Holy Matrimony Page #6

Synopsis: A young couple, Havana & Peter, rob a county fair of its daily receipts and escape to Canada to hide out in the Hutterite community where Peter was raised. While there, they get married to satisfy the conservative elders in the community. Peter hides their loot in a secret hiding place, but then soon dies in a car wreck. His much younger brother Zeke is called upon to replace his brother and marry Havana. Zeke already hates Havana because he believes she is what changed his brother. She begins looking through everything that was Peter's, and Zeke rightly deduces that Peter hid something from her. He finds the money, along with a newspaper article that mentions Peter as the prime suspect in the robbery. Zeke initially uses the cash to trick his bride into doing housework. Later he shows it to the elders, who deem that it should be returned to its rightful owners. Zeke and Havana (who claims innocence of the source of the money) are sent on a quest back to the US to return the money.
Genre: Comedy, Crime
Director(s): Leonard Nimoy
Production: Buena Vista
 
IMDB:
5.1
PG-13
Year:
1994
93 min
114 Views


- [Markowski] Pull over. | - Zeke, you shouldn't have told him.

You shouldn't be without me. | You're my wife!

Watch it!

Don't hurt her!

Zeke, hold on!

All right, hand over the money or get | to know the color of the kid's brains.

F.B.I., my ass!

Oh, I'm F.B.I. All right. I'm just not | stupid F.B.I. Hand it over or I get ugly.

Take it!

All right, kid... | get out.

Your tour is over.

Zeke, get back over here!

No! You make me sick.

- Get in the truck. | - I am not going anywhere with you!

I'm not going to sit around here | and argue with you about this.

Just go away!

- Come here. | - What are you... Hey!

- You put me down! | - Do what I tell you.

You're trying | to get us killed. Get in.

- I'm your husband! You have to... | - Get in the truck!

- Get in. Get down! Get down. | - What? What are you doing?

Now!

Go get the money.

Come on!

Come on!

Where are | you taking me?

To the state fair. To get you and this money | out of my life once and for all.

Been nothing but a nightmare. | First we ditch this truck.

- Why? | - Because the F.B.I. Is on us. | We don't have time to drive.

- We're gonna have to fly. | - Doesn't it cost a lot of money?

Who cares? | We've got it.

That is not our money! | We will take a bus.

You are so cheap!

I do not do buses.

I do not do planes!

[Train Whistle Blowing]

[Ezekiel] | It's cold out here.

Better?

Do you think that my brother | was a bad person?

No.

- I just think that he | didn't know how to listen. | - To what?

To that little voice inside that | tells you what's okay and what's not.

Do you hear it?

Sometimes.

It's getting pretty hazy.

It better start coming clearer | 'cause this deal is getting tiring.

- You want to go to sleep? | - No, I don't mean tired like that.

I mean, tired like I'm sick | of pretending all the time.

Here, put this on.

What do | you pretend about?

Well, for one thing, | my name isn't really Havana.

It's not? No?

It's Betsy... | Betsy Iggits.

I thought Havana sounded better: | More glam, more with it.

Kinda one of those | one-name things...

like Madonna and Cher... | Marilyn.

Who's Marilyn?

Who's Marilyn? | Marilyn Monroe?

- Only my hero. | - Why?

Zeke, she was beautiful.

She had fabulous houses | and boats and men...

and cars and furs | and jewels and clothes.

- And everything a girl could want. | - She had a nice family too?

Well, that part | didn't work out so good.

But you said that | she had everything.

And if she didn't have | a nice family...

it sounds like | she had nothing.

It does kinda sound | like that, huh?

I have a nice family. Do you?

I don't know. I guess they're nice. | I don't really think about them.

You don't think about | your family all the time?

No! That's why | I left home.

That's why I left Milwaukee, so I wouldn't | have to think about them or Milwaukee.

Is that what | that Marilyn girl told you to do?

'Cause if so, she's wrong | and you should tell her...

that she should go back home and see | her family before she doesn't have any left.

Okay, Zeke, I told you I'd get you to | the state fair and I have.

- So, if they catch me | they're gonna arrest me. | - No, they won't.

You don't understand. | I helped Peter with that robbery.

You did?

It's a crime. | I'll go to jail.

