Gravesend Page #3

Synopsis: Four young men spend their Saturday night trying to come up with the money to cover up the accidental death of a family member. As the night grows old, the tensions between the four rise and the situation becomes all the more desperate.
Genre: Crime, Drama
Director(s): Salvatore Stabile
Production: Palm Pictures
  1 nomination.
 
IMDB:
6.3
Rotten Tomatoes:
60%
R
Year:
1997
85 min
61 Views


OH, MAN, YO,

I'M REALLY TAPPED.

NICK, I REALLY

NEED IT.

I HEAR YOU. I HEAR YOU.

I CAN'T HOOK YOU UP.

I AIN'T GOT NOTHING ON ME.

NO, SH*T, MAN,

REALLY.

MAN, BUT YOU GOTTA

CHILL WITH THAT.

YOU KNOW WHAT I MEAN?

YOU GOT TO KEEP THAT

ON THE D.L. YOU KNOW,

IN FRONT OF MY BOYS.

YOU CAN'T BE

TALKING LIKE THAT.

YOU GOT TO KEEP:

YOUR FACE OUT OF HERE.

COME ON, SERIOUSLY.

CAN I GET THE 20?

YO, I AIN'T GOT THE 20.

YO, I TOLD YOU THAT BEFORE.

ANY OF YOUR BOYS

GOT THE 20?

Sal:
IF YOU WENT OUT

ON A SATURDAY NIGHT

IN GRAVESEND,

YOU USUALLY GOT:

INTO 3 FIGHTS.

FIRST, YOU WOULD JUMP SOMEONE

YOU HAD A BEEF WITH.

THEN, YOU WOULD

GO TO A CLUB,

WHERE THE KID:

YOU JUST JUMPED WOULD

SHOW UP WITH HIS FRIENDS,

AND ANOTHER FIGHT

BREAKS OUT.

THEN, EVERYONE FROM THE CLUB

SHOWS UP AT THE DINER,

DRUNK AND STONED,

AND A FIGHT BREAKS OUT

IN THE PARKING LOT.

2 FIGHTS MEANT

YOU STARTED LATE.

ONE FIGHT IS RARE.

NO FIGHTS MEANT:

THAT EITHER NO ONE

KNOWS WHO YOU ARE,

OR NO ONE WANTED

TO F*** WITH YOU

BECAUSE THEY THOUGHT

YOU HAD ENOUGH PROBLEMS.

IS THAT THAT FAG MICHAEL

YOU BROUGHT WITH YOU, TOO?

YOU KNOW WE DON'T LIKE HIM.

ALL RIGHT,

YOU SHUT UP,

TOO, ALL RIGHT?

[ALL ARGUING]

[CAR ALARM BLARES]

Sal:
ZANE'S FATHER

WAS KILLED WHEN HE WAS

4 YEARS OLD IN A MOB HIT.

SO, HE GREW UP

WITH HIS MOTHER:

AND HIS GRANDMOTHER.

WHAT DID I TELL YOU

ABOUT WHEN YOU COME

IN THIS HOUSE:

TO TAKE OFF YOUR SHOES?

Sal:
HIS MOTHER DID

THE BEST SHE COULD,

BUT SHE COULDN'T

CONTROL ZANE.

HE WAS THROWN OUT OF

A PRIVATE GRAMMAR SCHOOL,

A PUBLIC HIGH SCHOOL,

AND EVENTUALLY,

OUT OF HIS MOM'S

CATHOLIC HOME.

ALL NIGHT:

YOU'VE BEEN OUT.

I'VE BEEN HERE.

OUT WHERE?

WITH WHO?

OH, LET ME GUESS, MARY.

MARY,

THE F***ING SLUT, HUH?

WHAT?

HUH? WHERE

HAVE YOU BEEN?

WHERE HAVE YOU BEEN?

I WAS OUT.

OUT WHERE?

I WAS--

OUT.

UNTIL THIS TIME?

DON'T TALK TO YOUR

MOTHER LIKE THAT.

OK?

OH, HERE

WE GO AGAIN.

WHY ARE YOU GUYS

GANGING UP ON ME?

WE'RE NOT

GANGING UP:

ON YOU.

WE WERE WORRIED.

YEAH, YOU CAN

STAY OUT.

TILL:

A DECENT HOUR.

I BEEP YOU, YOU

DON'T ANSWER ME.

COULD I JUST GO TO BED?

NO.

NO.

OK? NO.

GO BACK WHERE YOU WERE

ALL NIGHT.

RIGHT.

YOU GUYS:

ARE GANGING UP ON ME.

