House II: The Second Story Page #5

Synopsis: The new owner of a sinister house gets involved with reanimated corpses and demons searching for an ancient Aztec skull with magic powers.
Director(s): Ethan Wiley
Production: New World
  1 nomination.
 
IMDB:
5.4
Rotten Tomatoes:
10%
PG-13
Year:
1987
88 min
154 Views


(buzzing and beeping)

(whirring)

- What is that?

- Shh.

(whirring)

Uh-huh.

Oh.

Ooh.

- What, what do you hear?

- Ah, Jess, Jess, Jess, Jess.

It's not good.

I've seen this before and...

it's always made my adenoids curdle.

Oh, hey, don't monkey with

those switches, Jess.

It'll blow us both to Milwaukee.

It's touch and go from here, pal.

Could go either way, Jess.

Oh, yeah, yeah, Jess,

want to step into my office

here for a second?

Listen, buddy, I like

to be alone with my work,

so if you don't mind...

- Yeah.

- You got somethin' to do?

- Sure.

- Go do it, buddy, go do it.

Go do it.

(laughing)

Nice kid.

(heroic music)

(suspenseful music)

Whoops.

(mischievous music)

Weird.

(suspenseful music)

- You see anything?

- Forget it.

I'm not goin' up there.

Gramps can get his own damn skull.

- Come on, Charlie,

Gramps said they went in here,

so don't wimp out on me now.

- Hey, buddy.

(screams)

Oh, scared ya, huh?

Relax.

- Oh, God, Bill, are you all right?

- Yeah, fine. Fine, fine.

- Who is this?

- Uh, Bill.

- Bill Towner, electrician.

- Charlie Coriell, entrepreneur.

- Uh, listen, fellas,

we got a little problem

in the other room.

I think you'd better come have a look.

- Look, Bill, I'm sorry, but this

really isn't a good time.

Why don't you pack it

up and come back tomorrow?

- I think we better go in

the other room and have a look.

(sighs)

Well, there it is.

Looks like you got some kind

of alternate universe

in there or somethin'.

(ominous music)

- Thanks.

Come on, Charlie.

- [Charlie] Guess I'm next.

Jess, got any spiders in there?

'Cause you know I--

- You comin', Charlie?

- [Bill] Hey,

I don't know you guys.

Look, that's an alternate dimension

in there or somethin' and...

- [Jesse] Incredible.

- Well, hold on a second, will ya?

I've been through

this kinda thing before.

Just don't touch anything

till I get there.

(heroic music)

Looks like you're gonna need

the help of a professional.

(suspenseful music)

- You got a flashlight?

- Yeah.

(suspenseful music)

- [Jesse] You know something?

I'm incredibly scared right now.

- [Charlie] Don't be a fag, okay?

- [Jesse] Shh! Listen.

(faint murmuring)

I think it's coming from over there.

(murmuring in foreign language)

(chanting in foreign language)

(woman whimpering)

There it is.

- [Bill] Yep.

(speaking in foreign language)

(woman whimpering)

Well, it's not gonna be easy.

(speaking in foreign language)

(woman whimpering)

- They're not gonna

sacrifice her, are they?

- Hey, Jess, now, now,

is she a virgin?

Because I've never seen one before

and she's really dynamite, man.

(snickers)

(shouting in foreign language)

- Hey!

(shouting in foreign language)

(grumbling)

No, no!

- [Charlie] Oh, boy.

(speaking in foreign language)

Well, hey, hey,

come on, come on.

Well, I'm sorry, we thought

that she was somebody

that we knew.

Go ahead, enjoy, it's okay.

(laughing)

(shouting in foreign language)

Watch this.

Woohoo!

(screaming)

(shouting in foreign language)

(grunting)

(screaming and shouting)

Whoa! Neat, huh?

(laughing)

(intense music)

(grunting)

Hey, you!

(grunting)

Thank you!

(screaming)

(clangs)

(clanging)

Come on, come on.

- [Jesse]

Get her out of here.

Whoa!

(groans)

(shouting in foreign language)

- Jess!

(choking)

(groaning)

(screaming)

(sighs)

(shouting in foreign language)

- [Bill]

Come on, get out of here.

I'll hold them off.

- Thing is, Billy, I don't

remember which way.

- Just follow the string.

- Come on!

- Bill, come on.

