Havoc Page #5

Synopsis: A pair of naive young girls learn that even the most insignificant actions can have lasting consequences. Influenced by the hip-hop thug lifestyle and seeking to explore life outside of their insulated, culturally homogenized suburb, pretty young teenagers Allison and Emily set their sights on East L.A. to experience the "gangsta" lifestyle firsthand. By the time the pair meet a ruthless Mexican drug dealer named Hector, some true-life Latino gang-bangers, and realize just how far out of their element they really are, it may already be too late to turn back.
Genre: Crime, Drama
Director(s): Barbara Kopple
Production: New Line Cinema
  1 win & 4 nominations.
 
IMDB:
5.5
Rotten Tomatoes:
45%
R
Year:
2005
85 min
Website
1,257 Views


Put out your hand.

Crack cocaine.

Ohh! Where did you

get this from?

Whatever. A lady never tells.

Oh, my God.

Wait, how do we do it?

Um... OK. So,

I called the drug hot line...

and asked them what signs

to look for if my mom smoked crack.

They said little pieces

of aluminum foil everywhere.

So...

you want to try it, right?

- Yeah.

- All right. Cool.

Ready?

You're such a crackhead.

We are such crackheads.

OK. Oh, sh*t! Go!

Just inhale it! Just...

Aah! Sh*t!

Sh*t, where'd it go?

It splattered.

It got me right there.

Ohh... ohh.

- Oh, I'm sorry.

- Mmm!

Whitney's right...

- crack is wack.

- Crack is wack.

Sh*t. Yeah, it is.

Oh, my God.

That was fun.

Hmm.

I want to go downtown with you.

You do?

Yeah, I don't know.

I just want to,

like, feel it...

and... I don't know.

Well, f*** you... b*tch.

# Bounce with me,

bounce with me #

Yo, tomorrow, after school!

- Really?

- Yeah.

# You don't gotta be rich,

but f*** that #

# How we gonna get around

on your bus pass? #

# Before I put this p*ssy

on your moustache #

# Can you afford me? #

# My niggas breadwinners,

never poor #

# Ambition gets me so horny #

# Not the fussin'

and the frontin' #

# If you got nothin', baby boy #

# You gotta get up, get out,

get somethin' #

# Sh*t, I like a lotta Prada #

# Alize and rock #

# Late nights, candlelight,

can I get a cock? #

- Hey.

- Hey, Hector.

I'm down. OK?

Ha ha!

OK...

that's the house.

All right.

You look very hot. Let's go.

Hey, what are you doing here?

Stop right there.

Hey, what the f***, eh?

They took us downtown

and held us for two hours.

They thought they could get

something outta you.

- I don't know anything.

- She didn't say sh*t.

Slow down, white girl.

I know she didn't...

because they didn't arrest us.

Check it out.

This is a party for Javy.

He just got baptized.

Oh. Is he your baby?

No.

- No?

- Mm-mm.

But we're gonna be kicking it

at the Alvarado a little later.

Maybe, like,

in about a half an hour.

So we'll see you there?

Yeah.

Later.

rale.

Bye.

What up, chump? Yeah!

What's up? What's up, Sleepy?!

Cerveza?

Thanks.

Let's roll.

Yeah.

- Who's your papi?

- Joto.

Get him a f***in' calculator,

this motherf***er right here.

Ha ha ha!

Twenty.

Bullshit.

Aah!

Aah!

- Oh!

- Oh!

I want to do the next one.

OK, here we go.

Mexican.

- Ooh!

- Oh!

I believe!

I think it's bullshit.

I don't lie.

Ohh...

- You gotta drink.

- Whoo!

Drink it, homes, drink it!

Here you go.

Ha ha.

- Whoo! Very nice.

- That's hot.

rale.

Oh, I'm gonna get you

so drunk tonight.

Ha ha ha ha!

Oh, sh*t.

We'll see about that.

You're her b*tch, homes.

- Go! Go!

- Whoo!

Do that sh*t, man!

- Oh. Get it!

- Go!

rale.

Chupando como la 16th Street,

cabrones!

rale, vato.

Hey...

can you ask?

You ask.

I can't.

Why? Why can't you ask?

- No, come on. You.

- No.

- You.

- No.

They like you better.

OK. OK.

Um... I got to ask you

a question.

We were wondering

if we could join your crew.

Wh-what?

I mean, you know,

like, hang out with you...

like... hmm...

yeah, be in your crew.

You mean you want to join 16th?

- Mm-hmm.

- Yeah?

Be all down and sh*t...

like a f***in' O.G.

In the house? Huh?

Yo, we're down, you know.

We just thought...

- Are you gonna work a corner?

- Ha ha!

Huh? Move a little rock

off Bonnie Brae...

like an after school job?

