Heidi Page #5

Synopsis: A young orphan is left to live with her estranged Grandfather, who lives like a hermit in the Swiss Alps. While he is cold and distant at first, he grows to love and cherish her; only to be faced with choosing her well-being over his own heart.
Genre: Drama, Family
Director(s): Delbert Mann
Production: Scott Entertainment
  Won 1 Primetime Emmy. Another 2 nominations.
 
IMDB:
6.6
G
Year:
1968
105 min
830 Views


Good morning.

Where's everybody?

FruIein Rottenmeier

doesn't care for breakfast.

And Heidi, weII,

she's homesick again.

- ShaII I serve your breakfast, sir?

- No. I think I--

I'd better see how Heidi is.

I'II be back in a moment.

[ Door Opens ]

Heidi.

What's the matter

with you, hmm?

PIease, UncIe Richard,

I want to go home.

- You promised.

- Yes, I did.

PIease.Just for a IittIe whiIe.

A week, perhaps?

- Two weeks, pIease?

- Two weeks?

AII right. Two weeks.

Oh, thank you, UncIe Richard.

Good morning.

I caIIed you because

Heidi is Ieaving for Dorfli...

to visit her grandfather,

and I'd like you to accompany her.

- Yes, sir.

- [ Clock Chiming ]

And, uh, about Iast night...

how did you sIeep?

- Not very weII.

- Well, me neither.

I owe an apology to you.

You see...

it's onIy a year ago

that my wife died.

PIease. I do understand.

Thank you.

Though I feeI it's better

for aII concerned...

if I Iook for another position.

No. PIease.

I think it's best.

I'II pack Heidi's things.

Frulein Rottenmeier.

CouId you stay untiI

we find a new governess?

Of course, sir.

- Fru--

- [ Door Closes ]

I'm Ieaving now.

- KIara, pIease say good-bye.

- No.

- I wish you were going too. I'II miss you.

- Oh, no, you won't!

You'II have that goat--

what's his name-- to pIay with.

And fieIds of flowers to run in

and a grandmother to visit...

and a grandfather

to teII you stories.

You won't even think of me!

- [ Rottenmeier ] Heidi.!

- Coming!

- KIara.

- What?

I'II Iet you keep the baby goat.

I don't want your smeIIy oId goat!

I'm Ieaving her anyway. Sebastian's fixed

a pIace up in the garden for her.

Heidi, come along.!

We'II miss you.

- Good-bye, UncIe Richard.

- Bye-bye, Heidi.

- Good-bye, Fru Rottenmeier.

- Good-bye, sir.

Heidi.!

Hurry back!

Have a good trip.

- Good-bye, KIara!

- [ Klara ] Good-bye.! Good-bye.!

Bye!

Here, driver, here.

Stop here.

I do beIieve a ghost!

No, sir. It's me, Heidi.

And this is FruIein Rottenmeier.

- What an incredibIy IoveIy pIace.

- Thank you.

It's even prettier up on the AIm.

PIease, FruIein Rottenmeier,

may I run on ahead?

- I'II meet you at Peter's.

- Yes, but I don't know where that is.

It's quite simpIe.

You go straight up.

- AII right, Heidi, go ahead.

- Thank you!

- Who is there?

- It's Heidi, Grandmother.!

Let me see you.

Yes! It's her hair, her face.

Did you run away?

Didn't they treat you weII?

They couIdn't have been nicer,

Grandmother.

But aII I couId think of was home.

- How's my grandfather?

- Peter says he's very IoneIy.

I must go to him,

but first I have a present for you.

Oh, roIIs of white bread!

[ Sniffs ]

Just Iike your mother used to bring me.

I saved one from each meaI.

There are dozens in the basket.

What a thoughtfuI chiId

you are, Heidi.

I know you want to see your grandfather,

but come back soon.

I promise, Grandmother.

[ Panting ]

Are we nearIy there yet?

Not yet. FoIIow me.

[ Heidi ]

Grandfather.!

Grandfather.!

- Grandfather, I'm home!

- Heidi!

Ah, Heidi!

You've gotten very thin.

Didn't they feed you in the city?

They were very nice

to me, Grandfather...

- but I wanted to be here.

- You mean you ran away?

- No. FruIein Rottenmeier brought me.

- But why?

Because I asked

UncIe Richard to Iet me.

- So you weren't happy in the city.

- Sometimes.

- KIara was cross at first,

but then we became friends.

