Happy Valley Page #9
Season #2 Episode #2- TV-MA
- Year:
- 2014
- 58 min
- 673 Views
CLARE:
Tea?
CATHERINE:
(she’s so cold she can’t
move. The tea’s very
welcome)
Ooh...
CLARE:
I got the note.
(a post-it note with
scrawl on it:
I amsleeping in the
conservatory. C x)
Why?
CATHERINE:
Oh, I didn’t want to disturb you
and
HAPPY VALLEY SERIES TWO. EPISODE TWO. GREEN SCRIPT. 43.
She points up:
Neil.CLARE:
No, I didn’t mean why did you leave
a note, I meant, why are you
sleeping in the conservatory?
CATHERINE:
Oh. Winnie. We put an alarm in her
house last night. In case anybody
unsavoury followed Ilinka. So I
just thought I’d keep an eye out.
CLARE:
(she takes in the cricket
bat)
You never knock off, do you?
CATHERINE:
I shouldn’t have brought her here.
Well, I should, she needed to be
somewhere, and I don’t think they
did follow us. But. I was stupid
not to think about it.
CATHERINE sits up to drink the tea.
CLARE:
He’s gone. Neil. He starts his
shift at t’shop at half past six. I
had a really good chat with him
last night.
She’s smiling, she’s happy, she wants CATHERINE to be happy
for her.
CATHERINE:
(wry)
Oh is that what it was?
CLARE sits on the bed/settee.
CLARE:
I told him... that I’ve got a bit
of history. Turns out he does too.
CATHERINE hesitates before deciding to say it
CATHERINE:
I know.
CLARE:
You know?
CATHERINE:
A coupla drunk and incapables,
yeah. I PNC’d him.
HAPPY VALLEY SERIES TWO. EPISODE TWO. GREEN SCRIPT. 44.
CLARE:
I thought you weren’t supposed to
do that.
CATHERINE:
We’re not.
CLARE:
Not for personal
CATHERINE:
It’s a sackable offence. Don’t tell
him.
CLARE:
So why didn’t you tell me? That you
knew.
CATHERINE:
I didn’t know whether you’d want to
hear it or not.
CLARE:
So when was this? When he
CATHERINE:
Five or six years ago.
CLARE:
You see that’s when his marriage
broke down! It sounded awful. He
had a good [job] - I mean a really
good job. At the building society.
Then he got involved with this
woman. An affair, a fling, and
(CATHERINE tuts/sniggers:
obviously not impressed)
Oh yeah, and you’re whiter than
white, aren’t you?
(CATHERINE’s not going to
bother responding to
that)
Why did you PNC him?
CATHERINE:
Dunno. Instinct. Way he flinched
when I took my coat off and he saw
my uniform.
CLARE:
Anyway it all got very unpleasant,
she started making threats, like
CATHERINE:
Did she boil his bunny?
HAPPY VALLEY SERIES TWO. EPISODE TWO. GREEN SCRIPT. 45.
CLARE:
-I dunno, but it all became known.
She told his wife, his kids - and
he had a breakdown. A proper the
real deal nervous breakdown. He
couldn’t speak. He lost his family,
his house, his job, his self
respect. Everything. So he ended up
drinking and that must be when that
happened, when he hit rock bottom.
CATHERINE:
Does he drink now?
CLARE:
No.
CATHERINE:
How d’you know?
CLARE:
He told me. He’s a good person,
Catherine, he always was.
CLARE wants CATHERINE’s approval, and for her to be happy for
her. But CATHERINE’s luke warm. What CLARE’s said begs too
many questions, and anyway, CATHERINE’s preoccupied; she’s
got TOMMY LEE ROYCE’s visit to West Yorkshire this afternoon
preying on her mind.
CUT TO:
39
INT. NORLAND ROAD POLICE STATION, H-MIT BRIEFING ROOM. 39
DAY 6. 09.45
We’re looking at JOHN WADSWORTH, as usual not concentrating
on what’s being said. JODIE begins the briefing. Everyone
else is taking brisk notes. The room is now standing room
only because the inquiry has expanded so hugely. ANDY
SHEPHERD’s firing on all six cylinders: he’s focused and he
cares.
JODIE:
At the time of her death Aurelia
Petrovic was living at 58, Hibernia
Street in Boothtown. She was -
according to Ilinka - thirty-four
years old. Ilinka told us that she
came from a village called Ivanec
in Northern Croatia, and that she
has a mother and a sister there.
So let’s make contact with Europol.
Their ground officer should be able
to help us trace her family.
HAPPY VALLEY SERIES TWO. EPISODE TWO. GREEN SCRIPT. 45A.
ANDY:
I want as much information on the
family as possible.
(MORE)
HAPPY VALLEY SERIES TWO. EPISODE TWO. GREEN SCRIPT. 46.
ANDY (CONT'D)
When did they last have any contact
with Aurelia? I want detail. The
Hibernia Street address has been
secured as a potential crime scene
and CSI are on route so let’s see
what that throws up. Let’s liaise
with the ops room for the Peveril
Lane raid because they should be
collating full profiles on all the
women found there and this could be
crucial to our investigation. If
Aurelia was trafficked I want to
know when, who by, and what she’s
been doing since she entered the
UK. Who lived at 58, Hibernia
Street? Who visited? Who owns it? I
want a full picture of the
movements at and around that
address. I want CCTV, I want you
liaising with local beat bobbies. I
want house to house. Let's get
everything we can on the Knezevics.
Contact NCA. See if they have any
operations going on connected to
the Knezevics. It looks like it's
going to get more complicated but
vital.
We glimpse MIKE TAYLOR taking everything in, as usual.
CUT TO:
40 EXT. ST. MARKS JUNIOR SCHOOL. DAY 6. 10.30 40
Establishing shot: a class playing rounders in the yard under
supervision.
CUT TO:
41 INT. ST. MARKS JUNIOR SCHOOL, CLASSROOM. DAY 6. 10.30 41
RYAN is with MISS WEALAND in a quiet corner doing one-to-one
reading. RYAN’s reading is slow and tortuous. FRANCES is
perfectly good and calm and kind to RYAN. If we didn’t know
other stuff about her we’d think what a lovely T.A.
FRANCES is dressed very smartly and in black.
RYAN:
I. Am. Not. Going. To. Ask. You.
Again. George. Said. Granny. My
granny doesn’t look like that, like
a little ole woman. And she’d know
how to deal wi’ this George lad
better an’ all.
HAPPY VALLEY SERIES TWO. EPISODE TWO. GREEN SCRIPT. 47.
He prods at a picture in the book of generic granny with grey
hair and glasses.
FRANCES:
What does your granny look like?
RYAN:
She’s a policeman. Woman.
FRANCES:
Is she?
RYAN:
She chases scrotes and druggies and
nutters.
FRANCES:
RYAN:
I haven’t got another one.
FRANCES:
Your dad’s mum.
RYAN:
We don’t talk about me dad. And
anyway...
(he’s teasing, he’s
smiling, he’s started to
like MISS WEALAND)
How do you know that my granny
isn’t me dad’s mum? I didn’t tell
you that.
FRANCES:
Oh, I must’ve just made a lucky
guess there, Ryan.
She tries to turn his attention back to the book.
RYAN:
Why you all dressed up?
FRANCES:
You’re very good at diversion
tactics, aren’t you?
RYAN:
(his face lights up: he
doesn’t know what that
means but it sounds good)
Am I?
FRANCES:
I’m dressed up because I’m going to
a funeral this afternoon.
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