Highlander III: The Sorcerer Page #12
- Year:
- 1994
- 888 Views
49
GASTON:
(in French)
Excuse me gentlemen. My name is
Gaston.
CAVANAUGH:
(to Macleod)
What'd he say?
MCCLEOD:
I have no idea.
GASTON:
(in English)
Ah, you are English. I speak
English. My name is Gaston. For a
small fee I would gladly be your
guide.
Macleod and Cavanaugh look at each and decide why not.
Cavanaugh tosses up and coin which Gaston eagerly grabs.
CAVANAUGH:
We need food and lodging.
GASTON:
Not to worry, Monsieur. My Uncle
owns a very reputable inn.
Gaston takes Cavanaugh's bag and carries it. He attempts to
take Macleod's, but Macleod will not let go of it.
GASTON:
How was journey?
MCCLEOD:
Great. I'd recommend it for anyone
who wants to lose weight.
CUT TO:
INT. BEDSOE'S OFFICE - DAY
Bedsoe is watching the TAPE of the bank robbery on a small
television. Detective Greley enters holding a PHOTOGRAPH of
Kilvara.
DETECTIVE GRELEY
Here it is, Lieutenant. We blew it
up off the tape. Every cop in the
city has a copy of it.
50
BEDSOE:
Good -- also, give it to the papers
and TV.
DETECTIVE GRELEY
Y'know, the guys in robbery are gonna
get kind of upset. We're stepping on
their toes of this one.
BEDSOE:
Tough.
DETECTIVE GRELEY
It's not a homicide, Lieutenant.
BEDSOE:
This ties in with Nash.
DETECTIVE GRELEY
We don't have any proof of that.
BEDSOE:
I don't need proof. I know it. Send
it out.
CUT TO:
INT. NEW YORK LIBRARY - AFTERNOON
Jennifer sits at one of the microfilm machine scanning over old
newspaper articles. She stops at one that reads: ANTIQUE
DEALER ARRESTED IN CONNECTION WITH HEADLESS CORPSE.
INT. LOBBY, LIBRARY - AFTERNOON
Jennifer looks through the WHITE PAGES.
JENNIFER:
(reading aloud)
Russell Nash Antiques. Hudson
street.
CUT TO:
Macleod walks towards the entrance of the shop. As he reaches
the door Jennifer steps out of the shadows.
JENNIFER:
Mr. Nash?
51
Macleod turns towards her. His face betrays nothing.
JENNIFER:
My name is Jennifer Hillman. I was
at the police station earlier today--
MCCLEOD:
I remember you.
JENNIFER:
I was wondering if I could talk to
you?
MCCLEOD:
Are you a cop?
JENNIFER:
No. I'm an archaeologist.
MCCLEOD:
What do you want?
JENNIFER:
To talk to you.
MCCLEOD:
I don't think we have anything to
talk about, Miss Hillman.
Macleod enters the store. Jennifer follows after him
determined.
Macleod walks across the room. Jennifer enters.
JENNIFER:
(yelling after him)
Not even headless corpses wearing
seventeenth century clothing?
MCCLEOD:
Corpses?
JENNIFER:
Yes. We found another man outside a
site we were working at in Scotland.
MCCLEOD:
In the highlands?
52
JENNIFER:
Yes. How did you know?
MCCLEOD:
A lucky guess.
JENNIFER:
I don't think so -- but then, maybe
you've can guess how a guy with a
sword could rob the First national
Bank this afternoon -- and get shot
six times in the chest by the guard
and still get up and walk out?
MCCLEOD:
He was wearing a bullet proof vest.
JENNIFER:
Bullet proof vests don't bleed.
MCCLEOD:
(shrugs his shoulder)
You got me.
JENNIFER:
Why do I feel that you know what's
going on?
MCCLEOD:
Are you the type of person who takes
advice, Miss Hillman?
JENNIFER:
If it's good advice.
MCCLEOD:
This is. Go home. Stay out of this.
JENNIFER:
Why? What's going on?
Macleod shows a hint of frustration that she isn't going to
take his advice. Macleod starts to walks away. Jennifer grabs
his arm. Macleod turns around and pulls her hand away.
Suddenly his expression changes as he stares at her hand.
MACLEOD'S POV
On her finger is a distinctive RING. It is very old intricate
gold patterns carved in gold and set in ivory.
Macleod is shocked. He slowly raises her hand up before his
face and looks her in the eyes.
53
MCCLEOD:
Where did you get this ring?
Jennifer is more than a little frightened by Macleod intensity.
MCCLEOD:
(continuing)
Where did you get it?
JENNIFER:
It's mine. It's been in my family
for years. It belonged to my great,
great, great grandmother.
Macleod stares at the ring again -- his mind drifts away for a
moment, then he looks at Jennifer.
MCCLEOD:
Goodnight, Miss Hillman.
Macleod walks towards the elevator. A beat. Jennifer gathers
her composure -- in spite of his intensity there is something
that interests her about Macleod. Macleod steps in the
elevator and looks back at her. He says nothing. The elevator
doors close. Jennifer stares after him, intrigued.
CUT TO:
As Macleod walks down the hall Rachel opens her bedroom door.
RACHEL:
everything alright?
MCCLEOD:
Fine.
RACHEL:
What will you do?
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