Hollywood Ending
You know who would be perfect
to direct this...
...not that I relishthe idea of
working with him, but my ex-husband.
Val?
He's perfect for this material.
She's right. It's his kind of story.
I love Val, but with all due respect,
he's araving, incompetent psychotic.
He's not incompetent.
They should lock him up andthrow away
the key. Don't take that the wrong way.
We'll wind up $20 million over budget
and no picture to boot.
I did apicture with him at Firestone.
He never fini... had anervous breakdown.
He was under alot of stress.
We'd just broken up.
Honey, he was fired off apicture here
at Galaxie before I took over.
They said his demands
were outrageous.
The sun hadto be just right.
He demandedthey replace
the leading lady.
fire the cameraman.
He got shingles. They shut downthe
picture and found another director.
You don't have to tell me.
I was marriedto himthen.
But that was 10 years ago.
His best pictures were 10 years ago.
Then he became an artiste.
I amthe last personto defendthat
craziness, because it drove me nuts.
He was bornto do this material.
Ellie, we're talking about shingles,
headaches. Why open a can of worms?
He's mellowed, I'mtelling you.
New York's in his marrow.
Just let me say this: Ruth.
- Yes, Ruth.
- No way.
He's great! I know we could get him.
He'd be safe.
We can put our foot on his neck.
Martin Ruth!
Val hasn't worked in years.
We could make a good deal.
Then watch him like ahawk.
We're goingto lose alot
more with Val!
I agree with Ellie. I think he's
the ideal director for this project.
But we won't use him,
because who needstrouble?
And why would he work with us,
given allthe personal baggage?
I'mtold he's in no position
to be fussy.
I can't stand it here!
What the hell am I doing in Canada?
Lori, they got moose up here!
Are moose carnivorous?
How can you be homesick? You got there
yesterday. You come home tomorrow.
Val! We're goodto go, Val!
Waiting on you!
Did my agent call?
The interracial abortion
gene-splicingthing?
to go with Peter Bogdanovich.
Oh, that's great!
That's just great!
You know, I love Peter.
Peter's abeautiful guy.
God bless him. Oh, God.
The client wants overhead coverage
of the spray cans.
One minute! This is humiliating! I'm up
here shooting a deodorant commercial.
I got two Oscars! Up here you don't need
Oscars, you need antlers!
Here's a funny script
about two fraternity kids...
...who invent amachine to turn women
back into virgins. It's very clever.
What'sthe matter?
When you asked me to come out here...
...you promised me I wouldn't just be
one of those bright women who...
...finds properties, goesto lunch 500
times developingthem,
then never gets one made.
Honey, "The City That Never Sleeps"
is greenlit. That's been your project.
Until I suggest the director.
Then...
...though you admit he's perfect,
I get shot down.
You weren't shot down.
It's arisky choice,
but an inspired one.
I think you want to help him
because you feel guilty.
Guilty? Why? Because I fell
in love with you?
I put in enough years
inthat marriage...
Right. You did nothing wrong.
I know, and I brought up
his name because...
...he would give youthe best movie
for that script.
He's probably too angry
to speakto you.
to get even with me...
No, you're wrong about that. He would
be grateful. He needs a comeback.
Ellie, this is a very,
very expensive film.
It has solid box office potential.
He can do it.
do you?
One day you look up and realize
that laughs are not enough.
I can handle him, Hal. Ijust got tired
Andthen, you know... I met you.
What are you doing home?
I quit.
No, Val, not again!
You quit over nothing again?!
Not over nothing.
I quit over abigthing.
They fired me. I thought that was big
enoughto quit over.
Oh, Val, that's just great!
I got the last plane out of Toronto.
Have you ever seen Canada? Now
I know why there's no crime up there.
I must say, you don't seem
Can you blame me? Now you'lljust sit
around, talking about the good old days.
I got to get apicture. Someone has
to take a chance on me.
This is ridiculous. When you're cold,
you're cold.
Fortunately,
away enough money
before he went to prison...
...for me to live on another 3
weeks, maybe.
Your agent called.
If you had come with me,
it might have been different.
is alot cozier.
Who'd go on for me inthe play?
For God's sakes,
it's an off-off-Broadway play!
Your understudy could have gone on.
Are you kidding? My understudy?
That'd be the night Steven Spielberg
comes. Or Harvey Weinstein.
They're not coming, believe me.
They're fasting.
I would have been so good
inthat Shakespeare movie.
What'sthat?
Pelts. I traded with a fur trapper
between shots...
...so the trip wouldn't be
atotal loss.
Your agent sent over that script.
A script?
Why didn't youtell me about this?
"The City That Never Sleeps".
When didthis come in?
Well? What did youthink of it?
I think it has definite potential.
It's got areally good
Manhattan feelto it.
They're interested in you directing.
That's, uh, that's fine with me.
This isthe kind of material I can
do great. I can make this script sing.
This is New York. It's nightclubs,
the skyline.
- Want some water? I'm very excited.
- Me, too.
Who wants me?
Well, we have alittle sellingto do,
- Hal Yeager?
- That's right.
He stole my wife.
Ellie'sthe one pushing you.
Pass! I'm not goingto work
with Hal Yeager and Ellie.
He's a Philistine and she's a quisling.
It's areligious conflict.
Calm down. It's everything
you've been looking for.
I'm frankly flabbergasted
they'd eventhink of me.
They didn't think of you. She did.
to New York and meet with you.
This guy stole my wife.
He doesn't holdthat against you.
It's business.
Can you believe that she would
leave me for Hal Yeager?
I still can't get my mind
around it. Mr. Slick...
The price of his haircut
could feed a family of five.
Calm down. You're getting all red.
And you're telling me he doesn't
want me? She'sthe...?
The nerve of that...
He's such amanicured phony!
May he fall on his blow comb
and get hot inthe wrong place.
Please, Val. Don't do anything
to killthis. It's a golden opportunity.
I'd rather do the geriatric diaper
commercial I turned down.
That's what the future holds
if this fallsthrough.
Of course I wouldn't.
This is aterrific script. I...
Come on, make some sense now.
A $60-million,
first-class feature film.
A big payday, which you need. And...
...if you score withthis,
you're back ontop.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Hollywood Ending" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/hollywood_ending_10070>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In