Half Light Page #2
- R
- Year:
- 2006
- 110 min
- 473 Views
ACTION MAN:
I'll get you wherever you are!
(Eerie music playing)
Thomas.
Thomas.
Mama.
It's okay, mom.
Don't go.
- Don't run, don't go.
- I won't.
Come. Be with me.
(Gasping)
(Sizzling)
Ah!
Hello.
You turned up at last.
Good timing
Im just burning the fish.
It's good to see you.
How's your research coming?
Well, it's all right.
Could be better.
That's why Im here.
I was hoping I could get a tour.
Okay.
How about some lunch
before the tour? (Chuckles)
Is there anything
else on the menu?
Why is it that everyone
paints their boats
the exact same color
as their houses?
Well, that's actually
a tradition here.
The wife needs to be able
to look out on the water
and know her
husband's okay.
That's very romantic.
And we also
get a tax break
on the paint.
Which is also very romantic.
Very romantic.
RACHEL:
I can't make it!Quick.
Do you ever get lonely
working out here?
You never get lonely
sitting at your typewriter?
Sometimes.
I like being alone.
Do you really
like it?
Or do you think it's
just something you've
gotten used to?
Or maybe I like it
because Ive gotten used to it.
- I love it out here.
- Who do you talk to?
Who do
you
talk to?
Isn't that what you
love about writing?
The solitude?
I write because...
well, I don't function
very well as a human being
unless Im writing
well, what are you writing now?
I'm not.
RACHEL:
Don't tell meyou paint as well!
Oh, no.
Kate, my wife.
She...
we haven't seen each
other for a long time.
She loved it out here at first.
But in the end,
the isolation was too much for her.
Loneliness
can make you
a little crazy, I think.
Come on.
Wow!
Kate could never understand
why I wouldn't leave here.
But my father lived here
and his father before him.
My great-grandfather,
he built the balcony
from wood that was washed
ashore from a shipwreck.
This is him.
You'll see why.
Come on.
By the way,
Ive brought you something
as a thank you for the tour.
It's one of my books.
- I had it sent.
- Thanks.
"Dreamers awake,"
by Rachel Carlson.
I'm impressed.
Is it a comedy or a tragedy?
Well, it's a mystery.
But please be kind... it is
the first novel I had published.
Weli...
Ill find out
all about you.
Maybe.
If you need any help,
just send out a flare.
- I'll keep an eye out for you.
- Thank you. I really...
Aye. Me too.
SHARON:
So have youslept with him yet?
RACHEL:
It's just nice to havesomeone to talk to.
Meaning you haven't
slept with him.
You know,
you're starting to sound
like you're conducting
a tabloid interview, my friend.
You know me, always working,
always looking for the angle.
And you know I rely
on you for my kicks.
(Chuckles)
Is that the sea I can hear?
Yes, it's less
than 10 feet away.
- Can you hear the crashing?
- Wow, look at you.
Number one best sellers,
waves at your feet,
romance on a deserted island.
Tough life.
Rachel, Im sorry.
That came out wrong.
Sharon, forget it.
It's okay.
Look, I wouldn't have made it
this far without you.
I mean it.
I'll call you tomorrow, okay?
Okay.
Okay, don't peek.
(Beeping)
Qu... qu... qu-quick quick quick.
Ready?
- RACHEL:
Smile.- Okay.
(Camera shutter clicks)
RACHEL:
And no faces this time.Hurry hurry,
come on, come on.
Wait wait wait.
It's gonna come.
- You smiling?
You promise? - Yes.
- Yes.
- You promise?
ANGUS:
Rachei...are you okay?
Rachel?
Is something wrong?
What's wrong?
I think I need to get back.
Why?
I'm sorry.
- Afternoon, Rachel.
- Afternoon.
Are we gonna see you
here on Sunday?
I don't think so.
Your man and I aren't
on very good terms.
Don't you worry about
that.
All the more
reason to come.
Your cross is broken.
I know.
It's this
weekend's chore.
It's the gate, isn't it?
What?
Why you're so sad.
You left the gate open.
You haven't been able
to go out there since
he died, have you?
RACHEL:
All right, ready?All right, here we go.
Now face this way.
Okay, good.
Okay, let's smile.
Smile.
MORAG:
He's beside you,your son.
He's dripping wet.
He follows you everywhere.
He's trying to hold your hand.
What's she been saying?
More of her psychic
mumbo-jumbo?
Listen, don't worry,
she'll say anything to get
somebody to talk to her.
Watch your fingers. Jim,
get us that dustpan and brush.
(Knocking on door)
MORAG:
Yes yes, I can hear her.I'm not answering.
- RACHEL:
Is anybody here?- I should have never
have gone to see her.
I don't want to talk
about it anymore.
I'm not listening.
You can keep talking,
but Im not listening.
I'm not getting out
of this chair
for the love of god or money.
I can't save her.
I can't save anyone.
Things are gonna get worse.
Rachel. Come in.
Do you think it's possible?
getting messages from him?
I don't know.
Maybe.
Maybe the dead miss us
even more than we miss them.
I've replayed it so many times.
If Id only gone out to play
with him like I said I would,
that this never would
have happened.
And I keep thinking of him
in the water, struggling,
and I wasn't there.
I'm the mother.
protect him, and I wasn't.
I came here thinking
that I could write,
and that everything
would be okay.
And you know what?
It's not okay.
It's not okay,
and Im not okay.
Rachel, shh.
Shh shh shh.
(Romantic music playing)
(Celtic ballad playing)
What is this?
It's an old Celtic ballad.
"Caileag an stoirm."
"Girl in the storm."
It's beautiful.
I finished your book.
Maybe.
Here.
I made something for you.
To inspire you.
I'll leave a key out for you...
so you can come up
whenever you want to,
in case Im out
fishing or something.
Look,
it's mother-of-pearl.
I love these.
Do you know the old
- About those?
- Yeah.
No.
Come on.
First,
we have to bury it together.
- Together.
- Right.
And then if one
of us ever returns
and digs it up, then...
then we were meant
for each other?
Well, actually,
I don't know because
I just made it up.
Very Celtic of you.
You know, I was thinking
that exact same thing.
Do you know Mary,
Finlay's wife?
She's having a little
birthday thing
in the village tomorrow,
and I was thinking
that maybe you'd like to go.
I'd love to go.
So like, 2:
00?hey, Rachel.
I'll see you tomorrow.
(Motor turns over)
RACHEL:
"she lay therein the half light of the cabin
unable to sleep.
In the morning,
she told him she had,
for there were still
some limits
to the things she could
say to him then.
But most of the night,
she watched his eyelids
and his lips and his face.
And in the stillness,
she felt peace."
(Folk music playing)
- Hey, Rachel, how you doing?
- Hello.
- Are you all right?
- Oh, Im all right.
Rachel, you made it!
Oh, great.
- There you go, honey.
- I've got something for you.
Happy birthday.
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"Half Light" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/half_light_9488>.
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