Hellraiser III - Hell on Earth Page #4

Synopsis: Pinhead is stuck in a block after the Big Confrontation in "Hellbound," The block containing Pinhead and the puzzle cube is bought by a young playboy as sculpture. Pinhead busies himself escaping by getting the playboy to lure victims to his presence so he can use their blood. Once free, he seeks to destroy the puzzle cube so he need never return to Hell, but a female reporter is investigating the grisly murders and stands in his way.
Genre: Horror
Director(s): Anthony Hickox
Production: Paramount Home Video
  1 win & 7 nominations.
 
IMDB:
5.5
Rotten Tomatoes:
38%
R
Year:
1992
97 min
558 Views


(Chains thrashing)

(Screaming)

(Reporter)

'We're interrupting our programming

'A catastrophe

has happened downtown.

'We're outside The Boiler Room club,

downtown.

'There are crowds all around us,

police all around. We have reports -

'Excuse me - We've got reports

'that a number have been

seriously injured, perhaps even killed.

'There is, at this moment,

a body coming out.

- 'It looks like a body from here.'

- (Officer) 'Get off the sidewalk.'

(Reporter) 'Sorry,

we're just trying to get the information.

'Somebody's been terribly hurt... '

(Rings)

- Speak.

- Doc, Joey. Your TV on?

- Uh, what channel?

- Uh, 12, I think.

- And?

- 'I think I'll need some help.'

'Can you meet me

at The Boiler Room club? '

There's no one else I can call

and you said...

In a minute. I'm closer.

Find me there.

- 'Can you tell us what the injuries are? '

- 'Not at this time.'

'I can't be sure what,

but some kind of disaster's happening.

'We've officers around us,

people are terribly upset.

'We're not quite sure what's going on.

'That's the latest we have,

a disaster at The Boiler Room.

'We'll have the latest for you later... '

(Crash of thunder)

Doc?

(Thunder)

(Creaking)

(Sobbing)

(Chains rattling)

(Gasps)

(Sobbing)

Oh, God...

(Screams) No!

(Door creaks open)

(Whirring)

Doc, no.

(Pinhead) Oh, it's unbearable, isn't it?

The suffering of strangers,

the agony of friends.

There is a secret song

at the centre of the world, Joey,

and its sound is like razors through flesh.

I don't believe you.

Oh, come.

Oh, you can hear its faint echo right now.

I'm here to turn up the volume,

to press the stinking face of humanity into

the dark blood of its own secret heart.

And I'm here to stop you

and send you back to Hell.

(Laughs) Oh, no, you can't stop me, child,

but you don't have to hear the music.

Just give me the box

and I'll free you from the future.

Free yourself from the past.

Don't debate with me, girl!

Just come here and die, while you still have

the option of doing it quickly!

You're going to have to come and get me,

you ugly f***!

Oh, spirited.

Oh, good.

Oh, very good.

Oh, I'll enjoy making you bleed

and I'll enjoy making you enjoy it.

(Gasps)

(Screams)

(Groaning)

Aah!

(Sizzling)

Aaah!

(Whirring)

Oh, Doc, no.

Have you seen what he did to me,

you little b*tch? Have you seen?

- (Screams)

- Where are you going?

- Run! Get out of here!

- Relax.

Everything's cool.

Whoa, what the fu...

Oooh!

Ready for your close-up, Joey?

(Taxi driver) No! Help!

Aaaargh!

(Whirring)

Aah!

(Gasps)

(Screams)

(Sirens)

(Tyres screeching)

- Get the hell out of here!

- Just calm down...

- Sh*t!

- No, listen to me. Listen.

(Police officer) Freeze! I said, freeze!

(Joey) Run!

(Officer) Calm down, please.

(Whirring)

Sh*t! Get back!

Get down, lady!

Sh*t! Gasoline!

Run!

(Screaming)

(Whirring)

That's a wrap.

(Gasping)

My child, what's the matter?

What on earth's the matter?

I have to get him back to my apartment,

back to the window,

but they just keep coming,

they just keep coming.

- Who keeps coming?

- The demons. The demons.

Demons? Demons aren't real.

They're parables, metaphors.

(Doors creaking)

Then what the f*** is that?

Come on! Come on!

How dare you?

Thou shalt not bow down

before any graven image.

