Hellraiser III - Hell on Earth Page #3

Synopsis: Pinhead is stuck in a block after the Big Confrontation in "Hellbound," The block containing Pinhead and the puzzle cube is bought by a young playboy as sculpture. Pinhead busies himself escaping by getting the playboy to lure victims to his presence so he can use their blood. Once free, he seeks to destroy the puzzle cube so he need never return to Hell, but a female reporter is investigating the grisly murders and stands in his way.
Genre: Horror
Director(s): Anthony Hickox
Production: Paramount Home Video
  1 win & 7 nominations.
 
IMDB:
5.5
Rotten Tomatoes:
38%
R
Year:
1992
97 min
552 Views


- Alive and in the flesh.

How are you doing, baby?

- What do you want?

- I'm just concerned.

I'm just checking in.

- How did you get this number?

- Will you relax, honey?

Your girlfriend left cards all over the club,

remember?

'Uh, yeah. Well, I'm fine.'

Joey's going to get me a job

at the TV station,

and I'm meeting a lot of new people,

it's really great.

Now, come on. You can't tell me

you haven't thought about me.

Course I have. I mean, I've thought.

God, JP, you were really horrible.

I am a bad guy

but I try not to be, I really do,

and I really miss you.

I miss you, too.

Good. Why don't you come over here?

'Nothing heavy, just a little drink, maybe,

see how we both feel.'

No, I can't.

(Sobs) I just can't.

- (Phone)

- Sh*t!

Sh*t! Sh*t!

(Answerphone) 'This is Joey. Speak.'

(Man) 'Hey, Joey, congratulations.

'You may not have heard,

but you got that job in Monterey.

'Now you're going to have to sell me

your condo.' (Laughing)

(Door opens)

Terri?

"Enjoy Monterey, you liar."

Come on in.

Not a good neighbourhood.

People disappear.

So, feel like home?

It's just like you left it, baby.

Not quite.

- That wasn't here.

- This?

Well, as you can see,

I'm having some work done on this.

You found a real treasure for me here.

I just hope I can show you how grateful I am.

Yeah? Well, it looks different.

A girl I know helped to smarten it up a bit.

She put her heart and soul into this.

(Laughing)

What a girl. Anyone I should know?

No. Honey, now that you're here,

it's like she doesn't even exist.

You know what I mean, right?

Yeah, right. Look, JP...

Terri, Terri, Terri, Terri...

You know it's got to be ticking away

in both our minds.

Is it going to happen,

isn't it going to happen?

Come on, baby. Come on. Come on.

You know we gotta get this out of the way.

Then we can relax. We can talk.

I don't think so.

- Not yet.

- (Sighs)

Sure. Sure, I understand.

- I'm just not ready yet.

- Registered.

It's cool. I mean, hey, we got all night, right?

(Groaning)

(Child crying)

(Men shouting)

Joey, welcome.

(Explosion, screaming)

(Screaming)

(Explosions)

(Shouting)

'You have to help me.'

(Sighs)

What a b*tch.

- (Sobbing)

- She was obviously just using you.

- She was ready to dump you...

- No!

She wouldn't.

- Come on.

- I must have done something wrong.

I tried, I just f***ed up something...

You didn't f*** it up with me!

You know that and you know how sorry I am.

I'm sorry to see you upset like this.

God, I hate to see you in pain.

(Sobs) Really?

Yes, I just want to hug you.

I want to hold you, tell you it's all right.

No, no, no, baby.

It's better that you come to me.

It's not fair that I come there.

On the bed.

Come on over here.

Come to Daddy.

Come on... Come on...

No, I can't.

Bring her to me, boy.

You're really making this hard on yourself.

(Pinhead) Aaaargh!

Watch your head on the steps.

Aaaaargh!

Wait!

Why run, Terri? Why run?

Do you know where you are?

I'm...

I'm...

You are at the door to dreams, Terri.

Now, there are two keys in this room.

One is in the pocket of this fool.

You could take it out without me reaching

you...

probably,

and let yourself back

into that world you've always known,

banal, hopeless,

dreamless.

(Sobbing)

And the other?