NO, NO, GET OUT!

WHY DON'T YOU GUYS GO

MAKE GOD DAMN MEATBALLS?

I'M SICK OF THIS SH*T.

YEAH, SH*T.

GET OUT!

LISTEN TO ME.

AS LONG AS YOUR--

MY EARS!

YOU AIN'T HEARD

NOTHING YET.

YOUR VOICE:

IS KILLING ME, MA.

DON'T YOU KNOW

HOW TO SHUT UP?

NO, NO, GET OUT!

I'M LEAVING NOW.

I'M GETTING OUT.

GOOD, GOOD, GET OUT.

YEAH, I'LL SHOW YOU SH*T.

SH*T! I'LL SHOW YOU SH*T.

I'LL SHOW YOU SH*T NOW!

HERE! I'LL SHOW YOU SH*T!

THROW HIM OUT!

HEY, RIGHT HERE.

TAKE YOUR F***ING CLOTHES.

GO SLEEP WHERE:

YOU SLEPT LAST NIGHT. GO!

WE WORRIED ALL:

NIGHT FOR YOU.

WE CRIED ALL NIGHT.

Sal:
ZANE WASN'T WELL-LIKED.

WE WERE HIS FRIENDS,

AND WE DIDN'T LIKE HIM.

THE BEST WAY:

I CAN DESCRIBE ZANE

IS THAT HE WAS SOMEONE

WHO YOU NEVER WANTED AROUND,

BUT YOU WERE ALWAYS GLAD

THAT HE WAS ON YOUR SIDE.

I HAVE A CURFEW.

THIS IS MY HOUSE.

YOU GO BY MY RULES

OR YOU GET OUT!

GO STAY WITH MARY!

Sal:
THE GUYS WENT

TO LOOK FOR JOJO

DOWN UNDER THE EL

AND DOWN AT DYKER PARK,

BUT HE WAS NOWHERE

TO BE FOUND,

SO THEY DECIDED TO WAIT

FOR HIM AT HIS BUILDING.

[KNOCKS]

F***, WHY CAN'T WE

JUST BURY HIM OURSELVES?

WHAT DID I SAY, RAY?

JUST LET ME:

TAKE CARE OF THIS.

HE KNOWS WHAT:

HE'S DOING, RIGHT?

WHY CAN'T WE JUST

DO IT OURSELVES?

YO, MAN, I'M

SICK OF THIS.

I'M GOING TO

WAIT IN THE CAR.

ALL RIGHT? LET'S JUST

WAIT IT OUT, ALL RIGHT?

NO, DUDE, WHAT'S

GOING ON HERE?

HEY, KID, KID,

STEP BACK.

I'VE GOT A CAR

TO TOW, OK?

LOOK, THIS IS

MY FRIEND'S CAR.

YOU CAN'T TOW

THIS CAR, MAN.

COME ON. UNHOOK

THIS SH*T. COME ON.

YOU SEE WHERE:

HE'S PARKED

IN A F***ING BUS STOP?

I'M TOWING YOUR CAR.

PUT THE CAR:

DOWN, MAN!

MAN, WHAT ARE

YOU DOING?

IS THAT YOUR CAR?

OK, LISTEN.

SHUT UP. SHUT UP.

LISTEN, TELL

YOUR DAD. LISTEN!

YOU NEED $250,

DRIVER'S LICENSE,

AND INSURANCE.

YOU GO DOWN:

TO THE TOW PLACE,

AND YOU PICK UP:

YOUR CAR.

EVERYTHING:

WILL BE FINE.

LISTEN,

JUST UNHOOK IT.

I'M SORRY.

ZANE, WE'VE BEEN HERE

FOR 2 MINUTES, MAN.

WHAT'S GOING ON?

WHAT'S GOING ON?

HE WANTS TO TOW:

OUR F***ING CAR.

KID, WHAT'S

YOUR NAME? THE CAR IS

IN A BUS STOP:

AND I'M TOWING

THE F***ING CAR,

OK?

LISTEN,

WE'RE HERE NOW.

CAN YOU DO ME A FAVOR

AND UNHOOK THE CAR

AND FORGET ABOUT THIS?

WHAT'S YOUR NAME?

WHAT'S YOUR NAME?

WHAT'S YOUR NAME?

MY NAME'S FRANKIE.

HOW YOU DOING?

WHAT'S YOUR NAME?

GLEN.

GLEN, LISTEN, LISTEN,

WE'RE HERE.

CAN YOU JUST KINDLY

JUST DROP THE CAR?

WE'LL HAVE

NO PROBLEM HERE.

