Hangover Square Page #4

Synopsis: George Harvey Bone is a composer in early 20th century London, who is under stress because he is writing a piano concerto. Due to this stress, he gets black outs when ever he hears dissonances. When he finds himself after the black out in a different quarter of the town, he returns home, to read in the paper that somebody in that quarter was murdered. Asking help from a doctor at Scotland Yard he is assured that he has nothing to do with it, but he is advised to cut back in his work and get some relaxation like other, ordinary people. At a cheap musical he meets Netta, a singer, who inspires him for a new motive for his concerto. But Netta discovers that this motive could also be used as a song for her. The song gets sold, and she hangs around George to get more songs out of him. George believes that Netta is in love with him, and gets in an argument with his girlfriend Barbara, the daughter of Lord Henry, who wants the concerto for one of his soirées. George has another black out, and
Director(s): John Brahm
Production: 20th Century Fox
 
IMDB:
7.5
APPROVED
Year:
1945
77 min
135 Views


I won't do it.

But I must have it, dear.

- I open next week.

- Then get somebody else to write it.

I'm not the only composer

in London.

Oh, but, George...

I don't want anyone else to write it.

It's no use, Netta.

Why don't you go away

and leave me alone?

But, George, you...

you can't let me down now.

- Please.

- This goes on and on.

These songs mean nothing to me.

What do I get out of them?

You could get me.

"All for you.

There's not a thing

I wouldn't or that I couldn't do."

You wrote that for me, George.

But you've never really

tried to find out...

have you?

Isn't this what you were playing

when I came in, dear?

Like this?

No.

That's not quite right.

It's like this.

That's lovely, George.

But why don't you do it like this? Try it once.

Netta, it isn't a waltz.

That's not the right tempo.

Darling, it would be for my song!

You can't have it.

It belongs to the concerto.

Oh, George. It's such a little thing.

- Your concerto would never miss it.

- But, Netta...

- You must have been thinking of me when you wrote that.

- No, I wasn't.

You must have been,

because that is me.

Can't you hear that?

That's my song.

Listen. Play it once.

Waltz tempo.

Go on. Play it.

When two...

When two lips

Breathe aflame

This is our moment

For gay love

It is mine.

Isn't it?

Please do remember the fifth of November.

Gunpowder, treason and plot.

I see no reason why gunpowder treason

should ever be forgot.

- Pennies for the Guy Fawkes bonfire!

- Money to burn a Guy!

Please do remember

the fifth of November.

Gunpowder, treason and plot.

I see no reason why...

- Remember the Guy, sir.

- Fifth of November.

- Remember the fifth.

- I'd forgotten it was Guy Fawkes Day.

It comes every year, sir.

- What did Guy Fawkes do?

- He tried to blow up the Houses of Parliament.

So every year

we burn a Guy of him.

We made this one...

This one's going to be

on the bonfire in Cheyne Yard.

Well, here you are, boys.

- Crikey! A shilling!

- Hey, Governor. You're a toff!

- A whole shilling.

- He's a bit of all right.

Let's spend it

before the fireworks are gone.

- Oh, good evening, Yvette.

- Monsieur Bone.

- Is Miss Longdon home now?

- Yes.

Mademoiselle is home.

But, uh, she is dressing.

- I will tell her that you are here.

- Oh, don't bother, Yvette.

Mademoiselle!

Mademoiselle, Monsieur Bone is here!

Oh, hello, George.

Did you... want something?

I wanted to talk to you, Netta.

It's the third time

I've been here today.

Oh, really?

Why, Yvette didn't tell me.

I've, uh, just been resting.

Well, I realize you've had

a very exhausting week, Netta.

That's why I waited

until now to ask you.

Oh, no, not now, George.

Please, darling, it's so late.

I have to dress yet for the theater.

But I can talk to you

while you're dressing.

I can still hear you singing.

"All for you.

There's not a thing

I wouldn't or that I couldn't do."

Do you remember that?

Yes, but I really can't

talk to you about that now.

I've waited for such a long time

to say this.

Please, marry me, Netta.

I'll work the rest

of my life for you.

There's nothing that I won't do.

I'll forget about everything else.

I'm afraid you're

a little late, old boy.

Netta's marrying me next week.

That's not true.

Netta...

it's not true, is it?

Why haven't you told me

about it before?

- I tried to, George.

- My dear fellow...

I don't see how it concerns you.

This has been going on

all the time, I suppose.

Now, look here, my dear Bone.

It's going to be all right

in a day or two.

- But, at the piano she said...

- My dear fellow, don't get upset.

She kissed me!

She whispered to me. She promised!

"You can have me," she said.

And all the while, you got her.

Oh, George! George!

- Taking advantage! Conniving against my back!