(Roars)

I am the way.

(Laughter)

No!

You'll burn in Hell for this!

Burn. Of such a limited imagination.

This is my body, this is my blood.

Happy are they who come to my supper.

(Squelching)

Come on. Come on and get it.

This is what you want.

- (Roars)

- (Coughing and retching)

(Gasps)

(Rhythmic beeping)

I can dream now, Joey.

Oh, you wouldn't believe

what I can dream of now.

- Terri.

- Relax, baby.

This is better than sex.

- (Whimpers)

- Oh, yeah.

Oh, yeah.

Aah!

Aaah!

They're hand-made, Joey.

The shadow of my former troops,

over-eager.

But let them play, hm?

Our game will come later.

Down the dark decades of your pain

this will seem like a memory of Heaven.

(Whirring)

Aaah. More friends

come to play with you, Joey.

Play with this, Pinhead.

- Aah!

- (Gasps)

(Roaring)

Aaargh!

(Sizzling)

(Screams)

Was that it, Elliott?

I didn't bring him through my window.

Elliott?

(Birdsong)

Daddy?

I don't understand. I was somewhere else,

somewhere shining.

Somebody came to me and said,

"Your daughter's done well. Go to her."

- I don't understand.

- I do.

I do. It's a reward. Oh, Daddy.

(Sobbing)

Joey, Joey.

- Is it you? Is it really you?

- Yes.

Joey, they said you'd have

something for me.

Something you won't need any more.

This. Here, take it.

(Sobs) How did you know my name?

Thank you, Joey.

(Demonic laughter)

Ha, ha, ha, ha. Human dreams.

Such fertile ground

for sowing the seeds of torment.

You're so ripe, Joey,

and it's harvest time.

(Sobs) It isn't fair! You can't!

Save your tears.

I'll reap your sorrow, slowly.

I have centuries to discover

the things that make you whimper.

Uhh!

You bastard! You invaded my mind!

You think your night-time world

is closed to me?

Your mind is so naked.

A book that yearns to be read,

a door that begs to be opened.

A door. Window...

Window.

(Thunder)

Couldn't resist playing games, could you?

You had to come through

the window of her mind,

but now you're in my dominion.

And now...

we're going to Hell.

Ladies first.

- No!

- You'll like her better this way.

Trust me.

Why resist? You love this as much as I.

After all, you made me.

There is a world out there

waiting to yield to us.

So much flesh,

so many different pleasures.

(Muffled cries)

(Screeching)

(Creaking)

(Muffled scream)

You're right. We do belong together.

(Whirring)

(Growls)

Now, where were we?

Joey! Send me to Hell!

(Growling)

Aaah.

Ha, ha, ha.

Go to Hell!

(Sizzling)

Subtitle by

( Motrhead:
Hellraiser)

Hellraiser

In the thunder and heat

Hellraiser

Rock you back in your seat

Hellraiser

And I'll make it come true

Hellraiser

I'll put a spell on you

Walking out on another stage

Another town, another place

Sometimes I don't feel right

Nerves wound up too damn tight

Don't you tell me

that it's bad for my health

Cos kicking back don't make it

Out of control, I play the ultimate role

Don't know how to make it

Hellraiser

In the thunder and heat

Hellraiser

Rock you back in your seat

Hellraiser

And I'll make it come true

Hellraiser

I'll put a spell on you

I'm living on an endless road

Around the world for rock and roll

Sometimes it feels so tough

But I still ain't had enough

I keep saying that it's getting too much

But I know when I'm a liar

Feeling all right in the noise and the light

But that's what lights my fire

Hellraiser

In the thunder and heat

Hellraiser

Rock you back in your seat

Hellraiser

And I'll make it come true

Hellraiser

I'll put a spell on you d

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Peter Atkins

Peter Atkins was born in Liverpool, England on 2 November 1955. He was a founder member of The Dog Company, a 1970s avant-garde theatre group, along with Clive Barker and Doug Bradley - with whom he would later work on the Hellraiser movies. As well as his movie and TV work, he is the author of the novels Morningstar (1992) and Big Thunder (1997) and the collection Wishmaster and Others (1999). He is married to Dana Middleton and lives in Los Angeles, California. more…

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Submitted on August 05, 2018

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