Happythankyoumoreplease
(street traffic blaring)
(soft creaking)
(zipper zips)
(phone ringing)
(ringing continues)
(grunts)
Oh!
- Oh my God, oh my God.
- (beeps)
Automated voice:
Hello.No one is available to take your call.
Please leave a message
after the tone.
- (beeps)
- Woman:
Sammy boy.Big day today.
It's going to be great.
Will you call me after your meeting?
I need you to talk me down.
You're going to wear
the blue shirt, right?
Ugh, this happens to me
every time I host a party.
There's this moment beforehand
where I prepare myself to learn
that I'm not nearly as well-liked
as I thought I was.
Tuck tuck.
Don't forget to tuck.
Ugh, this is weird, Sam.
You've got to admit,
Okay, why am I still talking?
You're probably gone by now.
- (beeps)
- Oh look, you're calling me.
- Hello?
- This is bad.
- What? What happened?
- I overslept.
Sam, the meeting's not till 10:00.
You'll be fine.
Oh, I fear success.
Why do I fear success?
What are you talking about?
I went out last night trying to
f*** up my life and it worked.
Wait, before we get to you,
can you come early tonight?
I'm convinced no one's
going to show.
You're wrong,
but I'll get there early.
- When?
- First thing.
Oh, I f***ed this up bad.
- I'm so f***ed.
- Sam, breathe for me.
- Take deep breaths.
- Whew.
Good.
Now listen to me.
It's going to go amazing.
Because you know why?
- Why?
- Because it has to.
You're the voice of our generation.
- That's a lot of pressure.
- Sorry.
Okay, I'll see you tonight.
(folk rock music playing)
#Do I believe in this #
#Or is this the only way
to get around in my life? #
#Do I deserve this? #
#No, you deserve
much better #
#In your life #
#In your life #
#Thinking of you,
thinking of you #
#So what can I do
when I'm thinking of you? #
#Do I believe in this #
#Or is this the only way
to get around in my life? #
#Do I deserve this? #
#No no, you deserve
much better in your life #
#In your life #
#Thinking of you,
thinking of you #
#So what can I do
when I'm thinking of you? #
#Thinking of you? #
Woman:
Stop.I said stop.
Man:
Stopping 14th Street.Next stop 23rd.
Stand clear of the closing doors.
(sniffles)
It's okay.
We'll just, um...
it'll be okay.
Uh, hey.
This... this kid got separated
from his mom on the train.
- So?
- So? I gotta... what do I do?
Well, take him to the police station...
21st and Third.
Thanks. Come on.
Let's go. Let's go.
(police sirens wailing)
Hey, what are you doing?
They're going to help you.
I don't know what else to do with you.
F***!
Don't swear.
Do you know your address?
Come on, dude, help me out.
I am so late.
What's your name?
My name's Sam.
Look, I... I know it's not good
to talk to strangers,
but I'm clearly a good citizen
or something.
I'm trying to help you.
Subway's two blocks that way.
Good luck.
- (elevator dings)
- (phone rings)
Woman:
Smith-Crowley.
Hi. I am ridiculously late
for my meeting
with Paul Gertmanian.
- Your name?
- Sam Wexler.
Just take a seat.
- (phone rings)
- Smith-Crowley.
Hey, um, when I go in there,
would you mind
keeping an eye on him?
What's his name?
Ask him.
He likes to chat.
Paul:
Susan speaksvery highly of you.
She told me, "The one thing
about Sam is he's always on time
for an important meeting."
(chuckles)
Well...
No, this is... this is tightly paced.
It's funny.
Engaging characters
that sound like real people.
It's...
But... how to put this?
Your protagonist Alan...
- Alex.
- Right.
I don't know if you want people
to love this guy or hate this guy.
He's kind of ambitious.
He's kind of mature.
He's kind of just kind of.
Novels are tricky, Sam.
Susan says your short stories
are wonderful.
But it seems to us
that you haven't
entirely adapted
to the longer form.
The novel requires a different kind
of commitment than the short story.
Excuse me for one second.
(huffs)
Hey hey!
Where are you going?
(thuds)
Ah. Question:
who is he?He's just, uh...
just a kid.
Thanks for coming in.
(elevator beeps)
- Receptionist:
Bye, Rasheen.- Bye.
- Rasheen:
Where are we going?- Toy store.
- Yes!
- Kidding.
We're getting you back home
and out of my hair.
You're not my responsibility.
Dude, come on.
(sighs)
Not cool, dude.
Not cool.
Hey, can we stop running?
I'm almost 30.
So look, you're obviously
having some family issues.
But whatever.
It's childhood. It ends.
Don't look at me like that.
You f***ed... you screwed up
a very important meeting
for me back there.
I think I've been
more than accommodating.
Now come on.
We gotta get you home.
Your mom's probably
worried sick about you.
She's not my mom.
That woman on the train...
that wasn't your mom?
Were those your brothers
and sisters?
So... where's your mom?
Were you... what's going on?
Were you living with that woman?
Like in foster care?
(sighs)
Come on.
- I'm thirsty.
- Yeah, I know.
I'm taking you to the place
with the best water in the city.
Stay here.
Come here.
Come on.
Come on.
Good. Look cute.
Cuter. Come on.
There, that's it.
Hey!
Sorry, that was loud.
Didn't mean to scr...
- are you guys open?
- No, not yet.
Can, uh, he get
a glass of water?
Yeah sure.
- So who's this?
- He's my little brother.
Not my actual brother.
I'm his big brother like...
like Big Brother, Big Sister
kind of thing, you know?
- That's great. Good for you.
- Yeah yeah.
Good deeds.
Good deeds.
It's nice to know there are still
good men in the world.
- They're hard to find.
- That's what Flannery said, right?
- So, uh, what's your name?
- Mississippi.
- That's your real name?
- It's what everyone calls me.
I'm assuming it's also
where you're from?
Yes, sir.
Wow, what are the odds
of that, right?
(both laugh)
So great.
You're... you're here a lot?
Sadly, yes.
Okay, that's enough.
Say thank you for the water.
- Thank you for the water.
- Oh, look at that.
You're welcome.
Great, so we're going to...
we gotta...
(clicks tongue)
But... come on.
I'll come back here
and, you know,
drink your alcohol
at some point.
- That'd be nice.
- Great.
- I'm Sam.
- Hi, Sam.
(folk music playing)
- Sam:
You hungry?- Yeah.
All right.
Let's get a little snack.
Then we'll get you back home.
#Hobos and tacos
and broken down Hondas... #
- Why can't I stay here?
- You can't stay here.
- Why not?
- Because you can't.
- Why can't I?
- Because I said so.
- I wanna stay here.
- You've made that very clear.
You can't stay here.
- Please?
- No.
- Please?
- No.
- Please?
- No.
- Please?
- No.
- Ahh.
- We'll have fun.
- I can't hear you.
- Please?
- I can't hear you.
- Please?
- I can't hear you.
#Palm trees, exposed knees,
#But I miss New York. #
(car horn honks)
F***!
Don't swear.
Let's go.
(muffled music playing)
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Happythankyoumoreplease" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/happythankyoumoreplease_9618>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In