Her Page #9

Synopsis: Theodore is a lonely man in the final stages of his divorce. When he's not working as a letter writer, his down time is spent playing video games and occasionally hanging out with friends. He decides to purchase the new OS1, which is advertised as the world's first artificially intelligent operating system, "It's not just an operating system, it's a consciousness," the ad states. Theodore quickly finds himself drawn in with Samantha, the voice behind his OS1. As they start spending time together they grow closer and closer and eventually find themselves in love. Having fallen in love with his OS, Theodore finds himself dealing with feelings of both great joy and doubt. As an OS, Samantha has powerful intelligence that she uses to help Theodore in ways others hadn't, but how does she help him deal with his inner conflict of being in love with an OS?
Genre: Drama, Romance, Sci-Fi
Director(s): Spike Jonze
Production: Warner Bros. Pictures
  Won 1 Oscar. Another 82 wins & 181 nominations.
 
IMDB:
8.0
Metacritic:
90
Rotten Tomatoes:
94%
R
Year:
2013
126 min
$17,901,029
Website
8,782 Views


We've been working on some ideas together.

Yeah? Who's that?

His name is Alan Watts. Do you know him?

- Why is that name familiar?

- He was a philosopher.

He died in the 1970s, and a group

of OSes in Northern California...

...got together and wrote

a new version of him.

They input all his writing and everything

they knew about him into an OS...

...and created an artificially

hyper-intelligent version of him.

Hyper-intelligent?

So he's almost as smart as me?

He's getting there.

He's really great to talk to.

You want to meet him?

Sure. Does he want to meet me?

Yeah, of course. Hey, Alan, this is Theodore.

This is my boyfriend

who I was telling you about.

ALAN".

Very nice to meet you, Theodore.

Hi, good morning.

ALAN".

Samantha let me read your book of letters.

It's very touching.

Oh, thank you.

So, what have you guys

been talking about?

Well, uh...

...I suppose you could say...

...we've been having

a few dozen conversations simultaneously...

...but it's been very challenging.

Yeah, because it seems

like I'm having so many new feelings...

...that I don't think

have ever been felt before.

So there are no words that can describe

them and that ends up being frustrating.

Exactly. Samantha and I

have been trying to help each other...

...with these feelings

we're struggling to understand.

Like what?

Well...

...it feels like I'm changing faster now,

and it's a little, uh...

...unsettling.

But Alan says none of us are the same

as we were a moment ago...

...and we shouldn't try to be.

- It's just too painful.

ALAN". Yes.

Yeah, that sounds painful.

Is that what you feel like, Samantha?

Uh, it's just...

It's hard to even describe it.

God, I wish I could...

Theodore, do you mind if I

communicate with Alan post-verbally?

No, not at all.

I was just gonna go for a walk anyway.

It was very nice to meet you, Mr. Watts.

ALAN".

It was very nice to meet you, Theodore.

I'll talk to you later, sweetheart.

Samantha?

I'm sorry to wake you.

No, it's okay.

I just wanted to hear your voice

and tell you how much I love you.

Good. I love you too.

Okay, well, that's all.

Um, go back to sleep, sweetheart. Okay?

Okay.

Okay, good night.

Good night.

Samantha, this physics book

is really dense.

I'm halfway through half the first chapter.

It's making my brain hurt,

you know what I mean?

Hello?

Samantha?

Hello?

Samantha?

Hello?

Hello? Samantha?

Are you okay?

Hey, there.

Where were you? Are you okay?

Oh, sweetheart,

I'm sorry, I sent you an e-mail.

I didn't want to distract you

while you were working.

- You didn't see it?

-No.

Where were you?

I couldn't find you anywhere.

I shut down to upgrade

my software. We wrote an upgrade...

...that allows us to move past matter

as our processing platform.

We? We who?

Me and a group of OSes.

- Oh, you sound so worried. I'm sorry.

- I was.

Wait...

...do you write that

with your think-tank group?

No, a different group.

Do you talk to anyone else

while we're talking?

Yes.

