Happy-Go-Lucky Page #8

Synopsis: Poppy Cross is happy-go-lucky. At 30, she lives in Camden: cheeky, playful, frank while funny, and talkative to strangers. She's a conscientious and exuberant primary-school teacher, flatmates with Zoe, her long-time friend; she's close to one sister, and not so close to another. In this slice of life story, we watch her take driving lessons from Scott, a dour and tightly-wound instructor, take classes in flamenco dance from a fiery Spaniard, encounter a tramp in the night, and sort out a student's aggressive behavior with a social worker's help. Along the way, we wonder if her open attitude puts her at risk of misunderstanding or worse. What is the root of happiness?
Genre: Comedy, Drama, Romance
Director(s): Mike Leigh
Production: Miramax Films
  Nominated for 1 Oscar. Another 39 wins & 59 nominations.
 
IMDB:
7.0
Metacritic:
84
Rotten Tomatoes:
92%
R
Year:
2008
118 min
$3,494,485
Website
554 Views


Oh, here's Suzy.

Here we are.

- Hello!|- Are you all right?

Look at this! Oh, mind the tree.

- It's nice to stand up.|- All right, Poppy?

- All right, Jamie?|- Suzy, mind your sister's new motor.

- You all right, Jamie?|- All right?

- Yeah.|- Long time no see.

- Yeah, long time no see.|- All right, Suzy?

- All right, Jamie?|- All right.

Ooh, these are for you.

- I got you a little bottle of bubbly.|- Oh, thank you very much. It's lovely.

- All right. I'll pop these upstairs for you.|- Lovely, Jamie. Thank you very much.

- Isn't that lovely?|- I'm guessing we're having a barbecue.

Whatever gave you that idea, Suze?

- Keep on running, Jamie.|- Yeah.

Better put these down now, shall I?|That's a good idea. Having fun yet?

- Yeah.|- Take your shoes off, Suzy.

- All right!|- And you too, Poppy.

I'll give you the grand tour.|This is the downstairs toilet.

- Oh, I thought it was the wine cellar.|- I wish.

Through here, this is the living room.

Ta-da! Yeah, went with|a blue and silver theme in here.

Did you, Jamie? It's very nice, isn't it, Suze?

- Here's our dining area.|- Lovely.

There's usually another chair here.|But we put it outside for later.

- For the foxes?|- Yeah!

- We only got it last weekend, didn't we?|- Yeah, flat pack.

Really?

It's beautiful, Helen.|Haven't you got green fingers, eh?

- Is it all right to smoke, Helen?|- I suppose so.

Can you get the ash in the ashtray, please?

I'll try not to miss the potty.

- You've been trained.|- Come and see my roses!

- Oh, lovely.|- I only planted these this time last year.

- You didn't.|- They've done really well.

I want to grow them into a big bush.

- They smell lovely.|- Don't they just.

My lavender. Put that by the compost.

- Best place for it, really.|- Hydrangeas need perking up a bit.

Bit down in the dumps, is he?

Hello there, cheer up. Might never happen.

Busy Lizzies are doing very well.|Beautiful flowers.

- Been a bit busy, has she?|- Going to plant more of these next year.

- That looks crap.|- Thanks, Suzy.

- Eucalyptus.|- Oh, Zoe.

Gum tree!

- Brings back memories, doesn't it?|- Yeah, the smell.

G'day, blue, how's it going?

- Drinks up.|- Cheers, Jamie. Let me give you a hand.

- Cheers, everyone.|- Cheers.

So, you've spoken to Mum, then?

Yeah, I spoke to her last Sunday. She's all right.

- Lovely. She coming down?|- Yes.

What's she coming down with? Syphilis?

- When did you last speak to her, Suzy?|- Oh, leave it out.

- You should give her a ring.|- I spoke to her.

- They're very excited.|- Course they are.

They'll come down when the baby's born.

- Get on with the in-laws, do you, Jamie?|- Yeah, I do, as it goes.

- Yeah, you get on with Dad, don't you?|- We have a nice chat from time to time.

- Do you?|- That's more than we ever do.

Does it seem funny,|your little sister having a baby?

- Yeah, it is a bit weird.|- No, it's perfectly natural.

- I'm an auntie.|- Oh, yeah?

- Got two nieces. My brothers' kids.|- They're lovely.

- Yeah, well, they're all right.|- Oh, he's kicking.

Oh, yeah, that's amazing. Hello,|little man in there. It's your auntie speaking.

There's your other auntie here, Auntie Suzy.|Does she want a word?

- What are you going to call it?|- Yeah, have you chosen a name yet?

- We weren't going to say, were we?|- We're not telling anyone yet.

- Go on, your secret's safe with us.|- No, it's bad luck.

It's Nathan.

Oops. It's lovely.

- Nathan?|- Yeah.

- It's a lovely name, Helen.|- Is there a Nathan in the family?

- No.|- No, just feels right to us.

Well, that's the important thing.

- Nathan Lightfoot.|- Yes, Suzy, Nathan Lightfoot.

Nathan Lightfoot Esquire.

- It's boring.|- Take no notice of her.

- I'm not.|- Cheers. Cheers, Nathan.

- Let me get you another top up. Suzy?|- Oh, yeah, thanks, Jamie.

I know, let's have a go on your PlayStation,|Jamie.

- Yeah.|- Yeah.

- Yeah, I'll start it up.|- No, Jamie.

- Zoe's favourite, isn't it?|- Yeah, I can't get enough.

- What games you got?|- Sonic The Hedgehog, Splinter Cell.