- Don't worry about me.

(barbarian screams)

I gotta get home, my kid's

little league night.

(screaming)

(groaning)

(clanging)

(suspenseful music)

- [Jesse] Where's Bill?

I don't see him.

- [Charlie] Go on!

Hey, Bill. All right!

- Oh, Charlie.

Good to see you back.

I started to get

a little concerned here.

- Hey, hey, Bill,

what are you doin' here?

- You know, you guys throw

one heck of a party

and I'd really like to thank you

for inviting me along.

Jess, it's been a pleasure

and miss,

it was a pleasure to meet you.

Oh, and Jess, listen, if you

need any more work done

just give me a call there, huh?

Take care, Charlie.

- [Charlie] See ya.

(heroic music)

Who was that man?

(sniffs)

(grumbling)

(squawking)

- Where the hell's the food?

- I'll go check.

(screeching)

- And tell him we're starvin'.

(barking)

- You know, I've been watchin' her

and she really likes you.

Seriously, she likes you.

- Come on, Charlie.

- I'm serious.

Watch.

Who do you like better, me or him?

Me, Charlie, fun, you know,

crazy guy, nut,

or him?

(whacks)

I rest my case, Jess.

(whacks)

Ow!

- All right.

Well, if everybody's hungry

let's dig in while it's hot.

- Uh, Jess, shouldn't we say grace?

You know, say a few nice words

about God or whoever.

- Um...

(serene fiddle music)

All right, I guess I'd just like to...

thank everyone for their special

contribution to the meal

and to say that I guess

I think of all of you

as, well, my family now.

(purring)

(barking)

- That was well put, son.

Now, let's eat.

(squawks)

- Yeah.

(growling)

(intense music)

(screeching)

(growling)

(intense music)

- Slim...

you low down weasel.

I've been waitin' for you.

- [Slim] Long time, partner.

(growls)

- [Gramps] Charlie!

He's mine.

I knew you'd catch up

with me sooner or later.

(growls)

(gunshot fires)

(screaming)

- Gramps!

(suspenseful music)

(shrieks)

(whimpering)

Gramps.

(shouts)

(crashing)

Charlie!

(screaming)

(dramatic music)

(groaning)

- After all this time...

he got me.

You're gonna need this.

He's the one that killed

your ma and pa.

(suspenseful music)

(bangs)

(gun clicks)

(clinking)

(gun clicks)

(suspenseful music)

(glass shattering)

(groans)

(suspenseful music)

(muffled screaming)

- Oh, my God.

(muffled shouting)

Charlie!

(muffled shouting)

- Get out or he's gonna kill ya!

(suspenseful music)

(hooves clacking)

(growling)

(horse whinnying)

(suspenseful music)

(gunshots firing)

(growling)

(gunshot fires)

(gunshot fires)

(gunshot fires)

(gunshot fires)

(gunshot fires)

(growling)

(growls)

(gunshot fires)

(screaming)

(laughing)

(screaming)

(glass shattering)

(suspenseful music)

(gun clacking)

(growling)

(spurs clinking)

(growls)

(gunshot fires)

(gunshots firing)

(glass shattering)

(gun clacks)

(suspenseful music)

- Jesse.

(gunshots firing)

(groans)

(siren blaring)

- [Voiceover] You and you,

come with me around back.

- [Voiceover]

A possible sniper holdup

in the 175 Woodacre Drive--

- What's up, Eddy?

- Sheriff, we got a crazy in there

shootin' up the whole neighborhood.

- The old McLaughlin place.

- That's right.

We just found out who owns the place.

Jesse McLaughlin.

He's old Clarence's son.

Just moved in a couple of days ago.

- Clarence's son?

- Yeah.

- Well, he's movin' out tonight.

I'm gonna talk to that sucker.

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Fred Dekker

Fred Dekker (born April 9, 1959) is an American screenwriter and film director best known for his cult classic horror comedy films Night of the Creeps and The Monster Squad (written with Shane Black). He contributed the story ideas for House (1986) and Ricochet (1991), and also directed and co-wrote RoboCop 3 with Frank Miller. One of his earliest movies was a short film he made in college titled Starcruisers, directed in the early 1980s. more…

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Submitted on August 05, 2018

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    "House II: The Second Story" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/house_ii:_the_second_story_10243>.

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