The other? Oh, Terri,

the other is the key to dreams,

to black miracles and dark wonders.

Another life of unknown pleasures.

And it's yours, Terri.

Complete the pattern

and you solve the puzzle.

Turn the key.

Where is it?

It's lying bleeding at your feet.

Hell has no furies for a woman scorned.

(Sniffs)

(Groans)

Oh!

(Sobbing)

Oh!

Terri, no!

(Terri screams)

(d Big band music plays faintly)

'Well, that was Tony Boyd and his band,

burning it up with an old number.

'Now, as we in London

are ready to go to bed,

'and Big Ben strikes midnight,

'we'd like to send this final tune

out to all our lovely boys in the trenches.

'Sleep well, chaps.'

(d Mellow jazz)

(Static)

(Lively French jazz)

(Static)

(Big band music)

'Go to the window, Joey.

'Go to the window.'

(Gasps)

Now what?

I'm here.

I just walked into madness for you.

Talk.

Talk!

(Rumbling)

Joey, how kind of you to come.

Wait. Wait!

You have to help me.

I don't understand. Am I dreaming this?

You'll have to help me.

You will understand,

and, no, you're not dreaming.

Forgive me.

My name was Spencer, Elliott Spencer.

Captain.

Joey Summerskill.

Well done. Brave girl.

You've probably never shaken hands

with a ghost before. Am I right?

Captain Spencer, uh, Elliott...

what the hell is going on?

Hell is exactly what is going on, Joey,

and we have to stop it.

Will you walk with me a while?

A dream of one war is a dream of all wars.

Your dreams of finding your father

let me find you

and bring you to this place,

this limbo between Heaven and Hell.

I can't act in your world, Joey,

but you can.

What do you want me to do?

There is a monster out there, Joey,

and it's me.

The war destroyed my generation

'Those that didn't die

drank themselves to death.

'I went further. I was an explorer

of forbidden pleasures,

'opening the box my final act of exploration,

'of discovery.'

'I found the monster within the box.

'It found the monster within me.'

For decades, I served Hell

with no memory of my former life.

- I still don't...

- Monster as I was, I was bound by laws.

Hell has its commandments, too, you know.

The box had to be opened to let me out.

The truly innocent were safe,

until a friend released me.

Kirsty Cotton.

Yes, but if your soul was freed...

My evil was too strong.

'It hid,

'it waited.'

Well, no longer, Joey.

The shell of the beast has been fleshed.

What I was is out there in your world,

unbound,

unstoppable.

- Then what can we do?

- There is something we can do

but it will require great courage.

- I don't know that I have...

- You just stepped through your window

to another reality.

You're stronger than you think.

- Tell me what to do.

- There is a gateway to Hell

through which he can be taken back.

He wants to close that door forever.

Where is it?

Your apartment.

It's the box, Joey. He has to destroy it.

You must go back.

You must let him come for it.

You found the window, Joey.

Use the box to bring him through it.

Bring him here, to my dominion,

where I have power.

- But what if he takes the box from me?

- He can't.

It must be given to him

and that's where your courage will count.

Because, believe me,

he can be very persuasive

and very inventive.

(Triumph:
Troublemaker)

Yeah!

From the time that I was born

the walls of trouble I adorned

Mama tried to teach me well

but I was busy raising hell

I've got a taste for fighting

Hands as fast as lightning d

(Creaking)

Troublemaker!

Always last in line...

Troublemaker

Livin' on borrowed time... d

(Woman screams)

Shall we begin?

(Screaming)

Ha, ha, ha, ha!

(Pinhead laughing)

(Screaming)

(Pinhead) Ha, ha, ha, ha!

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Peter Atkins

Peter Atkins was born in Liverpool, England on 2 November 1955. He was a founder member of The Dog Company, a 1970s avant-garde theatre group, along with Clive Barker and Doug Bradley - with whom he would later work on the Hellraiser movies. As well as his movie and TV work, he is the author of the novels Morningstar (1992) and Big Thunder (1997) and the collection Wishmaster and Others (1999). He is married to Dana Middleton and lives in Los Angeles, California. more…

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Submitted on August 05, 2018

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