- George, stop!

Are you crazy? George, oh, let him go!

You're killing him!

Stop it, George!

George, stop it, you fool!

Oh, Eddie!

Good evening, sir.

I hope you're feeling well this evening, sir.

- What happened?

- Someone killed a cat.

Guy, Guy!

Stick him in the eye!

Throw him on a bonfire

and there let him die!

Guy, Guy, Guy!

Stick him in the eye!

Throw him on a bonfire

and there let him die!

Holler, boys! Holler, boys!

Let your voices sing!

Holler, boys! Holler, boys!

Hurry! Hurry! Hurry!

Stick your Guys on the bonfire!

It's about time to light her up.

Hurry up now. Hurry up.

Get your Guys on the bonfire!

Let's have a look

at that one, matey.

- That's a good one! Go on!

- That's a beaut! Take her up.

Lots of room up

at the top, matey.

Come on down there.

You'll get burned up.

Come on down off there.

You'll get burned up.

Here she goes!

We very nearly burned you too, matey!

Guy, Guy, Guy!

Stick him in the eye!

Throw him on a bonfire

and there let him die!

Guy, Guy, Guy!

Stick him in the eye!

Throw him on a bonfire

and there let him die!

Guy, Guy, Guy!

Stick him in the eye!

Throw him on a bonfire

and there let him die!

Guy, Guy, Guy!

Stick him in the eye!

Mr. Bone?

Mr. Bone, I'm afraid I got

a bit of bad news for you, sir.

Have a look here.

It's your cat, sir.

Some boys brought it along.

Would it be worth

a half a crown to you, sir...

if I buried the cat

in that there hole?

Thank you kindly, sir.

Crikey!

But they got the dickens of a big bonfire

over in Cheyne Yard.

All right, kitty.

No harm done.

Here, kitty, kitty, kitty, kitty, kitty, kitty.

Here, kitty, kitty, kitty.

Come on, kitty!

Here, kitty, kitty, kitty,

kitty, kitty, kitty, kitty.

Come on.

Come on, kitty!

Come on, kitty,

kitty, kitty, kitty.

Where are you, kitty?

Come on, kitty, kitty, kitty...

Evening news!

Full Mail Gazette!

Missing actress!

No suspects!

They can't find the body!

Police at their ruddy

wit's end as usual!

Sir.

- You coming down with us?

- No, I think I'll wait out here.

Well, please yourself.

We shan't be long.

- We just dropped in again, sir.

- Hmm?

Oh, I, uh... I'll read

this through in here.

- Is there anything new?

- Nothing new at all, sir, really.

You know, this is about the most

baffling case I've ever worked on.

Women like her don't just vanish

and leave diamond necklaces on the floor.

She was murdered, of course.

There's no doubt of that.

Mr. Carstairs told us

you'd been over there quarreling.

But I told you that

myself... days ago.

Another thing, Mr. Bone.

We're informed that you

never know what you do...

in these periods

of forgetfulness of yours.

Is it possible that you could have

had one that evening?

- Well, no.

- How do you know you didn't?

Because I can account

for all my time.

After that quarrel

I came directly back here...

and I know exactly what I did.

I tried to work,

but at first I couldn't.

Then I tore up some music sheets

and threw them into the wastebasket.

That made the cat jump away.

She knocked over some violins.

I picked them up, and when

I looked for the cat, she had got out.

Rate this script:5.0 / 1 vote

Barré Lyndon

Barré Lyndon (pseudonym of Alfred Edgar) (12 August 1896 – 23 October 1972) was a British playwright and screenwriter. The pseudonym was presumably taken from the title character of Thackeray's novel. Born in London, he may be best remembered for three screenplays from the 1940s: The Lodger (1944), Hangover Square (1945) and The Man in Half Moon Street (1945). The latter was remade by Hammer Film Productions in 1959 as The Man Who Could Cheat Death. Lyndon began his writing career as a journalist, particularly about motor-racing, and short-story writer before becoming a playwright. His first play, The Amazing Dr. Clitterhouse, was made into an Edward G. Robinson film in 1939. After that success, Lyndon moved to Los Angeles, California, in 1941 to concentrate on writing for films full time. He was naturalised as a United States citizen in the United States District Court in Los Angeles as Alfred Edgar Barre Lyndon in 1952. Alfred Edgar had two sons, Roger Alvin Edgar (b. England, 1924) and Barry Davis Edgar (b. England, 1929) . more…

All Barré Lyndon scripts | Barré Lyndon Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Hangover Square" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/hangover_square_9557>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Hangover Square

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who played the character "Joker" in "The Dark Knight"?
    A Jared Leto
    B Jack Nicholson
    C Heath Ledger
    D Joaquin Phoenix