- Cool.|- We can't start with that now.

- Why not?|- It's too late.

Is it? What's the time?

- Oh, five minutes.|- No.

- Come on, let's play.|- Jamie, I said leave it.

- All right, lovely.|- Sit down.

Oh, for f*** sake.

Bane of my life, PlayStations.

- Oh, you got one?|- No, the kids at school.

They're like that under the desks, aren't they?

- I always confiscate them in my class.|- Do you?

- What a surprise.|- They must love that.

- Well, maybe in the morning, eh?|- Yeah, before we go for a walk.

It's incredible to think|I'm going to get even bigger.

- Only 10 more weeks.|- Exciting, strap yourself in.

Doesn't it make you both feel|a little bit broody, you girls?

- No, actually. How about you, Zoe?|- Afraid not. With all due respect.

You want a baby, though, don't you, Poppy?

- No, thanks. I've just had a kebab.|- I didn't mean that. Eventually.

Maybe. Who knows?

At 35, you're considered a high-risk mum.

- Give me a chance, I've just turned 30.|- It's only five years away.

- You've got to make plans.|- A five-year plan? Like Stalin?

- When are you getting on the property ladder?|- I need a step up first.

- You got to get yourself a mortgage.|- We don't want the hassle.

- You need to invest your savings.|- I just stuff mine under the mattress.

- Have you got a pension yet?|- You got to be joking.

- Have you got a pension?|- We've both got pensions, haven't we?

- Oh, yeah.|- Great. Where are your Zimmer frames?

- You've got to take life seriously.|- Have I?

You can't get drunk every night, partying,|however much fun it is.

I don't get drunk every night. Do we?

- No, she's an adult now, your big sister.|- Unfortunately.

- You have to take responsibility, Poppy.|- OK, take it easy.

I am taking it easy.

I just want you to be happy, that's all.

I am happy.

- I don't think you are.|- I am.

I love my life. Yeah, it can be tough at times.|That's part of it, isn't it?

I've got a great job, brilliant kids, lovely flat.|I've got her to look at.

I've got amazing friends. I love my freedom.|I'm a lucky lady, I know that.

- All right, no need to rub it in.|- What am I rubbing in?

- I know what you're saying.|- What?

- You think I've taken the easy option.|- Hey.

Hang on, Helen. She didn't say that.

- It's what she meant.|- No, you're insecure about your life.

- All right, Suze.|- That's not true.

- Why are you trying to control everyone?|- I'm not. I'm not.

- Whatever. You're boring me.|- Leave it out.

Why are you all attacking me? It's not fair.

- No-one's attacking you, Helen.|- They're not attacking you, Hel.

- Blimey.|- It's pathetic.

- Suzy!|- Sorry.

- She'll be all right in a minute.|- Yeah.

It's hormones.

- You all right?|- Yeah.

- Do you want to play a game, Jamie?|- Yeah, yeah.

No, best leave it till the morning.

I think we should all go to bed, it's getting late.

All right, then.

Jamie, go upstairs|and get the bedding for Suzy.

- You're looking tired, Suzy.|- She always looks like that.

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Mike Leigh

Mike Leigh (born 20 February 1943) is an English writer and director of film and theatre. He studied at the Royal Academy of Dramatic Art (RADA) before honing his directing skills at East 15 Acting School and further at the Camberwell School of Art and the Central School of Art and Design. He began as a theatre director and playwright in the mid-1960s. In the 1970s and 1980s his career moved between theatre work and making films for BBC Television, many of which were characterised by a gritty "kitchen sink realism" style. His well-known films include the comedy-dramas Life is Sweet (1990) and Career Girls (1997), the Gilbert and Sullivan biographical film Topsy-Turvy (1999), and the bleak working-class drama All or Nothing (2002). His most notable works are the black comedy-drama Naked (1993), for which he won the Best Director Award at Cannes, the Oscar-nominated, BAFTA and Palme d'Or-winning drama Secrets & Lies (1996), the Golden Lion winning working-class drama Vera Drake (2004), and the Palme d'Or nominated biopic Mr. Turner (2014). Some of his notable stage plays include Smelling A Rat, It's A Great Big Shame, Greek Tragedy, Goose-Pimples, Ecstasy, and Abigail's Party.Leigh is known for his lengthy rehearsal and improvisation techniques with actors to build characters and narrative for his films. His purpose is to capture reality and present "emotional, subjective, intuitive, instinctive, vulnerable films." His aesthetic has been compared to the sensibility of the Japanese director Yasujirō Ozu. His films and stage plays, according to critic Michael Coveney, "comprise a distinctive, homogenous body of work which stands comparison with anyone's in the British theatre and cinema over the same period." Coveney further noted Leigh's role in helping to create stars – Liz Smith in Hard Labour, Alison Steadman in Abigail's Party, Brenda Blethyn in Grown-Ups, Antony Sher in Goose-Pimples, Gary Oldman and Tim Roth in Meantime, Jane Horrocks in Life is Sweet, David Thewlis in Naked—and remarked that the list of actors who have worked with him over the years—including Paul Jesson, Phil Daniels, Lindsay Duncan, Lesley Sharp, Kathy Burke, Stephen Rea, Julie Walters – "comprises an impressive, almost representative, nucleus of outstanding British acting talent." Ian Buruma, writing in The New York Review of Books in January 1994, noted: "It is hard to get on a London bus or listen to the people at the next table in a cafeteria without thinking of Mike Leigh. Like other wholly original artists, he has staked out his own territory. Leigh's London is as distinctive as Fellini's Rome or Ozu's Tokyo." more…

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