CAN YOU DO THAT:

FOR US, PLEASE?

I CAN'T DO THAT.

THIS IS MY JOB.

LISTEN, HOW CAN YOU

DO THAT?

THE CAR'S

IN THE F***IN'

TOWAWAY ZONE.

DON'T RAISE YOUR VOICE,

ALL RIGHT?

I'M ASKING YOU

VERY NICELY HERE.

DON'T RAISE YOUR VOICE.

UNHOOK THE CAR,

BEFORE I PUNCH YOU

IN YOUR FACE.

DON'T THREATEN ME!

YOU SHUT UP!

YOU KNOW,

FOR THE FIRST TIME,

I'M REALIZING

HOW STUPID YOU ARE.

STUPID?

I'M NOT STUPID.

OH, I'M STUPID?

YEAH, YOU'RE STUPID.

HOW MANY TIMES:

DID I BEAT YOU:

IN TRIVIAL PURSUIT?

WHAT DOES:

THAT MATTER?

WHAT THE HELL:

DOES THAT MATTER?

HOW MANY TIMES:

DID I BEAT YOU:

IN TRIVIAL PURSUIT?

WHAT DOES IT MATTER?

YOU'RE STILL STUPID.

SHUT UP!

HOW MANY PEGS:

DO I GET?

MIKEY, HOW MANY PEGS

DO I GET?

SHUT UP!

HOW MANY PEGS:

DO I GET?

HE KNOWS HOW MANY PEGS

YOU GET. HE KNOWS

YOU ALWAYS WIN:

BECAUSE WE ALWAYS

ASK YOU THE JUNIOR

EDITION QUESTIONS.

WHOA, WHOA,

WHAT ARE YOU DOING?

WAIT, WAIT, WAIT!

I'VE GOT

A JOB TO DO, OK?

LOOK, I'M SORRY.

I'M SORRY I LOST MY HEAD.

I'M SORRY.

I GOT A SMALL TEMPER.

I JUST LOSE IT.

WE ALL GOT:

TEMPERS.

CAN I JUST TALK TO YOU

ON THE SIDE HERE?

CAN I JUST TALK TO YOU?

I'M SORRY.

YOUR NAME'S GLEN,

RIGHT?

RIGHT.

LET'S GO OVER HERE

AND TALK.

I'M SORRY, ALL RIGHT?

I'M SORRY, OK?

YEAH, SO WHAT?

DO YOU KNOW:

WHO MY FATHER IS?

YOU GOT TO KNOW MY FATHER.

NO. WHO'S

YOUR FATHER?

MY FATHER'S GOT

A MECHANIC'S SHOP

ON 18th STREET.

ROSIE?

ROSIE.

THAT'S MY FATHER.

YOUR ROSIE'S SON?

YEAH, I'M ROSIE'S SON.

ME AND ROSIE:

ARE GOOD FRIENDS.

I HAVEN'T SEEN HIM

IN YEARS.

HEY, DOES HE STILL

HAVE THAT BEAUTIFUL

SISTER LUISA?

LUISA. LUISA.

SO BEAUTIFUL.

LISTEN, MY FATHER IS

NOT GOING TO LIKE THIS.

YOU KNOW THAT.

HE'LL BE VERY ANGRY

IF WE DON'T WORK

SOMETHING OUT.

WHAT CAN YOU DO:

FOR US?

WHAT DO YOU SUGGEST?

YOU'RE GOING TO TAKE

THE CAR DOWN, RIGHT?

YOU'RE GOING--

YOU'RE GOING--

YEAH, YEAH, YEAH, YEAH,

I GOT TO TELL YOU

THIS STORY.

I HAD A--

LISTEN, I GOT--

NO, LISTEN.

YOU GOT TO LISTEN.

I HAD--I HAD THIS

F***ING COLONIC IN 'NAM

AND YOUR FATHER--

YOUR FATHER,

HE HELD ME DOWN:

AT THE DOCTOR:

AND THEY STUCK:

THAT F***IN' TUBE

UP MY ASS!

THAT WAS A F***IN'--

NO, WAIT, WAIT, WAIT,

WAIT, WAIT.

ARE YOU GOING TO

TAKE MY CAR OFF?

I GOT TO GO.

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Salvatore Stabile

Salvatore "Sal" Stabile is an American television and feature film writer, director and producer. Born in Brooklyn, New York in 1974, Sal directed his first feature film, Gravesend (1997), when he was 19 years old. Stabile has gone on to write for numerous television shows, including The Sopranos (2001) and Rescue Me (2004). more…

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Submitted on August 05, 2018

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