Remember... face rats? | Not my idea of a good time, either.

No! Not a face rat | will touch you.

I promise, I won't let | anybody take you to jail.

Zeke, this is | where I get off.

Go down that street and at the very end | there's a white building.

Go in there, ask for | the manager's office.

Tell them you want | to return the money.

Will you wait here?

No.

I think we should say good-bye now.

I'll pray for you.

Thanks. I think I'll need it.

Bye.

Wait a second, okay. | I'm going to be right back.

I just wanna make sure he's okay.

[P.A. System] | Ladies and gentlemen, just a reminder...

thoroughbred racing | starts at 2:;00 p.m.

We've got some great horses | running here today.

You're not going | to want to miss it.

Post time is 2:
;00 p.m.

Eye on the ball. | Keep your eye on the ball.

Betsy, you've gotta get outta here. | They're looking for ya.

Thanks, Rusty.

- Gotcha! Gimme the bag, kid! | - [Screaming]

Hey! Hey!

Come on!

Stop him! Hey!

- Help me! Help me! | - F.B.I.

- Call security! | - Gimme the bag!

Get the hell outta here! Ow!

Run, Zeke!

Roger, I heard it. Someone calling | for security in area seven.

- It may be Havana. | If you see her, lock her up. | - Copy that.

Kid, come on, slow down!

Come on, somebody help me.

- Who the heck are you? | - F.B.I. F.B.I.

I don't care who you are. You better | get out from under that bull.

[Markowski] | Stop that kid.!

Yah! Yah!

- Get going! Get going! Yah! Yah! | - Come on, slow down.

You son of a...

[Clown] | Balloons! Here's a green one.

Thank you.

Balloons!

Move!

No. No, | I won't faint.

I won't faint!

- You jerk! | - What do you think you're doing?

Back off, fellas. F.B.I.

[Havana] | Zeke? Zeke?

F.B.I. Okay?

- Stop him, stop him! | - It's over, everybody. Relax.

- She's got an air conditioned cab. | - [Tractor Motor Starts]

Hey, wait! Hey!

[Honking]

Get off of me, you b*tch!

No, no. Put me down.

Put me down.! I'm F.B. I...!

[Cheering]

Put me down. | Put me down!

[Zeke] | You have to let her go!

She helped me! You can't | take her to jail. She's my wife!

Your wife.

He's my husband. If you have a problem | with me, then just deal with me.

Leave him out of it. | He's a good man.

- A man. | - He's the biggest man I know. | So, he's not the tallest.

You're the F.B.I. | What do I do?

It's up to you, sir. | You want to press charges?

She was wrong to help | my brother, but she's changed!

I couldn't have | returned it without her.

We had to spend some of it | on the way, but...

But whatever's missing, I'll work to | pay it back. I'll do whatever you want.

Just don't take her to jail.

Well, I don't know. | She sure did make some fool outta me.

Um, could you | come here please, sir?

Chapter 26, verse 6.

"To forgive a woman with stain | in her hands, but health in her heart...

"makes a higher man | ofhe who forgiveth.

"And God | shall such remember...

"when such a day of final | reckoning comes forth.

For he shall be coveted | as a man among men."

Sir, I think thatJob | was speaking to you.

Look, son...

the state fair has offered a $25,000 reward | for the return of this money.

That's for you!

No, I don't want | any reward.

I just want my wife.

I don't know if you're crazy, | orjust crazy for this woman.

But you got a deal!

[Men Laughing]

- Welcome home, Ezekiel. | - Thanks.

Sorry about that.

I deserved it.

Thanks for saving me back there | at the fair.

You saved me back with | that quote from the Bible.

I'm gonna have | to thankJob one day.

No. Thank me. | I made it up.

But I don't thinkJob would be mad. | It was for a good cause.

You actually think I could turn out | to be a good cause, hmm?

You already are!

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David Weisberg

David Weisberg is an American screenwriter, best known for writing 1996 film The Rock, which he co-wrote with his writing partner Douglas Cook, who died on July 19, 2015. His other credits with Cook include Payoff, Holy Matrimony, Double Jeopardy and Criminal. They also wrote another action thriller script Blank Slate, which is currently un-produced at Bold Films. more…

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Submitted on August 05, 2018

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