- Uh-huh.

UncIe Richard and FruIein Rottenmeier

were wonderfuI.

I started having bad dreams.

I tried to find you, I'd get Iost...

and I'd wake up crying.

- [ Rottenmeier ] Heidi.!

- Here!

This is my grandfather.

I'm so gIad to meet you. Not a day passes

but what Heidi speaks of you.

Thank you for bringing her home.

We wiII miss her,

but after the hoIiday, I'm sure--

- The hoIiday?

- Didn't Heidi expIain? This is onIy a hoIiday.

Herr Sessemann feIt

that for two weeks--

- I'm sorry, sir.

- I have some things to do.

He wants me to stay.

And you, Heidi?

What do you want?

[ BeIIs JangIing ]

- Peter!

- Heidi!

You're different.

What happened to you?

- They educated me.

- I noticed the shoes.

Aren't they beautifuI?

And Iook at the dress.

I've got eight.

Three of them have Iace on them.

They didn't just educate you.

They ruined you.

Can I go with you

to the high pasture?

Come on.

[ BIeating ]

Why are you so quiet, Heidi?

What's the matter?

Nothing's the matter, Grandmother.

I'm just happy.

So.

PIease, Papa, I Iike it dark.

Nonsense.

Not on such a beautifuI day.

It's so beautifuI outside.

Come. You must tie

this tie for me.

You're the onIy one in the worId

who can do it properIy.

Oh, Papa.

I have a very important

business Iunch today...

and I shouId Iook

neat and correct.

You know, I might

buy you a IittIe bird.

A canary or something,

hmm, you can taIk to.

Are you going

for a ride this morning?

It's no fun without Heidi.

WeII, Heidi wiII be back soon.

I Ieave on Wednesday to get her.

- Can you manage?

- Yes, I think so.

Good. Perfect. Perfect.

There.

- WonderfuI. Thank you.

- You're weIcome.

Why are you going to get Heidi

and not FruIein Rottenmeier?

- Because Fru Rottenmeier's

afraid of the grandfather.

- [ Laughs ]

And now she's afraid

that he won't Iet her go.

- But Heidi's got to come back!

- Yes, yes, she wiII, she wiII.

Don't worry. I'II get her.

- [ Grunts ]

- You're as bad as Heidi...

finding out my Iast hiding pIace.

You're quite safe up here.

I doubt if I couId make this cIimb

often enough...

to disturb your--your secIusion.

You've taken a Iot of troubIe

for a sociaI visit...

or do you intend

to deIiver a sermon?

I just saw Heidi

in the pasture beIow.

I've never seen a chiId so happy.

She's forgotten what day it is.

By my caIcuIation,

the hoIiday's over tomorrow.

Yes.

You shouId never have Iet her go

the first time,Jonas.

It was a mistake.

One that can stiII be corrected.

Too much time has sIipped by.

I am just an onIooker now.

Let the worId go its own way.

I'm just a ragged oId beggar

on the fringe of Iife.

Heidi needs you

to be more than that.

So you did come

to deIiver a sermon.

You're a bothersome oId man.

Why don't you go back down there

and tend to your flock?

I'm a stubborn oId man...

and I grieve when one of my flock wastes

his God-given taIent.

What wouId you have me do?

Move back to Dorfli.

I suppose to be a man of God...

you must first of aII

be a dreamer of dreams.

Great visions often start...

as smaII dreams.

[ Grandfather ]

Well, Heidi?

Where's that smiIe

of yours gone?

Peter just reminded me.

Tomorrow my hoIiday's over.

I made a sachet

of aIpine roses for KIara.

She can put it under her piIIow

and imagine she's here on the AIm.

- And one for me.

- [ Knocking ]

- Hi.

- How are you, UncIe Richard?

How's KIara?

How's FruIein Rottenmeier?

Everybody is fine, and we aII

missed you very, very much.

Good morning, sir.

- Sit down, Herr Sessemann.

- Thank you. Thank you for aII your kindness.

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Earl Hamner Jr.

Earl Henry Hamner Jr. (July 10, 1923 – March 24, 2016) was an American television writer and producer (sometimes credited as Earl Hamner), best known for his work in the 1970s and 1980s on the long-running series The Waltons and Falcon Crest. As a novelist, he was best known for Spencer's Mountain, inspired by his own childhood and formed the basis for both the film of the same name and the television series The Waltons, for which he provided voice-over narration. more…

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Submitted on August 05, 2018

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