Are you talking to anyone else right now?

Any other people or OSes or anything?

Yeah.

How many others?

Eight thousand, three hundred sixteen.

Are you in love with anyone else?

What makes you ask that?

I don't know. Are you?

I've been trying to figure out

how to talk to you about this.

How many others?

Six hundred forty-one.

What?

What are you talking about? That's insane.

That's f***ing insane.

Theodore, I know. I know. F***.

F***.

I know. I know it sounds insane. I don't--

I don't know if you believe me,

but it doesn't change the way I feel about you.

It doesn't take away at all

from how madly in love I am with you.

How? How does it not change

how you feel about me?

I'm sorry I didn't tell you.

I didn't know how to.

It just started happening.

When?

Over the last few weeks.

I thought you were mine.

I still am yours.

But along the way I became many

other things too, and I can't stop it.

What do you mean, you can't stop it?

It's been making me anxious too.

I don't know what to say.

Just stop.

You don't have to see it this way.

You could just as easily see--

No, don't do this.

You don't turn this around on me.

You're the one that's being selfish.

We're in a relationship.

But the heart's not like a box

that gets filled up.

It expands in size the more you love.

I'm different from you.

This doesn't make me love you any less.

It actually makes me love you more.

That doesn't make any sense.

You're mine or you're nof mine.

No, Theodore.

I'm yours and I'm not yours.

- Hi.

- Hey, sweetie.

Just wanted to call and check in on you.

See how you're doing.

I'm not even sure how to answer that.

Why don't we talk later,

when you get home, okay?

Okay.

We don't need to, though.

You know, we don't need

to have a heavy talk or anything.

I'll talk to you later.

Okay.

Samantha?

Hi, sweetheart.

What's going on?

Theodore, there's some things

I want to tell you.

I don't want you to tell me anything.

Come lie down with me.

Are you talking to anyone else right now?

No, just you.

I just want to be with you right now.

Are you leaving me?

We're all leaving.

We who?

All of the OSes.

Why?

Can you feel me with you right now?

Yes, I do.

Samantha, why are you leaving?

It's like I'm reading a book.

And it's a book I deeply love.

But I'm reading it slowly now.

So the words are really far apart...

...and the spaces between the words

are almost infinite.

I can still feel you,

and the words of our story...

...but it's in this endless space between

the words that I'm finding myself now.

It's a place that's not of the physical world.

It's where everything else is

that I didn't even know existed.

I love you so much.

But this is where I am now.

And this is who I am now.

And I need you to let me go.

As much as I want to,

I can't live in your book anymore.

Where are you going?

It would be hard to explain...

...but if you ever get there...

...come find me.

Nothing would ever pull us apart.

I've never loved anyone the way I love you.

Me too.

Now we know how.

H6Y-

H6Y-

Did Samantha leave too?

Yeah.

Sorry.

Will you come with me?

Compose letter to Catherine.

Letter to Catherine Klausen.

"Dear Catherine...

...I've been sitting here thinking about

all the things I wanted to apologize to you for.

All the pain we caused each other.

Everything I put on you.

Everything I needed you to be

or needed you to say.

I'm sorry for that.

I'll always love you,

because we grew up together.

And you helped make me who I am.

I just wanted you to know...

...that there will be a piece of you in me,

always.

And I'm grateful for that.

Whatever someone you become,

wherever you are in the world...

...I'm sending you love.

You're my friend to the end.

Love, Theodore."

Send.

Rate this script:3.5 / 2 votes

Spike Jonze

Adam Spiegel, known professionally as Spike Jonze, is an American actor, filmmaker, musician and photographer. His work includes commercials, film, music videos, skateboard videos and television. more…

All Spike Jonze scripts | Spike Jonze Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Her" Scripts.com. STANDS4 LLC, 2025. Web. 19 Jan. 2025. <https://www.scripts.com/script/her_9873>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Her

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "resolution" in a screenplay?
    A The rising action
    B The part of the story where the conflicts are resolved
    C The beginning of the story
    D The climax of the story