How about Beverly Hills?

Maybe you can open up

a f***in' franchise, huh?

- F*** you.

- Oh, sh*t.

Oh, that's some

f***ed up sh*t, homes.

Ha ha!

No, no, no, no.

Not f*** me.

She wants to join 16th.

What do you think about that?

Hey, pendejo...

What? OK, you know what?

You want to make fun of us?

We're gone.

Hey, gabacha.

My name's Allison.

- Allison.

- Ooh.

Allison.

Allison.

So you want to set

Well, you gotta do it like

every other lady here, girl.

Well, what do we gotta do?

It's a dice game.

You got to...

you got to do it

with our people.

You know what I mean?

You understand?

Do it.

Heh! Stop!

Each of you rolls one time...

but whatever number you get...

that's the number

of my friends you take...

in there.

Ha ha!

Heh.

OK.

But I choose the friends.

Ooh. Look out.

All right.

rale! Ha ha ha!

Come on.

Yeah, come on, man.

All right, man.

Watch me bag

that sh*t up, homes.

All right. Here we are.

You girls are down, right?

- Yeah.

- Who's going first?

- You?

- You.

I'll go first.

You?

Heh heh!

- Big six!

- Seven.

Oh, sh*t. Heh.

- Oh!

- Ohh!

One? Ha!

Just one.

So be thinking

about who you want, OK?

It's your turn.

OK.

Whoa. OK.

- Oh...

- Three?

- Yeah!

- Three?!

Big three.

Three is cool.

I can handle three.

It's just sex.

Well, if it's just sex...

who do you want

to start with first?

rale.

Ah ha!

All right. Hurry up, homes.

And you?

Uhh!

Ha ha!

Ha ha!

Mmm!

Uh... stop.

I'm so sorry.

I'm sorry. I can't do it.

I can't... I can't do it.

No. Please.

No. Please. Please.

Em? Em, we can go.

Ohh! I'm doing this.

What? No, Em. Come on.

OK, listen to me.

All I ever do

is listen to you. Ha!

F*** it. Let's go.

All right? Let's go. Come on.

Get the f*** out of here.

Listen, he said we could go, OK?

We're going, Emily.

Just... We gotta...

No, I'm doing this.

And I want Hector first.

Just let me do my thing.

Let's go.

No. Emily...

Let's go.

What the f...

- Yeah.

- Ah ha ha! Ahh!

Ohh. Harder. Harder.

Harder.

Ohh! Stop!

Ohh! Stop it! Stop!

What the f***

is wrong with you?! B*tch!

Emily?

Emily? Oh, my God.

- Emily? Emily!

- No! No!

No, it's me! Emily!

- No!

- Shh, shh.

Look at me. Look at me.

- Shh. It's me.

- Aah!

OK? Oh, my God. Oh, my God.

Eres loca!

It's OK, it's OK.

I'm here. It's me. It's OK.

You're OK. You're OK.

What the f*** is it

with you two?

What do you f***in' want?!

It's OK.

Let's go home, OK?

OK. It's OK.

I'm so sorry.

Hey.

You know...

you can hardly see

the mountains.

Because of the clouds.

I think it's snow on Mulholland.

Smog in Encino.

How do people live out there?

How do they live here?

OK, so, you're all aware that

the government bailed out...

the savings and loan industry

in the Nineties?

We also talked about

the independent record label...

Hey. Hey, where's Emily?

I heard she went home sick.

Went home?

While he was serving time

in jail...

he used his thug image to promote

a successful record company.

Anyone see a correlation here?

Anyone? Allison?

Oh. Um...

both are examples

of legal profiteering...

from illegal activities.

You want to connect the dots?

Economics and ethics...

don't mix.

Um, individuals

and governments...

both pursue their own

self-interest...

often, uh, carelessly...

and...

no one's really willing to take

responsibility for anything.

Good.

Em?

Em, are you there? Pick up.

OK.

Call me, please.

Bye.

Oh, Alli.

- Alli.

- Yeah. What?

I want to talk to you.

You know I'm here for you.

Tha-thanks, Mom.

I just gotta...

I don't understand.

Rate this script:0.0 / 0 votes

Stephen Gaghan

Stephen Gaghan (born May 6, 1965) is an American screenwriter and director. He is noted for writing the screenplay for Steven Soderbergh's film Traffic, based on a Channel 4 series, for which he won the Academy Award, as well as Syriana which he wrote and directed. more…

All Stephen Gaghan scripts | Stephen Gaghan Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Havoc" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/havoc_9714>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Havoc

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who directed the movie "Dunkirk"?
    A Steven Spielberg
    B Christopher Nolan
    C Martin Scorsese
    D Ridley Scott