN THERE'S NO ONE ELSE

TO TURN TO.

WE HAVE JOJO.

IS THIS WHERE HE LIVES?

YEAH.

LET'S GO AROUND BACK.

HE'S PROBABLY TAKING

OUT THE TRASH.

Sal:
JOJO WAS

THE SUPERINTENDENT

OF SOME BUILDING

DOWN ON BAY PARKWAY,

AND THE MAIN SUPPLIER

OF CRACK AND COCAINE

IN THE NEIGHBORHOOD.

ZANE AND JOJO:

BECAME FRIENDS:

WHEN THEY MET IN A LINEUP

DOWN AT THE POLICE STATION

AT THE 6-2.

WHAT THEY DO IN BROOKLYN

IS PAY KIDS $10

TO FILL UP A LINEUP...

AND GET ONE REAL SUSPECT.

THAT DAY,

THE COPS LET ZANE GO,

BUT JOJO WAS PICKED OUT

FOR ASSAULTING:

AN ELDERLY LADY:

WITH A WOODEN YANKEE

BASEBALL BAT.

COME HERE! COME HERE!

CHILL OUT, OK?

LOOK, YOU SAID

YOU SHOT MARK:

BY ACCIDENT, RIGHT?

I DIDN'T SAY

ANYTHING, MAN.

NO, THAT'S

WHAT YOU SAID.

IT'S OVER WITH, OK?

WE GOTTA TAKE CARE

OF THIS.

AND YOU TELL ME:

SOMETHING, ALL RIGHT?

YOU TELL ME YOU:

DIDN'T WANT MARK DEAD.

GET OFF OF ME, MAN.

NO, STOP IT.

STOP IT, ALL RIGHT?

KICK YOUR ASS:

ANYTIME.

KICK MY ASS.

YEAH, WHAT HAPPENED

OVER AT 29th STREET?

THE F*** HAPPENED

OVER AT 29th STREET?

[HISSES]

F*GGOT.

ALL RIGHT,

THAT'S ENOUGH!

THAT'S ENOUGH!

WHATEVER HAPPENED

HAPPENED.

WE GOT TO TAKE CARE

OF THIS. COME ON!

LET'S SAY, LET'S

GO TO THE COPS.

WHAT, ARE YOU STUPID?

NO, LISTEN TO ME.

LISTEN TO ME.

I AM LISTENING TO YOU.

LET'S SAY THAT

WE GO TO THE COPS,

AND WE TELL THEM

THAT YOU SHOT HIM

BY ACCIDENT.

THAT THE GUN:

WAS IN YOUR COAT,

AND IT FELL OUT.

WHAT, ARE YOU STUPID?

YOU THINK A COP'S

GOING TO BELIEVE THAT?

WE'RE 4 KIDS

FROM BROOKLYN.

YOU F***ING KILLED

MY BROTHER, AND I'M

TRYING TO HELP YOU.

I KILLED YOUR BROTHER?

YOU KILLED MY BROTHER,

AND I'M TRYING

TO HELP YOU.

[ALL SHOUTING]

LOOK, GUYS,

HE'S NOT HERE,

ALL RIGHT?

WE GOTTA DO:

SOMETHING.

WHAT ARE WE:

GOING TO DO?

HE'S NOT HERE.

WHY CAN'T WE SAY--

GUYS, LISTEN,

LISTEN.

NO, SHUT UP

FOR A SECOND.

WHY CAN'T WE SAY

THAT THE GUN:

WAS MARK'S?

YOU THINK THE COPS

ARE A**HOLES?

IS THAT WHAT YOU THINK?

DO YOU THINK:

THEY'RE STUPID?

THEY CAN FIND:

F***IN' FINGERPRINTS

ON A DICK, MAN.

DO YOU WANT:

TO GO TO JAIL?

I'M NOT GOING TO JAIL

AND LETTING:

A F***IN' 8-FOOT N*GGER

STICK IT IN MY ASS, OK?

WE'RE IN IT TOGETHER.

HE AIN'T HERE.

RIGHT NOW, WHAT

ARE WE GOING TO DO?

ALL RIGHT, WELL,

WE'LL GO SEE NICK.

LOOK,

I'VE GOT NO GAS.

NICK OWES ME MONEY.

HE'LL GIVE US 20 BUCKS.

WE'LL WAIT AND

SEE WHERE HE IS.

HE'S GOOD FRIENDS

WITH JOJO. HE'S TIGHT.

YEAH, GREAT.

ALL RIGHT? READY? READY?

OK?

YO, NICK. NICK!

WHAT'S UP, ZANE?

WHAT'S UP, MAN?

YO, YOU SEEN JOJO?

YEAH, I SEEN

JOJO AND THIS GUY

SHOOTING STEEL, YOU KNOW.

FORGET THAT SH*T.

YO, THERE'S

THIS GIRL RACHEL '97.

SHE SUCKED MAD DICK.

NO SH*T.

LIKE THIS, BRO?

NO, LIKE THIS.

LICK YOUR BALLS:

AND AFTER. EVERYTHING.

YOU, LISTEN,

BY THE WAY,

YOU GOT THAT:

20 YOU OWE ME?

NO, I AIN'T GOT NO 20.

YO, DOWN AND OUT.

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Salvatore Stabile

Salvatore "Sal" Stabile is an American television and feature film writer, director and producer. Born in Brooklyn, New York in 1974, Sal directed his first feature film, Gravesend (1997), when he was 19 years old. Stabile has gone on to write for numerous television shows, including The Sopranos (2001) and Rescue Me (2004). more…

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Submitted on August 05, 2018

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