Groundhog Day Page #13
- PG
- Year:
- 1993
- 101 min
- 3,345 Views
CUT TO:
INT. DINER - LATER THAT MORNING
Phil is sitting at his usual table, which is covered with an
incredible variety of rich foods-- eggs, bacon, sausage,
pancakes, pies, cakes, eclairs, ice cream, puddings, etc.
Rita sits across from him, watching in amazement as he stuffs
himself with pastry.
RITA:
Is this some new fad diet? Don't
you worry about cholesterol?
Phil scrapes a plate and takes a final bite of a chocolate
eclair.
-52-
PHIL:
anymore.
RITA:
What makes you so special?
Everybody worries about
something.
PHIL:
That's exactly what makes me so
special.
He takes a big bite of cake. Rita shakes her head.
PHIL:
(with his mouth full)
What?
RITA:
"The wretch, concentered all
in self,
renown,
down to the vile dust from
whence he sprung,
Unwept, unhonored, and
unsung." Sir Walter Scott.
PHIL:
(stares at her for a
long moment)
"There was a young man from
Na n t uc k e t-- "
RITA:
That's really funny. When are
you going to grow up, Phil?
PHIL:
At this rate-- never.
(he pulls out a pack of
CIGARETTES)
Okay if I smoke?
Rita shrugs. Phil lights up a cigarette.
RITA:
You really do have a death wish,
don't you?
PHIL:
Just the opposite, Rita. I have
a life wish. I'm just trying to
enjoy it. Taking pleasure in the
little things. Don't you ever
just want to cut loose and go
wild?
-53-
RITA:
I wouldn't even know what it
means to go wild.
PHIL:
Yeah, well, that's where I come
in. Going wild is one of my
specialties. Last night I got
completely loaded and drove head-
on into a police car.
RITA:
(DISBELIEVING)
Oh, really? You look pretty good
this morning.
PHIL:
That's my point. I know you
won't believe me, but we could do
anything we want today and it
wouldn't matter one bit.
Absolutely no consequences.
Complete and total freedom.
RITA:
And how. . , do we manage that?
PHIL:
You leave that to me. Why don't
you send Larry back and hang out
with me for the rest of the day?
You never make it through that
blizzard anyway.
Larry enters the diner and spots them.
RITA:
I'll take my chances with the
-weather. But you have a good
time.
PHIL:
Don't worry. I plan to.
CUT TO:
EXT. GOBBLER'S KNOB - NEXT MORNING
Phil comes through the crowd and finds Nancy in the same spot
she was in the day before.
PHIL:
Nancy?
Nancy turns and looks at him quizzically.
-54-
PHIL:
Nancy, right?
NANCY:
I'm sorry, I--
PHIL:
Nancy Taylor? Lincoln High? I
sat next to you in Mrs. Walsh's
English class.
NANCY:
T h at --
PHIL:
Phil Connors.
NANCY:
--is amazing!
PHIL:
You don't remember me, do you?
NANCY:
I don't-- sure, I think--
PHIL:
We used to shoot spit balls--
NANCY:
Yeah, oh, God--
PHIL:
I even asked you to the prom.
NANCY:
Phil Connors.
PHIL:
Yeah.
NANCY:
How ARE you?!
PHIL:
I ' m great. Wow, you look
terrific. Hey, listen, I gotta
d o this report--
NANCY:
You're a reporter?
PHIL:
Weatherman. Channel 9,
Pittsburgh.
NANCY:
Right, I should've known--
-55-
PHIL:
NANCY:
Yeah, yeah, I ' d like that --
RITA (O.C.)
Phil!
Rita is calling from across the crowd. She looks at him with
disapproval .
CUT TO:
INT. PHIL'S ROOM - NIGHT
Phil is making passionate love to a WOMAN in the dark.
WOMAN:
(MOANS)
Oh, Phil.
PHIL:
Oh , Rita .
The woman suddenly freezes. There is a moment of silence, then
she snaps on the light. It's Nancy, not Rita. Phil is as
surprised as she is by his slip of the tongue.
NANCY:
(COLD)
Who's Rita?
PHIL:
(CAUGHT)
No one. It's just something I
say when I make love. You know --
"Orita", "Orighta"-- it's like
"Oh, baby" or something.
NANCY:
(not entirely
CONVINCED)
Oh.
PHIL:
(corrects her)
O-rita.
Nancy laughs uncertainly. Phil switches off the light,
thinking now about Rita.
CUT TO:
-56-
Some elderly GUESTS are sipping coffee and eating breakfast,
staring uncomfortably at something on the other side of the
room.
THEIR POV:
Phil is standing at the bookcase, wearing only pajamas,
absently munching on a Danish as he reads from one of the
books.
Mrs. Lancaster approaches him.
MRS. LANCASTER
Isn't it a wonderful collection?
PHIL:
(not looking up)
Yes, it is. You don't usually
find this many trashy novels in
one place.
MRS. LANCASTER
You can take a book up to your
room if you like.
PHIL:
No, thank you. I've actually
read them all. I was just
rereading some of the dirty
parts.
He finishes and puts the book back on the shelf.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Groundhog Day" Scripts.com. STANDS4 LLC, 2025. Web. 19 Jan. 2025. <https://www.scripts.com/script/groundhog_day_9364>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In